Category Archives: Arts, Culture & Entertainment

Fest to explore nuances of colours in arts

Chennai  :

Is colour just a pigment that is visually fascinating or is it the reflection of the hues of the mind. Do artists introspect about the various symbols that come into play or is it a spontaneous response. It is these nuances that the upcoming three-day festival Bani will explore.

 
The annual festival, curated by renowned Bharatanatyam dancer Alarmel Valli, looks at the idea of colours  through the prism of the arts. Dance being a visual form, the use of colour is assumed feels the Padma Bhushan recipient.

“Colour is woven into the warp and weft of all art forms. There are different expressions, idioms and perceptions of it and different responses to it. It is widely used instinctively and deliberately, in an abstract as well as literal sense, yet it is often taken for granted. As an artist not many have the time to reflect and articulate these thoughts and so it was a good theme to deal with,” says Valli for whom the theme came together quite spontaneously as the subject has been there on her mind. The dancer for her is like a painter who fills the outline of the song using the body as medium, while the space is the canvas.

Through conversations, music and dance performances artists will be intrinsically bringing out the importance of colour during the festival which begins on October 14.

Bringing together, vocalists, filmmakers and dancers, the festival looks at use of colour in different artistic medias and challenges the audience to find their own meaning.

While singer T M Krishna and documentary filmmaker Arun Khopkar  will set the tone of the festival with talks about interpreting and delineating the concept of colour, Carnatic vocalist Sanjay Subramanian, and Kathak exponent Kumudini Lakhia will be performing and subtly establish the concept using their respective repertoire.

Known for her ability to turn traditional grammar of dance into a deeply personal poetry, Valli has taken on the role of the curator for the past four years. “I like this process of exploring and taking an objective view of the creative process,” says Valli who feels that the metaphor of colour has helped her interpret lyrics and shades of characters.

The interaction on the first day will be at Amethyst Cafe and the performances will be at Kalakshetra.

source: http://www.timesofindia.indiatimes.com / The Times of India / News Home> City News> Chennai / TNN / October 14th, 2016

‘Special op’ tracks down long lost classmates for Loyola reunion

From (L) Justices R Sudhakar, C T Selvam, M M Sundaresh, T S Sivagnanam and V Bharathidasan at Loyola Alumni Meet, in the city on Sunday | Romani Agarwal
From (L) Justices R Sudhakar, C T Selvam, M M Sundaresh, T S Sivagnanam and V Bharathidasan at Loyola Alumni Meet, in the city on Sunday | Romani Agarwal

Chennai  :

Not enough 60-year-olds are on Facebook. This is probably why the folks behind the reunion of the Economics batch of 1976, Loyola College had to request a ‘special op’ be carried out to track down their classmates.

Members of the alumni committee, who have diligently tracked down every one of their 76 classmates, did so over a span of two years. Gerald Arputhasamy, one of the alumni and co-ordinator of the event over the weekend, recalled, “We have called offices, wives, postmen, even rang up the United Nations once to reach a classmate of our who works with the World Trade Organisation!”

Sadly what they found was that 40 years after college graduation, nine classmates were deceased and several others – spread all across from Sowcarpet to Singapore – were unreachable.

That’s when Gerald requested classmate and friend, retired Commissioner of Police T Rajendran to help out. And as you can imagine, returning home from work to find out that cops had come knocking, alarmed more than one senior gent in the process. “We had quite a few people scared, before they called back and I got to say: It’s me machan,” remembers Rajendran with a laugh. In this day and age, the concept of ‘unreachable’ is rather alien for most, but this team did not have it that easy.

Like M Ganesan from Tirupattur who was tracked by his classmates all the way down to his new address and the postmaster in the main office. With a little convincing, this enabled them to collect the number of the specific postman who frequented Ganesan’s street. He was requested to give a missed call when near his house. However, Ganesan’s elderly father was not as pliable, refusing to share his son’s number with the postman.

So when Ganesan did eventually return home that week, he was shocked to learn that a police visit to his house had become the talk of the neighbourhood. Although now he’s got one heck of a story to tell his grandchildren before they head off to college!

The Loyola College Economics Batch of ’76 reunion will take place on October 8. The alumni who have tracked down a good number of their faculty as well plan to kick-off the day by recreating morning attendance with their original roll numbers.

