Category Archives: Arts, Culture & Entertainment

The confusing Vedanayagams

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I’d always thought there was only one renowned Vedanayagam, a Tanjore Christian who expressed Christian thought in words sung to Carnatic music, a man of Tamil letters but who was known by two names: Vedanayagam Sastriar and Samuel Vedanayagam Pillai. Sriram V set me — and several others — straight recently on Pillai, telling us that Sastriar was a totally different person, born 50 years earlier. The straightening out offers me this opportunity to clear the air about the confusing Vedanayagams.

Sastriar, born in 1774 a Roman Catholic in Tirunelveli, became a Lutheran, converted by the Rev Christian Schwartz, the tutor of Serfoji, heir apparent of Tanjore. Sastriar joined Serfoji in his classes and they became friends. Sastriar then went to study Theology in Tranquebar, at the seminary of the first Protestant Mission in India.

While working in Mission schools in Tanjore, he began composing Christian lyrics to Carnatic music and writing Christian treatises. He was to write over 125 treatises during his lifetime, his best known the Bethlehem Kuravanji.

When Serfoji became king, he made Sastriar his Court Poet. And Veda Sastrigal, as he became known, continued composing hymns and songs in praise of the Holy Trinity. This emphasis led to his falling out with the Court of Tanjore, but had him considered as the first Christian Evangelical Poet.

The other Vedanayagam, Pillai as I’ll call him, is known as Mayavaram Vedanayagam Pillai. Born in Tanjore in 1826 a Roman Catholic, which he remained all his life, he got employment in the law courts in Trichinopoly after schooling. While working, he studied Law, passed the necessary exams and was appointed a Munsif in Mayavaram. Thirteen years of dedicated service later, he resigned when a new District Judge was appointed; a sick Pillai had not gone with the other sub-judges of the district to welcome him, an act misconstrued enough to cause differences with his superior. Early retirement gave him time for two fields he had become interested in — writing and Carnatic music.

After translating several law books, he wrote a book he is still known for: Neethi Nool (The Book of Morality). Written in Tirukkural style, its couplets are on moral behaviour.

Then, in 1879, there appeared the book that would make a difference to the Tamil literary scene. Titled Prathapa Mudaliar Charithram, it is considered the first Tamil novel. In a preface to later editions, he explains, “My object in writing this work of fiction is to supply the want of prose works in Tamil, a want which is admitted and lamented by all.” He also says his previous books were rich with “maxims of morality”, in this he was illustrating them with examples from life. This lengthy book focuses more on instruction in values than entertain as a romance. In 1887, his second, and last novel, Sugunambal Charitram, was published, but was not as successful. He wrote 14 other books.

Moral education is what Pillai brings into his huge collection of songs. These songs, composed to no particular deity, are still popular in Carnatic Music concerts. In fact, Sanjay Subrahmanyan not so long ago gave an entire concert featuring Pillai’s Carnatic compositions.

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When the postman knocked…

* Bhaskarendra Rao Ramineni who scours the Andhra Pathrika archives tells me that an obituary of Yakub Hasan says his wife Khadija Begum was a Member of the Madras Assembly and that Rajaji, paying tribute to his Public Works Minister in his 1937 Ministry, said that Hasan’s wife was from Turkey.

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That gives a clear cut answer to my speculation in Miscellany, December 4. Bhaskarendra also sends me a picture from the paper showing Khadija Yakub Hasan in Western clothes, a reflection of Ataturk’s modern Turkish women. Yakub Hasan, a founder of the Muslim Educational Society, represented the Muslim League in the Madras Legislative Council from 1916 to 1919. Later, he represented in the Council the Chittoor Rural (Muslim) constituency from 1923 till 1939. As Minister in charge of the PWD he played a significant role in the negotiations with Hyderabad on the Tungabadhra Project. He convened and presided over the first Khilafat Conference (1919) held in Madras and resigned from the Assembly over the Anglo-Turkish treaty (1920) which ended the Khilafat campaign to restore the Caliphate.

