Category Archives: Arts, Culture & Entertainment

A stroll through the iconic Pallavaram Friday market

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The Friday market at Pallavaram has a 100-year-old history. Antiques, bicycles, vegetables, auto-parts, pots… You can even buy yourself a live goat at this high-energy space which brings a village to the city

“Listen carefully,” says the old man sporting a turban made of towel. His audience: two little boys. The location: Pallavaram Friday sandhai (shandy).

His name is S Srinivasan and he has just sold them a pair of rabbits. “Mix turmeric with water and apply it on their nails in case they get torn. That’s the most common injury that rabbits can incur,” he instructs. The boys nod in unison as the palm-sized creatures wiggle in a basket next to them.

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Srinivasan is from Kundrathur and sells rabbits and hens for a living. The market provides him a big chunk of income. Not just him; it has been supporting hundreds of vendors from nearby villages, small towns, and suburbs for over 10 decades.

The Pallavaram Friday Market is like a hamlet with non-resident inhabitants. They pack their bags and arrive at dawn, make the two-kilometre-long stretch their home for a day, and leave at night, only to repeat the pattern every week. Some have been doing this for years. The market has everything. “You can find everything other than your parents here,” jokes C Baskar who sells glass bangles sourced from Parry’s.

The market’s entrance is lined with gardening-related products such as saplings, flowerpots, and compost. K Kumar, who sells vegetable and flower seeds, squats on the ground with a cabbage leaf over his head to protect himself from the sun.

On the go

“I’ve picked a market for every day of the week to do business,” he says. “On Mondays, I head to Madhuranthagam, Tuesday to Thirukazhukundram and so on.”

Most sellers at the market are people like him who make a living out of travelling from one sandhai to the other. Allah Bahad who sells handmade kitchen and meat knives, sits opposite a row of vegetable sellers, holding an umbrella. “The knives have been made at Thiruvalankadu, a village near Arakkonam,” he explains.

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Nearby, a man calls out to customers claiming he has the best deals on T-shirts; a butter-milk seller tring-trings on his bicycle; mammoth jackfruit from Panruti are heaped like boulders in the sun; plastic-framed mirrors gleam, jostling for space next to mountains of red chillies as dried fish sit pretty nearby, their smell doing all the talking. Full-fledged grocery stores have been set up for the day, complete with strands of masala sachets hung like garlands in the front.

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Tethered goats await buyers; some, such as those that N Arumugam owns, have travelled long distances to reach the market. Hens bustle inside makeshift coops while baby rabbits rub their noses against metal cages. Nearby, K Saravanan sits amidst what looks like electronic waste — TV remote controls, keyboards, mobile phones and head-sets among countless lengths of wires and batteries. “People looking for reusable parts come to me,” he explains. There are several such stalls that recycle e-waste.

Wood and metal

Walk a little further and we come to a slice of Pudupet; machine and automobile spare-parts are neatly arranged on the ground; there are brand-new bicycles on sale too. Then there’s wooden furniture to choose from. The market boasts five shops that deal with old coins and antiques. S Rajasekar, who owns one of them, shows us brass containers, horseshoes, and ornate hand-carved metal keys. “I collect antiques from places such as Kanchipuram and also trade with others in the business,” he explains.

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An easy camaraderie exists amongst the sellers, evident from the way they chit chat as they work. A chudidar-clad woman stands out: S Usha is setting up her stall of earrings and seems a little conscious as she spreads her products. It’s her first day and she merely smiles when asked if she’s nervous. “What’s there to fear?” chips in her neighbour R Suresh. “There’s always space for new people at the sandhai.”

source: http://www.thehindu.com / The Hindu / Home> Society / by Akila Kannadasan / April 17th, 2018

Breaking down the barriers of bigotry

Well-deserved: Chinnammal, middle, being honoured at the Born2Win Trans* Achiever Awards held in the city on Tuesday.
Well-deserved: Chinnammal, middle, being honoured at the Born2Win Trans* Achiever Awards held in the city on Tuesday.

Born2Win Trans* Achievers Awards recognises role models from the community

The Sixth Annual Born2Win Trans* Achiever Awards recognised not only members from the community who have accomplished their goals in their own right but also their mothers who were immensely supportive of their gender nonconforming children and others who supported LGBT rights. The event was held at Rani Seethai Hall on Tuesday.

