Category Archives: Arts, Culture & Entertainment

The man who nabbed Veerappan

The 65-year-old former STF chief does push-ups on the Marina in Chennai.   | Photo Credit: Dinesh Krishnan
The 65-year-old former STF chief does push-ups on the Marina in Chennai. | Photo Credit: Dinesh Krishnan

But the country’s most famous bandit-catcher still can’t get his wife to read his book

This is not in his book but Veerappan, India’s most notorious bandit, had K. Vijay Kumar, India’s most famous bandit-catcher, who had been on his trail for most of his uniformed life, in his sights on three occasions. Not more than 500 yards away. All Veerappan had to do was squeeze the trigger, and with even a standard issue .303, which can take a target down at 500 metres, Vijay Kumar may not have got to write a book about how he killed the bandit.

Veerappan was a good marksman, Vijay Kumar says at the Police Club in Egmore, Chennai, where he is hours away from launching his book, Veerappan, Chasing the Brigand. At the back of the Police Club, where he stays in Room 108 every time he visits the city, stretches a lawn that now has shamianas erected to serve, as he puts it, “high tea” to the 300 people he expects in the evening. Many of them will be gun-toting buddies from his Veerappan days. The dais is green like the backdrop, which has hills painted over it; in the foreground are male mannequins wearing camouflage combat fatigues and pith hats with leaves sticking out of them.

As he walks me through the programme for the evening, I can’t help mentally picturing one heavily moustachioed policeman chasing another excessively moustachioed brigand—is this quaintly archaic term the right word for someone who killed 124 people?—through 1,200 square kilometres of forests in three States over several years, each taking turns to scope the other through the business end of a gun. The forensic specialist told Vijay Kumar that Veerappan at 52 had the body of a 25-year-old. At 65, the cop looks just as fit.

Vijay Kumar was lucky he lived to tell the tale, unlike some other policemen. He is not superstitious, just lucky. His lucky charm is about as big as an old 25 paisa coin, maybe a little bigger, with the image of the Hindu god, Ayyappa, whose temple he has been visiting from the time he was in college studying Shakespeare, Milton and Thomas Hardy. He pulls it out of his black wallet and shows it to me. He has carried this charm around for as long as he can remember. He got this particular one after he lost a similar one 10 years ago. There have been times when the wallet had no money, but the charm would always be comfortingly there.

Roughly how many times has he visited Sabarimala, I ask. “More than 35 times,” he says unhesitatingly, “maybe 40”. Sometimes he goes twice a year. And does he follow all the procedures? Ayyappa demands a stringent pre-visit regimen. “Yes,” says Kumar. “So you didn’t have a drink to celebrate the night you finally killed Veerappan?” “No,” he says, “I am fairly abstemious. I had a drink much later, maybe two months later. At that time, I was going to Sabarimala.” I consider his response and say, “That certainly qualifies you for sainthood.” He laughs uproariously and shoots it down, “No, hardly!”

Ultimately, when Vijay Kumar closed the file on Veerappan on Monday, October 18, 2004, at 11.10 pm, he did so without exchanging a single word with the bandit who died under the impression that the policeman who kept chasing him was related to MGR’s nephew, a rumour then floating around.

The mission

By the count of ballistics experts, in the encounter that began at 10.50 pm and lasted some 20 minutes, 24 policemen fired 338 bullets on the vehicle that carried Veerappan and three members of his gang after they had been lured into the kill area, out of the forest and on to the road at Padi, 12 km from Dharmapuri. Only three bullets found the bandit. Of the three, one went clean through the left eye. Veerappan’s moustache, which spread like a tarantula sitting on his face, remained untouched.

I ask Vijay Kumar why so few bullets found the mark. He says that Veerappan might have been hit early on in the ambush and fallen down even as the other bullets slammed all around him. He should have been killed instantly but he wasn’t. Veerappan was still dying when the policemen yanked open the vehicle door. It was the only face-to-face moment between the two foes. No words were exchanged. No words could be. Veerappan was on the verge of death, his remaining eye already losing focus.