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* Who was the Arundale that Rukmini Devi married, asks T Saroja, in a letter about the Music Season, visitors from abroad and what they’d think of Kalakshetra’s problems. Arundale was no visitor to the Music Season; in fact, there was no Music Season when he arrived in India. George Sydney Arundale was a Theosophist from Australia whom Annie Besant had invited to head the educational programme in the Theosophical Society’s campus. The 16-year-old Rukmini Nilakanta Sastri (whose father was a Theosophist) met the 42-year-old Arundale and they fell in love, getting married in 1920, scandalising Madras Society. Whatever the criticisms about this Spring-Autumn marriage, together they were to change minds with their contribution to the classical dance scene in Madras. During a visit to Australia in 1926, they went to see Anna Pavlova dance. It was later said, Rukmini Devi was “a changed person from then … she wanted to be a part of the fascinating world of movement and expression.”

From that desire was conceived Kalakshetra, the premier school for South Indian classical music and dance. Does it really have to cope with politicking casting a shadow over it ever since the passing of Rukmini Devi in 1986?

The chronicler of Madras that is Chennai tells stories of people, places, and events from the years gone by, and sometimes from today.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Chennai> Madras Miscellany – Chennai / by S. Muthiah / December 18th, 2017

Chennai: Son to part with late father’s collection of old coins, stamps

Palanisamy’s tryst with collecting coins, stamps among other antiques began when he was just 15-years-old.

Curious visitors take a look at Late C. Palanisamy’s collection of stamps and coins at an exhibition. (Photo: DC)
Curious visitors take a look at Late C. Palanisamy’s collection of stamps and coins at an exhibition. (Photo: DC)

Coimbatore: 

For more than six decades, C. Palanisamy was involved in collecting coins, stamps and articles that were once used in the bygone era which he never wished to part with while he was alive. About six months after his demise, his 42-year old son, Jothi Kumar, a businessman by profession has decided to put up his late father’s collection of antiques for sale.

Speaking to DC, an emotional Jothi Kumar said, “when I have some time to spare, I will take a closer look at my father’s collection. I am also on the lookout for someone who will be able to evaluate the collection after which I will sell it to the right person(s) who understand the value of every piece that has made it to my father’s collection.”

Palanisamy’s tryst with collecting coins, stamps among other antiques began when he was just 15-years-old. Buttons made of copper, bronze and silver, that were used in the uniforms of Indian and European soldiers, medals won by the men in uniform, currency and coins of as many as 65 countries that was once in circulation, first-day cover of more than a hundred Indian stamps, miniature books and documents that stand invalid that were used by the kings who ruled the princely states of India are part of the collection.

The former collector did not just stop with collecting and preserving antiques. At educational intuitions, on invitation, Palanisamy would showcase his collection at schools and colleges in and around the city. “In order to encourage students to take up stamp collection as a hobby, my father on several occasions, distributed coins of foreign countries for free to students. I remember lending him a helping hand in packing the coins.” said a nostalgic Jothi Kumar. As an appreciation for having conducted over 55 exhibitions in places like Coimbatore, Ooty and Tiruppur, Palanisamy was felicitated by the Karnataka Numismatic Society in 2010.

The first stamp collector of the family of entrepreneurs, Palanisamy travelled extensively to source his rich collection of antiques. He was a regular customer at the Moore Market in Chennai and was a familiar face among scrap dealers. On many occasions, he urged customers not to exchange the valuables for money by educating them of the value they hold. Ironically, his son today is considering the option of parting with his later father’s collection for a hopefully huge price.

source: http://www.deccanchronicle.com / Deccan Chronicle / Home> Nation> Current Affairs / by Lakshmi L Lund, Deccan Chronicle / December 18th, 2017

International film festival opens

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The 15th edition of the Chennai International Film Festival was inaugurated by actor Aravind Swamy on Thursday.

The festival, which will take place till December 21, will showcase 140 films across 50 countries.

The festival is being organised by the Indo Cine Appreciation Foundation with the support of the Government of India, and the Government of Tamil Nadu, in association with the National Film Development Corporation.

The films will be presented under the categories of world cinema, country focus, retrospective, contemporary German films, Indian panorama and the Tamil film competition.

To commemorate 100 years of actor-politician MGR, two of his films will be screened.