“I don’t know how to explain my feelings, but I am really happy to see you all and wish you well,” said 82-year-old Chinnammal, mother of Jeeva Rangaraj from TRA, an NGO which works for transgender rights.

This year, 19 individuals were chosen for various categories of awards. Among them was a medical student, a physiotherapist, a model and a social activist.

Grateful voices

“I am so honoured to be chosen for this award. It only shows that I am on the right path,” said Solu S., a Madurai based physiotherapist, who now works with children with special needs. “The day I had to leave home after I came out to my family, I didn’t know what life held for me. But thanks to the people I met in my journey I was able to discover my passion and work towards it,” she said.

Neelamma, an activist, who was awarded the Lifetime achievement award, recalled the difficult times when transgenders were ill-treated and subjected to constant threats and abuse. “Decades ago, transgenders couldn’t even walk freely on the streets, without being hit by stones or cursed. But now we have all come a long way. I am so proud to see you all achieve your dreams and passion, I will always be there to support you,” she said with tears.

Divya Priya and her husband Sasikumar received the Trans* Couple of the year award. The two received the award with Divya Priya’s mother and got a standing ovation from the audience.

The Trans* Ally award recipients were Member of Parliament Tiruchi Siva and Arun Prabhu, director of the Tamil movie Aruvi.

Aditi Balan, who played the titular character in Aruvi, also participated in the event. “I had a completely different opinion about transgenders before I interacted with one in my movie. I am very excited to be a part of this event,” she said.

Advocate Sudha Ramalingam was also present.

source: http://www.thehindu.com / The Hindu / Home> News>Cities> Chennai / by Staff Reporter / Chennai – April 18th, 2018

National-level competition for guppy fish held at Pollachi

Fishes exhibited at the guppy competition at Pollachi on Saturday. | Photo Credit: HANDOUT_E_MAIL
Fishes exhibited at the guppy competition at Pollachi on Saturday. | Photo Credit: HANDOUT_E_MAIL

Nearly 40 varieties of guppy fishes (Poecilia reticulata) from breeders across the country were exhibited at the national-level competition held in various categories at Pollachi on Saturday. Organisers said that it was the first national-level competition for guppy held in the country.

More than 70 breeders from various parts of the country, including Kolkata and New Delhi, took part. The venue was Nikanth Aquaculture at Pollachi.

Breeder A. Prabhu from Chennai was adjudged as grand champion of the competition.

Dinesh P. from Coimbatore, Dinesh Kumar V.L. from Coimbatore, Abjit M. from Kozhikode, and Vimal Kumar V. from Alapuzha won prizes in the best breeder category. Nikanth M.D., and Sagarika M.A. from Pollachi and Riyaz Ahamed from Coimbatore were selected as breeders in the junior category.

Organisers said that Siju Cherian from Cherai in Ernakulam, first person from India to judge international level competitions from June, selected the winners.

Marks were given to the fishes of different varieties based on their body, shapes of dorsal fin, caudal fin, colour and symmetry of patterns on body. Known for feeding mosquito larvae, some varieties of guppy are released in fresh water for controlling mosquito breeding. “The competition was held to boost the local breeders of the fish. As an ornamental fish, guppies have good market value and breeders in States like Kerala are even exporting them. The competition also helped introduce new varieties to breeders here,” said Dinesh Kumar V.L., one of the organisers.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Coimbatore / by Staff Reporter / Coimbatore – April 16th, 2018

The Serbian connection

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The news that TAFE, India’s second largest tractor manufacturer, has bought the Serbian company Industrija Masina i Traktora (IMT) is the culmination of a 55-year-old relationship that has gone through different phases. It is a story that began with TAFE establishing its offices on January 1, 1961 on Kothari Road after it had been decided that TAFE would thereafter manufacture Massey Ferguson (MF) tractors in India. The TAFE factory opened in Sembiam and the first tractor assembled with components from Coventry was driven out by S Anantharamakrishnan in 1961, watched by his son A Sivasailam who was in charge of TAFE, now one of the most successful flag-bearers of the Amalgamations Group.