Was there anything he would have told Veerappan had he had the opportunity? It is not exactly superstition, but as long as Veerappan was his target Vijay Kumar had always kept a picture of the bandit at hand to remind him of his mission. He now tells me that he would have told Veerappan that it would be a relief to finally throw away the picture; over the years, it had weighed heavier and heavier, like an albatross.

Being a cop

What was easier, I ask. Killing Veerappan? Or writing a book about it? “Both were equally formidable missions,” Vijay Kumar says, laughing. In fact, the joke in his “immediate circle” of friends is that he took almost as long writing about Veerappan as he took to hunt him down. Vijay Kumar had a version of the book ready two years after the mission, but it then became a protracted struggle. Maybe, he told himself, he was too busy for the book. He says, “You know that Wordsworthian quote? The one about the parent hen? I guess in my case the egg took too long.”

My Wordsworth is rusty, but the picture is vivid. As vivid as the frustration that comes through in the book when the reward on Veerappan’s head touches Rs. 5 crore and yet no one comes forward with information. Picture this:

Police officer: You will get five crore if you can help us catch Veerappan.

Villager: Five crore? How much is that in goats?

Police officer: If one goat costs Rs. 2,500, that would be 20,000 goats.

Villager: What would I do with so many goats? They will be unmanageable. It’s better to hold on to my life.

I ask Vijay Kumar if there is anything he put into the book but took out later because he thought better of it. He thinks, then tells me how one night after eating poha, his stomach started rumbling at one in the morning. When he could bear it no longer, he rushed over and shook his buddy awake and both set out. In the jungle, they always followed the buddy system: each had to look out for the other. The buddy kept watch while Vijay Kumar went to answer the call of nature. After he’d squatted, he realised that the spot he’d picked had elephant dung everywhere. It was too late to go elsewhere and he hoped it would be okay. But almost immediately he heard his buddy hissing insistently, “Aiyaaa! Aiyaa! Yaanai! Yaanai!” (Sir, elephant!) He knew if it was a single elephant, he would be done for, but then, barely a few feet ahead, out of the inky black night, several elephant forms began to emerge like dark mountains on the move.

I probe no further, but I realise the episode had a happy ending because it isn’t in the book.

I ask instead: what does your wife Meena think about your book? He begins to smile. “She hasn’t read it,” he says. He intends to try other means to get her to read it but he isn’t sure he will succeed. She usually can’t get beyond five pages, he says. “If she does finally read your book,” I ask, “will you go to to Sabarimala?” He laughs uproariously again. “Of course, I’ll be happy to go again to Sabarimala but I doubt whether even Lord Ayyappa can make Meena read my book.”

sudarshan.v@thehindu.co.in

source: http://www.thehindu.com / The Hindu / Home> Society / by V. Sudarshan / February 25th, 2017

Translated works of Sujatha published

Enduring appeal: Translator Vimala Balakrishnan (right) and writer Sujatha’s wife Sujatha Rangarajan. | Photo Credit: R_Ragu
Enduring appeal: Translator Vimala Balakrishnan (right) and writer Sujatha’s wife Sujatha Rangarajan. | Photo Credit: R_Ragu

The volume comprises eight short stories and novellas

Taking writer Sujatha’s works in Tamil to a wider audience was the reason for translating his best writings, said Vimala Balakrishnan, who has penned ‘Reliving Sujatha’.

The book, a collection of eight Tamil short stories and novellas by the late writer was released by his wife Sujatha Rangarajan at the Writer’s Cafe on Thursday.

“I was initially hoping to pen a biography of the writer and had approached Ms. Sujatha Rangarajan for the same. However, I later decided that it would be better to ensure that his works reached a wider audience. There are a lot of Tamil speakers who don’t know the language but are fascinated by his body of work,” Ms. Vimala said.

Speaking about his writing in a conversation with journalist and writer Shobha Warrier, Ms. Vimala said what appealed to her the most was how relevant his works were. She hoped more youngsters would relate to his work.

The book has been published by Vitasta Publications. “His stories are extremely contemporary and there has been an increase in the number of people seeking out translated works,” said S. Saraswathi of Vitasta Publications.