Among the 12 films which will be presented in the competitive section for Tamil feature films are Vikram VedhaMaanagaramOru Kidayin Karunai ManuKadugu, Aramm and Oru Kuppai Kathai.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Chennai / by Staff Reporter / Chennai – December 15th, 2017

Items made of lantana, an attraction in expo

Furniture made in lantana, an invasive weed scrub, by the tribal artisans of western ghats on display for sale at Poompuhar’s Crafts of Tamil Nadu exhibition in Coimbatore. | Photo Credit: M_Periasamy
Furniture made in lantana, an invasive weed scrub, by the tribal artisans of western ghats on display for sale at Poompuhar’s Crafts of Tamil Nadu exhibition in Coimbatore. | Photo Credit: M_Periasamy

Lantana crafts of the tribal people of Singapathy, near Kovai Kutralam, is a new attraction at the Poompuhar’s ‘Crafts of Tamilnadu’ annual exhibition at its main showroom in Coimbatore.

With a view to encourage the tribal people in crafts to eke out a living, the Handicrafts Development Corporation in association with the government is encouraging the tribal artisans to make furniture and other craft materials near Singapathy, said R. Narendra Bose, manager of showroom. Lantana, a weed shrub that invaded from Central and South America is a grave threat to the native flora in the reserve forest. The rapidly growing weed is considered to be a threat to biodiversity.

The bamboo-like weed grows very fast, covers open ground very quickly and hinders the regeneration of species. It often outgrows other species, which leads to reduction in biodiversity.

Besides Coimbatore, these types of weed shrubs are found abundantly in the forests at Chennapatna in Karnataka.

Based on a tip-off given by the trainee IAS officer Sharanya Ari, the Tamil Nadu Handicrafts Development Corporation Limited took interest in introduction of furniture made using Lantana species (bamboo like) by the trained tribal artisans and were on display for sale at the exhibition for the first time.

“It helps local artisans to create wealth from waste,” Mr. Bose said.

Sofa sets, corner stand, tea table etc costs much lower than those made of bamboo and other types of woods, he added.

Aadhi Yogi statue made of coconut shells by artisans and paper crafts made by the inmates of the Residential Industrial Training Centre for Mentally-Challenged Persons at Iruttupallam in Coimbatore are also an attraction at the expo.

More than 150 products are on display for sale at the exhibition. Poompuhar expects the sale during the exhibition period to cross Rs. 5 lakh.

The exhibition will be held between 10 a.m. and 8 p.m. on all days up to December 16, he said.

source: http://www.thehindu.com / The Hindu / Home> News> City News> Coimbatore / by R. Arivananthan / Coimbatore – December 13th, 2017

Remembering two scholars

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Remembered at commemorations in Madras recently were two contrasting Gandhians. One, a man whose family I knew better than him, the other, I confess with regret, I had not even heard of. Of both I learnt so much subsequently, that two items in a column seem pitifully inadequate. If you hear about them again from me it will be because there are so many stories to tell about Dr Chandran Devanesen and Mahakavi Bala Bharathi Sankagiri Duraisamy Subramania Yogiar.

Both were sons of scholars. Chandran Devanesen was the first professor at Madras Christian College who was the son of an earlier academic there, David William Devanesen, a Professor of Biology who later retired as Assistant Director of Fisheries. Devanesan Senior wrote prolificly on subjects ranging from oysters to Vedanayagam Sastriar, the evangelist poet of Tanjore.

Yogiar’s father Duraisamy, fluent in Hindi, Persian and Urdu, lectured on the Holy Koran in English. Both imbued their sons with a yearning for knowledge and sharing it.

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The institution builder

As the first Indian Principal of MCC, Chandran Devanesen is known for successfully transforming an institution influenced by Scots to one more Indian. But that exercise is not my focus. What is, is the little remembered founding of the North-Eastern Hill University in 1973. Starting from scratch in territory he knew little about, Devanesen developed in Shillong an institution to serve Meghalaya, Nagaland, Mizoram and, for a while, Arunachal Pradesh. He spent a year boning up on the Northeast before heading to it as Vice-Chancellor, but what he remembered best of that time was meeting this Central University’s Chancellor, Indira Gandhi, before leaving for his new home. The Prime Minister told him she trusted his vision and leadership on academic development, but “I can advise you on the tribal dynamics of the Northeast and its diversity.” He learnt more about the area in that one hour with her than in the year spent in libraries, he was to later recall.