But it wasn’t all wine and roses in those early days. The first challenge was posed by IMT who had a 10-year agreement with MF to manufacture tractors in what was then Yugoslavia. India, in those Rupee-payment days, was able to import these IMT-MF tractors, while TAFE was struggling to get foreign exchange to import its CKD components from the UK. Sivasailam’s answer was to go to Yugoslavia. With him went one of his sales representatives in North India, V P Ahuja – who was to make Yugoslavia his home – and they successfully negotiated for IMT-MF components to be regularly supplied to TAFE, meeting Rupee-payment requirements. Slowly business picked up.

The initial imports from IMT were not without their headaches. Yugoslavia used the metric system, India the imperial. TAFE’s technical staff had to devise ways and means to adapt IMT components to TAFE’s requirements. Ahuja (made Chief Liaison Officer, TAFE, in Yugoslavia in 1962) also remembers that while the IMT parts were very good, the factory’s documentation was “terrible”. TAFE would get crates-ful of components but would not know what was packed in what; Ahuja was the problem-solver.

Profits, however, were yet slow in coming. Then came windfall. A World Bank tender called for 3000 tractors to be sold to farmers in the Punjab, where the Green Revolution was taking place, under a financing scheme of the Bank. The Punjab Agro Industries Corporation was to distribute the tractors to farmers who could prove they owned land in the Punjab and nowhere else. TAFE won the tender. Later, even as the deadline for the closure of the scheme neared, TAFE still had 600 tractors on its hands. Sivasailam persuaded the Punjab Government to let the firm sell them to Punjab farmers who owned land in Haryana. And TAFE was on its way.

With the business relationship in Yugoslavia well-settled, Ahuja, who is now Offshore Director, established an agency business for TAFE in Belgrade helping the firm’s export business by representing several Indian auto-product firms in the region. Gradually he also began introducing TAFE tractors, which before long were outselling IMT tractors, even though being more costly but being superior in quality. But, adds Ahuja, we remained “passive sellers throughout because of the Chairman’s regard for IMT.”

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With the break-up of Yugoslavia in the early 1980s, IMT slowly started slipping till it finally closed in 2015. At an auction, Mallika Srinivasan, Sivasailam’s daughter, closed the over 50-year-old circle. IMT tractors will be in the East European market again in a year or so, she promises.

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Madras’ first American Church

Zion Church I’ve long known as one of Chintadripet’s three landmarks, the other two being the Sathianathan memorial and the Goschen Library. As an architectural precinct it was quite a striking one, inevitably drawing attention to it. What I didn’t know then was that this was the first and only church built by American missionaries in Madras.

The legendary Dr John Scudder, who founded the American Madras Mission after arriving from Jaffna, and the Rev Miron Winslow, his colleague in Jaffna where he started work on the dictionary that is part of Tamil literary history, built a small church in 1847 in the weavers’ settlement after buying the land from a G V Naidu. They named it the Zion Church and it is now in its 170th year, a Church of South India church since independence.

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In April 1865, the American Mission, then concentrating on the Arcots and Madurai, sold the Church for ₹10,000 to the Church Mission Society, London. Some years later, in 1878, the Church was gifted its bell by the Christian Missionary Society; it is said to be the second oldest church bell in Madras. Another piece of antiquity is the pipe organ which was made in England in 1895. The church was completely renovated in 1995.

Noteworthy has been the long pastoral connection of the Sathianathans/Clarkes with this church. I’ve written about this in the past (Miscellany January 28, 2002) but it deserves retelling. The Rev W T Sathianathan became, in 1862, the Church’s second pastor and its first Indian one. There followed five generations of the family who have preached in the Church. Rev W T, after 30 years of pastoral care there, was followed by his son-in-law W D Clarke. The Rev Clarke was followed after 28 years by his son Samuel S Clarke, who served for about 20 years. He was followed by his son Sundar Clarke, who served a few years and went on to become Bishop of Madras.

In 1995 the Clarke family gathered at the Church to celebrate their connection with it and the service was conducted by Sathianathan Clarke, the great-great-grandson of the Rev W.T. The fifth generation Clarke was visiting after completing a Doctor of Divinity degree at Harvard after a Master’s at Yale.

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Congratulations to a contributor

The Indian National Science Academy (Delhi) has awarded the prestigious Vulmiri Ramalingaswami Chair for 2018 to my regular contributor on Madras medical history, Dr. Anantanarayanan Raman of Charles Sturt University, New South Wales.