Ms. Sujatha Rangarajan recalled that her husband was extremely passionate about his writing. “When he started writing his first story, I wasn’t even aware that he had taken ‘Sujatha’ as his pen name. Now, I am known as Mrs. Rangarajan and he is known as Mr. Sujatha,” she said on a lighter note.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Chennai / by Staff Reporter / Chennai – February 24th, 2017

Research scholars undergo training in epigraphy

Research students of Government Arts College attending a training programme on epigraphy at the Government Museum in Salem on Thursday.   | Photo Credit:
Research students of Government Arts College attending a training programme on epigraphy at the Government Museum in Salem on Thursday. | Photo Credit:

They were taught to interpret the messages on the inscriptions

The about 45 M. Phil and Ph.D research scholars belonging to the Departments of History and Tamil of the Government Arts College in the city underwent a specialised training in epigraphy for three days at the Government Museum in the city.

C. Govindaraj, known epigraphist-cum-archaeologist, and curator of the Government Museum, Krishnagiri, was the resource person.

Mr. Govindaraj explained the earliest Brahmi script, the development and transformation of script through ages, leading to the emergence of ‘Vatta Ezhutthu’, and the later Tamil scripts with special reference to the tenth century Raja Raja Chola era.

The Brahmi script was not used by the Tamil society alone, but across the whole country.

On the first two days, the research scholars got training in identification of script and interpretation of the messages on the inscriptions. On the final day on Thursday, they were imparted practical training in estampage.

Mr. Govindaraj said that the students in the two days learnt to write Vatta Ezhuttu to a certain extent.

A similar programme held at Krishnagiri Government Museum too evoked good response, he added.

K. Subash Chandra Bose, an M.Phil scholar, said that this training programme was a good opportunity to learn about the inscriptions and Brahmi script, which will immensely benefit them in their research work.

J. Mullai Arasu, curator of the Government Museum here, said that following the success of this programme, it had been proposed to have another similar programme for the research scholars of the Government Arts College for Women shortly.

At the valediction held in the evening, A. Thennarasu, Associate Professor, Government Arts College, delivered special address.

Mr. Mullai Arasu handed over the certificates to all the participants.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Coimbatore / by Special Correspondent / Salem – February 17th, 2017

13-year-old chosen for an edu trip to Germany

Sivakami
Sivakami

Chennai :

It’s 1:30 pm. There is a flurry of activity at the Corporation Girls’ Higher Secondary School, Saidapet. As we enter the administrative cabin, head master Lyla greets us and enthusiastically says, ‘Let me call her!’ She sends news of our arrival to Sivakami, the Class 8 student who has been selected the second time for an educational trip — this time to Germany. She looks like any teenager would, but as we chat, we discover that the little girl’s ambitions and goals are deeper than what meets the eye.

This is the second time 13-year-old Sivakami has emerged the winner in the Elocution competition, ‘Wings to Fly’, organised by Rotary Club of Madras East. Reminiscing her first international educational trip to Kuala Lampur, Malaysia, Sivakami says it was a life-changing experience. “I was surprised when I won last year. I was in awe of their culture, especially the respect they give to every language. I like how they don’t mix languages. For instance, Tamil and Malay aren’t mixed with English, unlike our ‘Tanglish’ here… I wish we could learn to speak that way too! Also, the place is extremely clean; why can’t we maintain our place like that?” she says.

This year, the final competition, conducted by the club along with Goethe Institut and Greater Chennai Corporation, was themed ‘Embrace Our Rivers’. Sivakami said she felt a strong urge to protect and preserve the water bodies. “It was my father who wrote the draft of the speech for me…but the topic was extremely relatable. and I was able to add several anecdotes,” she shares.
Excited and curious about her trip to Germany in July, she says, “I have heard that the water bodies there are maintained with utmost care. I want to see how they do it. I also want to observe and analyse the public contribution towards conservation and preservation.” To her, this will be the biggest take away from the trip. “Once I am back, I will lend a hand to preserve our rivers!” she smiles.
Crediting her parents, teachers, and friends for her success, she says that she has been lucky to have their constant support. “Even if I miss classes for competitions, my teachers don’t discourage me. They say that this is the time for me to achieve. My parents also push me to give my best. My friends have been extremely patient when I rehearse my speech with them a number of times. They don’t get bored, but keep giving suggestions,” she beams.