The first Chair he established there was the Mahatma Gandhi Visiting Professorship, the second the Dr Verrier Elwin Chair, remembering that expert on the tribes of much of India. From early in life Devanesen was interested in Gandhi. His doctoral thesis, titled ‘The Making of the Mahatma’, focussed on the first 40 years of Gandhi’s life. The thesis was dedicated to two ardent disciples of Gandhi, Devanesen’s uncles, J(oseph) C and (Benjamin) Bharathan Kumarappa, from the Cornelius family of Tanjore.

Another significant Devanesen creation was the Estuarine Biological Laboratory by Pulicat Lake he helped Dr Sanjeeva Raj to set up. Devanesen did not live to see it come to naught in the new Millennium when Lake and surroundings, including environmentally sensitive islands, were despoiled by modern development. When he was alive he’d visit the Lab regularly with his family on weekends and return to Tambaram with a basketful of mud-crabs to distribute to faculty families. He considered the crabs, which Pulicat Lake has the highest yield of, the “greatest delicacy” on his menu. His Sinhalese wife Savitri’s Ceylon crab curry was always the “top” non-veg dish at dinners he hosted. Today, these mud-crabs are a ‘top’ export.

The national poet

Fair, 6-foot tall, chain-smoking Yogiar was a Gandhian who dressed in silk jibbas and white mull vaishtis and “sang in the voice of Kali”. Devoted to the Devi, he’d compose poetry almost on request but would always say, “The voice is mine/The singer is Kali”. His cornucopia of poetry and prose has been nationalised by Government, but what it’s done with the collection I have no idea.

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Yogiar was a polymath, described as a “scholar in English (which he spoke impeccably and accentlessly), writer in Tamil, one-time film director, sometime editor and all-time poet.” He was also a freedom fighter who spent nearly two years in gaol. In prison, Yogiar, author of Mudal Devi, wrote, inspired by a Malayalam writer’s work, his own version of Mary Magdalene. He also translated in Tamil Omar Khayyam’s Rubaiyat and in English a part of Kambar’s Ramayanam, titling it Seetha Kalyanam.

As Editor-in-Chief with India Book House’s publishing division Pearl in the late 1950s, till his untimely death in 1963, he was prolific in translating Tamil and Malayalam classics into English.

A regular reviewer for The Hindu of Tamil and English books, Yogiar would also analyse Gandhi’s and Periyar’s speeches for various publications, often critically. Several of his contrary views helped Periyar re-think his own. As Editor of Pudumai Pithan and other journals — the restless Yogiar kept changing jobs, from journal to journal, business establishment to establishment — he was known for his critiques of films and literature. But as Kannadasan said, Yogiar’s reviews hurt no one nor were they abusive; they only politely pointed out the faults.

Inevitably filmdom beckoned. He worked on seven films. Writing story, dialogue and lyrics for the Ellis Dungan directed Iru Sagodharagal (Two Brothers) got him started in 1936. He then directed some of these, including his own Yogi Films’ Anandam (1941) for which he did everything but act or shoot. National poet Yogiar may have been, but his passion was Mother Tamil, which he once lauded: With the Comorin her lotus feet,/ Seven Hills as her golden crown,/ The bubbling Kaveri as her waistbelt,/ And the Three Seas paying obeisance,/ Holding the tall peaks of Vindhyas as Sceptre,/ Having Lanka as a blooming daughter,/ Our deity is Mother Goddess, / And our home is the land of Tamil, / The evergreen Maiden.

The chronicler of Madras that is Chennai tells stories of people, places, and events from the years gone by, and sometimes, from today.

source: http://www.thehindu.com / The Hindu / Home> Madras Miscellany> News> Cities> Chennai / by  S. Muthiah / December 11th, 2017

Chennai industrialist dies

Chennai-based industrialist C.V. Karthik Narayanan died on Wednesday morning in Chennai .

He was 79 and is survived by his wife Uma, son Ram Gopal and daughter Gayathri.

Narayanan, was Chairman of Ucal Auto Pvt Ltd and an independent director at Sundram Fasteners Ltd (SFL).

He also spearheaded Standard Motor Products of India Ltd, which was an iconic brand in the 1980’s and 1990’s.

Narayanan also served as President of Society of Indian Automobile Manufacturers (earlier called of Indian Automobile Manufacturers and Automotive Research Association of India) in 1980. He also played a key role at Confederation of Indian Industry (CII).