Ramalingaswami was a distinguished medical doctor and Director General of the Indian Council for Medical Research.

At the same time Dr M S Swaminathan was Director General of the Indian Council for Agricultural Research.

Dr Raman will spend July in India, headquartered at the Indian Institute of Science, Bangalore, but travelling around to deliver lectures and conduct workshops. Congratulations, Dr Raman; it couldn’t have been awarded to a more dedicated researcher.

The chronicler of Madras that is Chennai tells stories of people, places, and events from the years gone by, and sometimes, from today.

source: http://www.thehindu.com / The Hindu / Home> Society> History & Culture> Madras Miscellany / by S. Muthiah / April 16th, 2018

R Madhavan’s Son Vedaant Wins Swimming Bronze Medal For India

“Proud Moment For Sarita (His Wife) And I, As Vedaant Wins His First Medal For India In An International Swim Meet In Thailand Today
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Bollywood actor R Madhavan’s son, Vedaant won a bronze medal for India in the 1500m freestyle at the Thailand Age Group Swimming Championship yesterday.

“Proud moment for Sarita (his wife) and I, as Vedaant wins his first medal for India in an international swim meet in Thailand today. Thank you for all your blessings,” wrote Madhavan on Instagram along with a photograph of his son holding the medal (right) and certificate with the backdrop of a stadium.

Meanwhile, R Madhavan can be seen in the latest web-series Breathe along with Amit Sadh. R Madhavan made his Bollywood debut in the 2001 hit Rehnaa Hai Terre Dil Mein.

source: http://www.mid-day.com / mid-day.com / Home> Sports News> Other Sports News / by mid-day online desk / April 10th, 2018

Kalai Koodam, an art school in Chennai wants to bridge differences in the field of culture

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Kalai Koodam, an Urur Olcott Kuppam Vizha initiative, is a school for people to learn art in a liberal environment, where boundaries blur and conventions are broken

The Urur Olcott Kuppam Vizha (UOKV), Chennai’s popular counter-cultural festival, began with the dream of bringing all types of art and people together, in a single space. The same dream reflects in their next project, the Kalai Koodam — an art school for people of all ages, economic backgrounds and cultural moorings. Vocal music, Bharatanatyam and Paraiattam will be all be taught under one roof.

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The Kalai Koodam classes will take place at the Thiruvalluvar Community Hall, near Urur Olcott Kuppam, the fishing hamlet, near Besant Nagar. Anyone above eight can take part in these classes. The fee for each class per art form per month is ₹100. Anybody who wants to contribute above the basic fee is welcome to. The money will go into running the Kalaikoodam. The classes will be held on Sundays.

Vocal music classes will not be confined to a particular genre of music, at least in the initial phase. Monali Bala, a musician, UOKV volunteer and manager and administrator of Kalai Koodam says, “The classes aim to develop a love for all kinds of music in children. Over a period of time, the children will gravitate to a particular genre. Only then, will we channel them towards that respective genre.”

This is also an endeavour to cover different kinds of music across the country, apart from Hindustani and Carnatic music — abhangs from Maharashtra or Rabindra sangeet from West Bengal. “And, in Tamil Nadu alone, you have thiruppugazh, bhajanais and folk music. The students are given an exposure to a variety of music cultures,” adds Bala, who handles the music classes. A panel of teachers will be working under Bala, Sheejith Krishna who manages the dance classes and Deepan, who helms the Pariattam classes. When Monali went to the kuppam as part of the vizha volunteering work, she recalls people requesting her for Hindustani music classes. “The demand came from the big migrant diaspora living in the kuppam. Carnatic music also has a popular taking. An older lady called up and stressed she only wanted to learn light music. However, the foundation of these two classical art forms is also strong. The students will definitely be trained in swaras, taken from Hindustani and Carnatic streams.”

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The idea behind Kalai Koodam aligns with the philosophy of UOKV, Bala points out. “In the last four years, we have been seeing an increased interest in people from all sections in these art forms. People who have never been exposed to the so-called classical arts, wanted to learn them. And, similarly those who had no experience of folk forms, were keen on learning Paraiattam. But there is no school where all these arts are given a same platform. Kalai Koodam aims to bridge this divide.”