Apart from elocution, music, writing and storytelling are Sivakami’s other interests. “I enjoy singing and I love storytelling. I come up with my own stories and improvise according to the expectations of my audience,” says the NCC junior leader. A n all-rounder, the 13-year-old wants to serve the society and lead it to a ‘better future’.
So, how does she aim to do that? “I want to become the Chief Minister! That’s my ambition. I’ve always wanted to lead people and bring about a change. I believe that success comes when you observe and listen to things around you. This way, you understand a lot and direct your followers in the right path. As CM, my focus will be on providing quality education and improving the sanitary standards in villages. I would also arrange for counselling and make people realise these are important causes,” she says.
Talking more about her other goals, she says that if not CM, she would become a doctor. “I want to serve the society. I want to spread awareness about diseases through proper counselling so that the people don’t panic,” she smiles.
As she leaves for her class, she adds, “I think dreaming of serving the place where I was born isn’t a big thing. In fact, I feel it is our duty to do so.

source: http://www.newindianexpress.com / The New Indian Express / Home> Cities> Chennai / by Roshne B / Express News Service / February 20th, 2017

Jains celebrate life of Tirthankara through ‘Pancha Kalyana’ fest

TirthankaraCF20feb2017

Chennai :

Karanthai, a remote village in Tiruvannamalai district, on Sunday celebrated the attainment of absolute knowledge by Kunthunath, the 17th Tirthankara of Jainism.

It was the fourth day of ‘Pancha Kalyana’, a traditional Jain ritual in which five stages in the life of a Tirthankara are celebrated across five days.

The events include conception, birth, renunciation, enlightenment and liberation. The five-day event is a celebration of the basic principles of Jainism. “We are living in a mechanized world. People are becoming selfish due to lack of interaction and knowledge. The five-day event shows how one should follow the basic principles of life in a simple way. Each day’s celebration is aimed at creating awareness about the fragility of the materialistic world that we all live in,” said K Ajithadoss, a Jain scholar.

While Adinatha (first Tirthankara) and Mahavira (the 24th and last Tirthankara) are the main deities in most of the Jain temples in Tamil Nadu, only a couple of temples have Kunthunath as the main deity.

The fifth and final day will have a big event. “In the last day the event, Tirthankara gets liberation. And it’s considered as one of the most important stage of one’s life,” Ajithadoss said.

source: http://www.timesofindia.indiatimes.com / The Times of India / News> City News> Chennai News / by TNN / Februry 20th, 2017

Coal-powered steam engines to be put up for public viewing

The last coal-fired X class engine of the Nilgiris Mountain train came to Coonoor Railway Station from Mettupalayam on Friday. | Photo Credit: M_Sathyamoorthy;M_Sathyamoorthy -
The last coal-fired X class engine of the Nilgiris Mountain train came to Coonoor Railway Station from Mettupalayam on Friday. | Photo Credit: M_Sathyamoorthy;M_Sathyamoorthy –

‘The engines are almost a century old and part of the tradition of NMR railway’

The last of the coal-powered steam engines operational along the Nilgiri Mountain Railway (NMR) route have been retired and are to be exhibited to the public at the Udhagamandalam and Coimbatore railway stations.

Speaking to The Hindu, Divisional Railway Manager of Salem Division, Hari Shankar Verma, said that the coal-powered steam engines had far outlived their technological relevance, and that the remaining two engines still in operation will be exhibited to the public at the two stations. “We had two options, either to sell the engines for scrap or to preserve them as a memento of the NMR’s long history. We are gifting one engine to the people of Ooty,” said Mr. Verma to reporters.

Engine number 37384, which is the older of the two engines, is to be exhibited at Udhagamandalam. K Natarajan, a heritage railway enthusiast and founder of the Heritage Steam Chariot Trust, said that the “X” Class locomotives, built at the Swiss Locomotives and Machine Works factory in Switzerland, was introduced sometime between 1917 and 1925.

“The coal-powered engines are almost a century old and are part of the tradition of the NMR railway. All the newer engines are oil-powered locomotives. The railways should have preserved this important part of the NMR history, as the engine to be retired in Udhagamandalam was still operational,” he said.