Narayanan is also known for his work in translating Kalki’s epic “Ponniyin Selvan” in to English.The other interesting facets of Narayanan include his love for the mridangam and trekking. He had told The Hindu that he wanted to explore the Chera history.

“A true friend for many years, an industrialist par excellence, a very exalted person with many and varied skills. We will miss his guidance at SFL,” Suresh Krishna, Chairman and Managing Director of Sundram Fasteners Ltd. said.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Chennai / by Staff Reporter / Chennai – December 13th, 2017

Nattuvangam exponent Seetharama Sharma no more

Bhagavatula Seetharama Sharma
Bhagavatula Seetharama Sharma

He had mastered all the three aspects of sangeetham

Noted singer and nattuvangam exponent Bhagavatula Seetharama Sharma died on Sunday. He was 81, and is survived by his wife, two daughters and a son.

The artiste was tuning his shruthi in preparation for an arangetram in Bengaluru, when he was said to have suffered a heart attack.

“He suffered a heart attack and died on his way to hospital. His body would be brought to Chennai and the cremation would be held on Tuesday,” said Deepa Ganesh, one of his disciples.

Born in Kuchipudi in Andhra Pradesh, Seetharama Sharma developed a profound knowledge in all the three aspects of sangeetham — geetamvadyamand nrityam. Noted carnatic vocalist T.M. Krishna is among his disciples.

He served in Kalakshetra, dedicated himself to the institution and became an integral part of the majority of Rukmini Devi’s Naatya productions.

His first public recognition came from the Dhananjayans Bharatakalanjali, Chennai, way back in the 1970s, and he was awarded the title ‘Sangeetagna’.

Last year, Bharat Kalachar honoured him with a special commemorative and lifetime achievement award. He was also a recipient of the Sangeet Natak Akademi Award for ‘Naatya’.

source: http://www.thehindu.com / The Hindu / Home> News> States> Tamil Nadu / by Special Correspondent / Chennai – December 11th, 2017

Violin exponent honoured

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V.V. Subrahmanyam’s passion for music celebrated

The passion, perseverance and love of music of violinist V.V. Subrahmanyam is unmatched, musician T.V. Gopalakrishnan said here on Friday. Mr. Subrahmanyam was awarded the Mudhra Award of Excellence during Mudhra’s 23rd Fine Arts Festival. On the occasion, Sangeetha Mudra Awards were given to vocalist Aditya Madhavan, violinist Vaibhav Ramani and mridangam exponent Krishna Pawan Kumar.

“That kind of dedication and love for the violin is hard to come by. Whichever speed or sthayi the vocalist sings in, he will effortlessly play. He is an extremely mature musician, who aims to achieve perfection in everything he does,” he said.

Musician G.S. Mani said Mr. Subrahmanyam also makes an effort to have a deep understanding on various issues. “He asks very tricky questions and sometimes, I just wouldn’t have the answers,” he added.

Nalli Kuppuswami Chetti, president of Mudhra, recollected how legends, including Semmangudi Srinivasa Iyer and M.S. Subbulakshmi, appreciated Mr. Subrahmanyam and deemed him an excellent violinist.

Mr. Subrahmanyam thanked Mudhra for the award. E.N. Sajith, director, South Zone Cultural Centre, Thanjavur, and Mudhra Baskar, secretary of Mudhra, spoke during the occasion.

A concert by Mr. Subrahmanyan followed.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Chennai / by Staff Reporter / Chennai – December 09th, 2017

Allies in waste management

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A few residents’ welfare associations have set to work on the Corporation’s plan for creating a city free of landfills

The annual general body meeting at a gated community in Perungudi turned out to be stormier than expected. None of the resolutions was passed without a prolonged debate — except for one. Without as much as a squeak, almost everyone agreed that the community should invest in a composting. And, on this unusually “stormy” day, it was surprisingly smooth sailing for this resolution.

A letter by the Corporation, displayed on a projector-screen earlier, had done the trick. It dwelt on a Corporation mandate that apartment complexes generating over 100 kilos of waste had to manage their waste on their premises.

After the presentation, a member of Doshi Etopia-II Residential Flat Owners’ Association, cleared his throat to get everyone’s attention.

“I hope we are all for a resolution to set up a compost unit to process wet waste at our complex,” he said.