The classes begin on April 15. Vocal music classes will be held from 10 am to 11 am, Paraiattam from 11 am to 12.30 pm and Bharatanatyam sessions will be held from 12.30 pm to 1.30 pm, at Kalai Koodam at Community Hall, Thiruvalluvar Nagar, near Besant Nagar.

For details, call 9840357799.

source: http://www.thehindu.com / The Hindu / Home> Entertainment> Art / by Parshathy J. Nath a/ April 11th, 2018

2,500-year-old rare circular labyrinth found near Hosur

With a complicated network of paths, labyrinths have been a fertility symbol associated with many cultures
With a complicated network of paths, labyrinths have been a fertility symbol associated with many cultures

Chennai :

A rare circular labyrinth, about 2,500 years old, has been discovered at Kundhukottai, a remote village 55 km from Hosur in Krishnagiri district. It was after hearing from a shepherd about a strange circle of rocks in Kundhukottai, hero stone expert Sugavana Murugan and archaeological officer of the Krishnagiri Historical Research Centre S Paranthaman set off to the village a week ago. Since the village is situated close to the forest, they trekked more than six km to reach the site, crossing mounds of dry elephant dung on the way.

Soon after the discovery, the duo sent the details with pictures to Jeff Saward, a London-based expert in the field of labyrinths and mazes, for his opinion. After studying it in detail, Saward said it must be more than 2500 years old. With a complicated network of paths, labyrinths have been a fertility symbol associated with many cultures. They represent a unique pattern of consciousness and have been used as meditation tool since the Neolithic period.

“We discovered labyrinths in spiral and rectangular shapes, but this is the first time we have come across one in circle shape. Experts like Saward said it’s one of the oldest forms of labyrinths. We have to study the rocks in detail to find the exact age,” said Sugavana Murugan, who had discovered a rectangular shaped labyrinth in Kambainallur in Dharmapuri and a spiral one in Kundhani in Krishnagiri district in 2014 and 2016 respectively.

People used to worship labyrinths for various reasons. A labyrinth has seven paths and one has to come out through the right path. Even though it is difficult to find one’s way inside a labyrinth, it is believed that those who come out through the right path are blessed by the god. “People used to worship labyrinth to be blessed with a child, or to attain success in their pursuits and for long life for their cattle,” said Murugan.

After verifying the photographs, T Satyamurthy, former superintending archaeologist of the Archaeological Survey of India (ASI), said the labyrinth in circle shape was an interesting discovery. “It’s a promising one. But we have to conduct further excavation on the site to find the age and the actual role played by this labyrinth in the life of people those days,” he said.

The labyrinths and mazes, according to Saward, have been found to be in existence since the Neolithic period. “Maze is a multi-curved category where we have multiple pathways to reach our goal, whereas in labyrinths there is only one pathway which leads inexorably to the goal from the point of entry,“ said Saward, who is editor of `Caerdroia’, the journal of mazes and labyrinths. EOM

source: http://www.timesofindia.indiatimes.com / The Times of India / News> City News> Chennai News / M.T. Saju / TNN / April 10th, 2018

Cumbum serves up a banana leaf meal in Dubai

Fit for a feast: A consignment for Dubai gets ready in Chinnamanur on Sunday.   | Photo Credit: Special Arrangement
Fit for a feast: A consignment for Dubai gets ready in Chinnamanur on Sunday. | Photo Credit: Special Arrangement

Traders will export one tonne of the eco-friendly leaves every day for Vishu and the Tamil New Year

Nothing spells tradition more than the gastronomic spread for Vishu and the Tamil New Year, served on a fresh banana leaf.

This year, nostalgic Malayalis and Tamils in Dubai and other West Asian countries can look forward to doing it just like home, as a huge consignment of banana leaves will arrive straight from the verdant Cumbum valley.

With the demand for banana leaves soaring in Dubai during April for the festival season, exporters from Kerala thronged the valley to buy them in bulk.

“We collect only fully matured, country banana leaves,” said V. Sudhakaran, a leaf exporter at Sukkangalpatti village.

“The leaf should not have any black dots or yellow spots. It should be dark green. Workers grade the leaves, process and pack them in cartons at the farms and transport them to Cochin airport for export. The leaves will hit the Dubai market within 24 hours.”