He said that railway enthusiasts across the world were prepared to pay good money to enjoy the experience of the old coal-powered locomotives, and that with the retirement of the engines, an important remnant of the NMR history will be lost forever. However, railways officials said that operating the oil-powered locomotives was the only viable solution to pull coaches up the steep hills as the quality of the coal used to power the older locomotives has gradually decreased over the years. It is also said that the older locomotives increased the chances of forest fires.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Coimbatore / by Rohan Premkumar / Udhagamandalam – February 18th, 2017

Book on genetically modified crops released

Coimbatore :

Former director of Centre for Plant Molecular Biology at Tamil Nadu Agricultural University S Sadasivam on Wednesday released a book – “Genetically Modified Crops: A Scientist’s Perspective.”

The book aims at creating awareness about the advantages of GM crops among people and farmers.

President of Association Of Biotechnology Led Enterprises- Agriculture Focus Group (ABLE-AG), P Murali released the book, and the chairman of Rasi Seeds, M Ramasami, received the first copy.

Speaking about his book, Sadasivam said, “I was in academia and research from 1964 to 2011. Teaching was my passion and research was my interest. However, popularisation of science was the third dimension in my career.”

He further said, “Since 1964, I have participated in radio programmes discussing science and technology. I have authored six books so far. This one too is an attempt to make people aware about the benefits of genetically modified crops.”

The book is short and has four chapters. The book is written in Tamil so that it can reach out to the local farmers. The book talks about gene, theories of evolution and the introduction of genetically modified crops. “It is not a textbook material. It is written as a conversation between a scientist and a common man,” said Sadasivam.

Vouching for genetically modified crops, Sadasivam said that a group of 107 Nobel Laureates have recently passed a resolution that GM crops are safe. “There are regulatory bodies and the central and state governments have deeply accessed the advantages and consequences of GM crops. We need more research in the area of GM crops to address the growing needs of food and grain shortage,” said Sadasivam.

ABLE-AG has published Sadasivam’s book. Executive director of ABLE-AG Shivendra Bajaj said, “About two-three states have stalled research on GM crops. While others have not banned it, they are either positive about it or are evaluating the pro and cons.”

Ramasami said that Bangladesh has been cultivating Bt Brinjal for more than three years now. “Bangladesh has acquired all the data from India’s research and has begun cultivating it,” said Ramasami. The only GM crop cultivated in India is Bt Cotton .

source: http://www.timesofindia.indiatimes.com / The Times of India / News> City News> Coimbatore News / by Adarsh Jain / February 15th, 2017

Tales of Cooum and its 113 temples

At the book lauch in Madras Literary SocietyRomani Agarwal
At the book lauch in Madras Literary SocietyRomani Agarwal

 

Chennai :

The Cooum River has for long been a talking point in Chennai — albeit for all the wrong reasons. Environmentalists decry the pollution and neglect the river has been subjected to, turning it into a nauseous cesspool, as opposed to its rather cleaner upstream that starts from the source.

It was as an attempt to restore a cultural significance to both the river and the historical temples on its banks that the book The Gods of the Holy Koovam, by heritage enthusiast Priya Baskaran, was launched
recently at the Madras Literary Society.

Inspired to take up the project while she was part of the Cooum Cultural Mapping Group — a group of heritage lovers aiming to regenerate interest in the river through cultural cartography — Priya said that her aim was to map the various temples of importance along the course of the river that have been obscured from history.

“This book is not the first of its kind to try and retrace history — but it definitely is the first to retrace the history of Cooum,” said Priya. “Most of the information for temples in the Cooum region was not available in the public domain and was elusive. Books that detailed historical inscriptions (such as The Topographical Inscriptions of Madras Presidency (1915) by V Ranchacharya) went out of print decades ago.”
Initially organised as a trip to the source of the river in a village by the group, Priya wanted to detail more about the holy shrines along the river. “I found that the Cooum, a relatively short river of 72 km had its own Koova Puranam (which is a part of the Skanda Puranam). That is where we started from, and through further research, we found that the Cooum had 24 cheris and 18 kotams annexed to it — that was its importance! It clearly was a treasure hunt for us!” she said. She has mapped nearly 113 temples starting from the source of the river right up to the heart of Chennai.
She also found that many temples had inscriptions that could be of great historical value. “However, the sad part is that in most temples these inscriptions are no longer available as they have been modernised and subsequent work has left them bereft of heritage value,” she rued.