The hall seemed to fill up with raised hands.

Whether this gated community, which has over 200 apartments, ratifies this resolution in the next few months or takes longer to do so, is beside the point.

What is significant here is that residents’ welfare associations and voluntary organisations can play an aggressive role in taking forward Corporation’s objectives in waste management.

They can point out to residents in unequivocal terms what ought to be done and what ought not to be, as spelt out by the Corporation. In this sense, these associations serve as an effective interpreter and mediator to the Corporation.

On its part, the Corporation has been conducting door-to-door campaigns at colonies and gated communities to create awareness about better waste management practices, especially after October 2 when it made source segregation mandatory.

“We are focusing on setting up more compost plants; in some divisions, finding the space to carry out this initiative is a challenge. We have identified 11 places where facilities to process biodegradable waste can come up. Compost plants are ready in Zone XI. In Zone XII, a plant is under construction and a mechanised composting machine has been installed in Zone XV,” says S. Gopala Sundara Raj, Regional Deputy Commissioner (South), Greater Chennai Corporation. It may be noted that the Corporation has no immediate plans to slap a fine on those who don’t follow the rules. Given this lenient position, it needs the help of residents’ welfare associations to keep drumming up the message.

Community initiatives:

* Two months ago, Vishranthi Coconut Grove Residents Association, a 60-unit community in Tansi Nagar, Velachery, pooled in ₹750 each from every resident to invest in two composting pots, each having a capacity of 600 litres. “Once you pay for something, you want to see what is being done, so we had a majority of residents who were ready to pay for community green bins. Also, many realised this was cheaper and less of a hassle than maintaining a khamba pot at home,” says Priya Shankar, president of the Association, adding that they get help from a vendor who monitors the whole process.

The Association expects residents to segregate.

“At least 90 % of the residents are segregating waste and witnessing the benefits of doing so,” says Priya.

* When it comes to environment-friendly practices, Ceebros Boulevard Flat Owners Association (CBFOA) in Thoraipakkam has been raising its bar regularly. Their latest initiative — Green Spaces — is inspired from the do-it-yourself (DIY) concept from the west.

Here, residents are required to take their bins to the Green Spaces, where eight to nine bins are placed, and dispose waste on their own. “Cleanliness is a big issue if the bins are not cleared at the correct time from the corridors. Also, finding labour and educating them is a challenge,” says a resident. The gated community with over 300 flats currently has 80-100 residents practising DIY.

* After a resolution was passed at the annual general body meeting of Ceebros Orchid in Velachery to start segregation of waste at source, the Association distributed segregation kits. The kit, consisting of two bins and one bag, was distributed to each of the 192 flats at the apartment complex.

A nominal amount was charged for the kit. “Currently, only 60 families follow the practice regularly. We hope to convert the rest by meeting them in person and explaining to them the benefits of environment-friendly practices,” says Swaminathan, a resident of the Ceebros Orchid.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Chennai / by Liffy Thomas / December 08th, 2017

Musicologist Premeela Gurumurthy honoured

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Souvenir released to mark golden jubilee of her concerts

Musician and musicologist Premeela Gurumurthy has made immense contributions to the art of kathakalashebham, N. Murali, president of the Music Academy, said here on Sunday.

“She has made a unique contribution to revive the art. She even brought out a book on kathakalashebham. She is a multi-faceted personality, who has given musical discourses in different languages, and also has a deep understanding and knowledge of Tamil,” he said. He also noted that musician Musiri Subramania Iyer was instrumental in persuading her and her family to shift base to Chennai as he saw talent in her very early.

P. Duraisamy, vice-chancellor, University of Madras, said she played a key role in introducing new courses, including M.A. Bharatanatyam and M.A. Folk Music at the university when she was the dean.

‘Remarkable researcher’

“She is not only a dedicated teacher but also a remarkable researcher. She has made an excellent contribution to research in the field of music,” he added. On the occasion of 50 years of her concert performances, a golden jubilee special souvenir was released.

K.N. Ramaswamy, director, Bharatiya Vidya Bhavan, and V.V. Sundaram, co-founder and secretary of Cleveland Tyagaraja Aradhana Committee, United States, spoke.

source: http://www.thehindu.com / The Hindu / Home> Cities> Chennai / by Staff Reporter / Chennai – December 04th, 2017