Bananas from the farms in Chinnamanur and nearby villages are already a huge hit among south Indians in West Asia. Now, the plantain leaves from the Cumbum valley have also become much sought-after, particularly in Dubai.

For Christmas too

“The domestic market will not be affected much by the exports as we send matured leaves,” Mr Sudhakaran said. “Local people prefer tender light green leaf of any variety of banana. But we prefer fully matured leaves as they have longer shelf life. We will send one tonne of leaves to Dubai every day, till the weekend.”

Though it is peak season in April, expats prefer to buy banana leaves in large numbers during Christmas too. “We sent a small quantity last December. But we have a bulk order for this year’s Vishu. We procure the leaves from Kullapuram in Periyakulam block to Goodalur near Lower camp, at ₹2 per leaf,” Mr. Sudhakaran said.

To maintain quality, farmers were advised to grow the plantains densely near farm borders to protect those in the farm from strong winds.

The plants are also given support using casuarina poles to prevent damage. Such measures prevent leaf damage, says S. Karuppan, a farmer of Kullapuram.

Flowers are also exported to countries in West Asia as they form part of the ‘kani’ display of auspicious articles for Vishu, while hotels in the region deliver the ‘sadhya’ feast to a large number of families at home.

source: http://www.thehindu.com / The Hindu / Home> News> National / by K. Raju / Cumbum – April 08th, 2018

Anatomy and history of a 200-year-old Ivory skeleton

The ivory and rosewood skeletons on display at the AMC’s Anatomy Museum in Visakhapatnam. | Photo Credit: C.V.Subrahmanyam
The ivory and rosewood skeletons on display at the AMC’s Anatomy Museum in Visakhapatnam. | Photo Credit: C.V.Subrahmanyam

A rare masterpiece from Saraswati Mahal of Thanjavur, it’s now the prized possession of the Anatomy Museum of Andhra Medical College

A rare ivory skeleton, the bones of which have been carved to clockwork precision on the lines of the human skeleton, is the cherished treasure at the Anatomy Museum of Andhra Medical College (AMC) here.

The ivory skeleton, 5’6” in height and weighing 231 lbs (104.78 kg), reflects the ingenuity of the sculptor, who had carved it more than two centuries ago. It was procured from the famous Saraswati Mahal of Thanjavur, which was under the patronage of Rajah Serfoji (1798-1832). The skeleton is said to have been made between 1805 and 1810. Dr. R. Krishna Rau, a Professor in the Department of Anatomy between 1929 and 1946, who was instrumental in setting up the museum, had bought the ivory skeleton and a rosewood skeleton for a sum of ₹75. The 18th century skeleton has been drawing appreciation of not only experts in the medical field, but also the general public during exhibitions.

“The British are said to have paid ₹5 lakh to display it during an exhibition in London in 1970. The skeleton was taken in a specially made coffin and returned after about a week,” Dr. Ashalatha, Head of the Department of Anatomy, told The Hindu.

Mortem and taboo

“In those days, there were several taboos in handling human bodies and skeletons, and Dr. Krishna Rau was said to have stayed back in the department for a few days on the arrival of the skeletons. Even today, some anatomy professors do not tell their family members that they handle dead bodies,” says Dr. K. Lakshmi Kumari, an Associate Professor of Anatomy. “The ivory skeleton is a masterpiece and is said to be one among the few in the world. No wonder, it was taken by ship all the way to London for display at an exhibition there. The ivory and rosewood skeletons are displayed at exhibitions, organised on special occasions,” says Dr. P.V. Sudhakar, Principal of AMC.

The museum signifies the efforts and dedication of the illustrious teachers, professors and HODs, particularly of AMC during the early days.

Prof. F.J. Anderson, who as Principal of AMC, gave full freedom to Dr. Krishna Rau in securing the unique collections.