She also lamented the fact that several temples in the region have not been getting any patronage and are in an advanced stage of disrepair, often with certain buildings being taken up by surrounding encroachments. “The temple tanks of several temples require repair and if revived they can help replenish surrounding water bodies and villages too,” she added.
The book was released by K Sridharan, retired deputy superintendent of archaeology, state archaeology department. Priya also runs a blog called ‘Aalayam Kanden’, where she writes about lesser known heritage sites, has been featured among the top Indian travel and spiritual blogs for the last six years. A part of the proceeds from the sale of the book will be used to set up a Tamil section at the Madras Literary Society.
To order a copy, call 9790918056 or write to aalayamkanden@gmail.com

source: http://www.newindianexpress.com / The New Indian Express / Home> Cities> Chennai / by Gokul M. Nair / Express News Service / February 13th, 2017

The long road home

ChaturaRaoCF13feb2017

Chatura Rao’s novel is a portrait of lost love and new-found identity caught in the sweep of a nation’s history

A Blueprint for Love traverses present to past, happy childhood to anguished adolescence and serene village to chaotic city, with the ease of memory. After all, Chatura Rao’s second novel for adults is semi-autobiographical, its opening pages and beautiful prose drawn from the years she grew up in a large house in Madras, where her cousins filled her days, and rowing flooded her hours.

In the early 1990s, Rao trained with an all-women’s crew that went on to represent India at the Asiad. Schooled at Church Park, Stella Maris and Sophia College, Rao worked as a features journalist in her adopted city, Mumbai, and switched to writing fiction while expecting her first child. The Case of Disappearing Colour was followed by books Nabiya and Growing Up In Pandupur, co-authored with her sister, Adithi.

Her first novel for adults, Meanwhile, Upriver, is the story of two disparate people who inhabit the spirituality-soaked streets of Benares. A Blueprint for Love travels across India — Pune to the Himalayan foothills, Mumbai to Gandhinagar and Baroda to Delhi, and demands of its reader attention to its lyrical lines and riveting plot. The novel moves fluidly to settle in a place, the core of which symbolises an India waiting to implode from the personal and political tragedies of our time.

“It has its beginnings in Childhood Dust, an unpublished short story of mine. My editors at Bloomsbury, who found the style quiet and intimate, were keen that I expand it,” says Rao, speaking over telephone from Mumbai.

“I was reluctant, because the story was too personal for me, based on the loss of a dear cousin. But, as I wrote, it was the other track in the story that became more immersive. I had recently conducted workshops near Corbett National Park and the place is so beautiful, I decided that the hero, Suveer, should belong here.”

A Blueprint for Love celebrates a brave and sympathetic couple, Suveer and Reva, held together by the memory of Aboli, a girl they both loved. Suveer and Aboli’s romance plays out in a badminton court in the innocence of the 1990s, with Reva playing a willing Cupid. Aboli is determined to wed Suveer despite familial opposition, but dies soon after in a road accident.

The house where the cousins grew up, with its cosy corners and shadows cast by the dusty, lancet-shaped leaves of the mango tree, is sold, and the family scattered across India. Aboli, the love affair and the good times close like a heavy door on Reva’s life, although it seeps in like dust through the open window of her memory, casting a pall on her marriage to Tarun. Every year, Suveer, now a journalist, and Reva meet platonically on Aboli’s birthday to remember her, until Suveer travels to Gandhinagar to do an election special on the ‘dishousing’ of a Muslim businessman in a Hindu-dominated neighbourhood.

Suveer’s bid to save Mahnoor, a young Muslim woman, earns him broken bones and the love of Reva, who thinks nothing of leaving her husband and rushing to be at his side. There on, the lives of Suveer and Reva, Mahnoor and her husband Zahyan spiral downward, caught in narratives of hatred unleashed by zealots from both sides. All through this runs the thread of finding ‘home’, no longer just a physical space, but a metaphor for where one can be true to oneself despite the odds.