The department was named after Dr. Krishna Rau on January 24, 1984 honouring his efforts.

source: http://www.thehindu.com / The Hindu / Home> News> States> Andhra Pradesh / by B. Madhu Gopal / Visakhapatnam – April 06th, 2018

Malini Narasimhan, the mistress of flowers

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Event designer, revivalist and now artist. How Malini Narasimhan’s new installation is helping the centuries-old craft of ozhai kizhi travel from temples to the mall

Malini Narasimhan, 53, is a hard artist to catch. The event designer — renowned for her traditional décor with hand-crafted flowers, and her work with garland makers — is readying a series of massive installations bang in the middle of Velachery’s Phoenix MarketCity Mall. I catch her in between meetings, to talk about her work. She has to go way back, over two decades, she says, to when it all started.

“The Crafts Council changed everything for me. I was on the committee 20 years ago, and I discovered the work of so many artisans,” she says. One of her discoveries: ozhai kizhi, the centuries-old garland making craft from Tamil Nadu and Andhra Pradesh. Artisans from Uthukuzhi in Tirupur district, an hour away from Coimbatore, where she resides, use sholapith — a pliable reed that has the texture of thermocol — to create decorations for temple functions. Narasimhan set out to work with them to better understand the craft. She also brought in artists, from places like Bali, to introduce them to other 3D techniques and styles. “While many easily took to working with new forms and shapes, one of the main artisans is protective of his craft, and still prefers to maintain the traditional way of decoration,” she chuckles.

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Reviving crafts

Narasimhan’s fascination can be traced back to past experiences working with flowers. “It began with an Ikebana class a family friend was teaching in Hyderabad,” she recounts. Of course, she soon realised that our relationship with flower arrangements was in stark contrast to the basics of the Japanese art that highlighted minimalism. However, it was no deterrent for the designer, who crafted a method of flower arrangement generously borrowing from ozhai kizhi, and catered to small events. Soon more and more orders came in, and eventually, weddings were on the cards.

Her work — inspired by renowned Thai designer Sakul Intakul’s contemporary arrangements as well — binds tradition and modernity into a combination her clients adore. “I’ve learnt a lot in the process; respect, humility and a sense of letting go for the artisans to do what they do best,” says the founder of Mind’s Eye, a company that takes orders for weddings and other events. Working with her cousin and Amethyst founder Kiran Rao, catering to the Ambanis’ sister Nina Kothari’s parties and landing the Ganesh Chathurthi at the Ambanis remain some of her biggest achievements to date.

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Up In The Air

  • Next, you can look forward to a massive paper installation of kites by artist Sachin George Sebastian. “Not everyone is a Subodh Gupta, and not everyone is a world-renowned artist. We want to provide space to smaller artists who’ve been excluded from the conversation on world-class art,” Choraria says.

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Scaling up

Narasimhan’s USP is detail, and her toughest challenge is time. A minimum of 12 hours is required for every piece. Her work at Phoenix MarketCity is her first shot at installations. The spring-themed chandeliers will be exhibited for three months in the mall’s four huge atriums. “They’re very different from what I cater to, and a lot more work went into them,” she says. The installations, which use both palmyra leaves and sholapith, took two nights, over 10,000 birds and blossoms, and 42 artisans to put up. And Narasimhan, who often stayed with them as they worked at the mall, recalls people stopping by to take a look and ask if the flowers were real. “They were amazed by what we could do with simple flowers and leaves,” she says, of the 10×30 ft installations.

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Chandran, one of the key artisans behind the installations, is fascinated that a mall wants their work. “We have never done this before. It is a very different space, a welcoming space, because we can see art everywhere and realise that our traditional craft also has a space in it,” he shares. Ten years ago he gave up selling strings of flowers at his shop in Coimbatore to join Narasimhan, elated at the multiple combinations he could use his craft for. “I felt more alive, more wanted, and there was a sense of accomplishment every time we worked on a new design,” he says.

Democratising art

Narasimhan’s is the latest in a series of artwork at the mall, which opens the doors to an inclusive artistic experience for scores of people. Vijay Choraria, co-promoter, Phoenix MarketCity, is instrumental in bringing art to the mall. “We want to move art away from an exclusive space, which only the luxurious can afford to see. Bringing traditional artisans to the main stage, little-known designers to the fore and the latest trends in art has been a core point here,” he says. Going forward, he and Annapurna Garimella, curator and art historian of Jackfruit Research and Design — who commissioned the chandeliers — will be introducing more projects and installations at the mall.

source: http://www.thehindu.com / The Hindu / Home> Entertainment> Art / by Divya Karthikeyan / April 06th, 2018