“Even those of us who have homes are looking to be rooted somewhere,” says Rao. “Zahyan and Mahnoor want the security of a home, while Reva has one but can’t settle down because of her own demons. This paradox was important to me.”

The book moves from Aboli and Suveer’s summer-filled romance to the bloodlust of sectarian violence, with alarming speed. “Aboli was warm and loved, Reva is confused and brooding. But, Aboli’s story was explored less because she dies young. It was a conscious choice to leave her behind.”

The novel also examines how hard it can be simply to survive. A fact that asserts itself in the book’s cover of a blue window filled with fractured glass.

Rao, who curated the Chandigarh Children’s Literature Festival last year, says, “Writing for children and adults occupies completely different spaces.” Her recent Gone Grandmother (Tulika) for children is introspective, without the layers adult literature demands.

A Blueprint for Love more than paints a tableaux of young people caught in a time of chaos. It portrays the slow death of the idea of a nation and is a love song to a lost Indian childhood.

(Published by Bloomsbury, the book, priced at Rs. 199, is available online and at stores.)

source: http://www.thehindu.com / The Hindu / Home> Books> Authors / by Deepa Alexander / February 13th, 2017

Gripping finish to Karupanan’s show

Madurai :

Skill, stamina and training may be enough to beat the bull. But if you have to beat R Karupanan, it may not be enough.

Youth trying to tame a bull at Palamedu Jallikattu near Madurai on Thursday | K K sundar
Youth trying to tame a bull at Palamedu Jallikattu near Madurai on Thursday | K K sundar

The 34-year-old stayed put in the arena for seven hours, living the dream of every bull tamer, at Palamedu Jallikattu on Thursday. The traditional sport was organised in Palamedu after a gap of two years, with the lifting of the ban.
Karupanan tamed nine bulls from 9 am to 4 pm and stole the show.
“Winning a Royal Enfield Bullet in Palamedu Jallikattu is the biggest prize that I have got so far,” Karupanan, a farmer and resident of Aritapatti near Melur in Madurai district, told Express.

“When I was very young, I was interested in Jallikattu and used to practice with a bull belonging to the Ellamanayagi Amman Temple in the village using Vadam Jallikattu technique. For 17 years, I have participated in several Jallikattu events across the State and have won prizes including bicycle and bureau,” said Karupanan, who keeps a Jallikattu bull in his house.
Thanking the organisers and the officials from the district administration for organising Palamedu Jallikattu in a proper manner, Karupanan said he was very happy to participate in the event. He claimed that five years back, he had tamed 10 bulls in a similar event in Theni district and that taming nine bulls in Palamedu was his second best achievement.

Thanking the students who staged a protest to lift the ban on Jallikattu, Karupanan said he dedicated his victory to the students who played a big role in the conduct of Jallikattu after two years. He further added that he had registered to participate in the Jallikattu to be conducted at Alanganallur on Friday and give a stunning performance there too.

During the Palamedu event, a team of officials were closely monitoring the bull tamers playing by the rules and the bulls that were performing well. Later,  District Collector K Veera Raghava Rao distributed shields and certificates to five best bull tamers – Karupanan, K Sivakumar of Mudalaikulam village (tamed seven bulls), P Senthil of Manampatti (tamed six bulls), V. Prabakaran of Melur (tamed six bulls) and K Silambarasan of Chinnaoorseri (tamed four bulls). He also distributed shields and certificates to five best bulls owned by Jallikattu Peravai president P Rajasekaran, bull owned by Anbu of Sikandar Savadi, bull owned by Ayyadurai of Boodakudi, bulls owned by Selvam of Karuppayurani and bull owned by Karuppasamy of Oothankudi for their performances.
Though the Jallikattu was scheduled to start by 8 am, the event commenced only at  9 am as the members of the Jallikattu organising committee delayed the bringing of temple bulls to the arena at Palamedu.
Before the start of Jallikattu, six temple bulls were brought to Vaadi Vasal after special poojas were conducted in a local temple in Palamedu.

source: http://www.newindianexpress.com / The New Indian Express / Home> States> Tamil Nadu / by Kaushik Kannan / Express News Service / February 10th, 2017