Legal luminaries honoured at meet
Loyola College on Sunday honoured several legal luminaries, including Supreme Court Judge Justice Jasti Chelameswar, with its alumni award as part of its annual ‘Alumni Day’ celebrations. Besides Justice Chelameswar, a BSc Physics student of the college who passed out in 1972, the college also awarded its other alumni, Justices T S Sivagnanam, C T Selvam, V Bharathidasan, M M Sundresh (all from Madras High Court) and Justice R Sudhakar of the Jammu & Kashmir High Court. Senior advocates Krishna Srinivasan, PS Raman, Vijay Narayan and Joseph Kodianthara were also honoured on the occasion. Delivering his address as the chief guest, Justice Chelameswar said the role of education is to refine the value systems of students.

source: http://www.newindianexpress.com / The New Indian Express / Home> Cities> Chennai / by Express News Service / October 03rd, 2016

Village in Salem wins National Literacy Award

The Vatta Muthampatti village panchayat in the district has won the prestigious National Literacy Award for the successful implementation of the adult literacy (Karkum Bharatham) programme-2016.

Vatta Muthampatti is the only village panchayat in Tamil Nadu to win this prestigious national award.

Of the total population of 3,929, a total of 3,159 women in the age group of 14-35 years were found to be illiterates a few years ago. All the illiterates have now become literates thanks to the implementation of the Central Government sponsored ‘Karkum Bharatham’ (Saakshar Bharat), an adult literacy programme exclusively for women.

Raja alias Killivalavan, president of the Vatta Muthampatti panchayat, received the coveted ‘Saakshar Bharat National Literacy Award” from Pranab Mukherjee, President of India, in the presence of Prakash Javedekar, Union Human Resource Development (HRD) Minister, at a function held in connection with the Adult Literacy Day in New Delhi recently.

The ‘Karkum Bharatham’ programme implemented by the Union Ministry of Human Resource Development was introduced in Salem district in October 2010 with the objective of covering more than 3.51 lakh illiterate women in the age group of 14-35 years.

Salem is one of the nine districts in Tamil Nadu where this programme is under implementation.

The illiterate women of Vatta Muthampatti panchayat were identified through special campaigns and imparted training in basic literacy at the Karkum Bharatham literacy centres. Specially trained Plus-Two completed youths were selected as resource persons.

The National Institute of Open Schooling (NIOS), New Delhi, and the National Literacy Mission (NLM) conducted the examinations twice a year in March and October since this programme was introduced in the district, on behalf of the HRD Department, to assess the basic literacy talent admitted to the literacy centres. After the examinations, it declared that all the 3,159 women of the district have completed the literacy programme and emerged successful in the examinations. It declared Vatta Muthampatti as a totally literate village panchayat.

All the 3,159 women have been declared as ‘certified learners’ now, according to D. Thangavelu, district coordinator of the Karkum Bharatham programme.

Successful candidates were given certificates by the NIOS.

Second time

The Salem district has achieved the rare distinction of receiving the national level ‘Saakshar Bharat National Literacy Award’ for the second year in succession.

The tribal Palamalai village panchayat in Kolathur block received the award last year, followed by the Vatta Muthampatti panchayat this year.

During both the years, Salem is the only district to receive this award this year, even though the ‘Karkum Bharatham’ programme is under implementation in nine districts in the State for the past five years.

This is a rare distinction, said Dr. Thangavelu, district coordinator of Karkum Bharatham.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Coimbatore / by Syed Muthahar Saqaf / Salem – September 27th, 2016

Vocalist O S Arun to screen documentary on Alapana Trust

Chennai :

Vocalist O S Arun is renowned in the field of Carnatic music. But only a few are aware of his mission to enrich the lives of the less privileged through music. Arun is organising the screening of the documentary, ‘Ratna Sangamam,’ in Chennai on September 30 to raise awareness about the work he is carrying out through his charitable organisation Alapana Trust.

“The 28-minute documentary, directed by S P Kanthan, will showcase our community service projects,” says Arun, who established the trust in 1998.

“We initially formed it to promote music. We have been regularly organising festivals of classical music and dance, youth festivals that give a platform to youngsters, workshops and lectures on music in different places,” says Arun, adding that eminent artistes such as Leela Samson, Chitra Visweswaran, Bombay Sisters, and the Hyderabad Brothers have performed for the trust in the past.

However, three years ago, Arun and his wife felt that there was something missing. “After singing for more than 30 years, I wanted to give back to society and do something meaningful that gave me more satisfaction,” says Arun. So the couple approached old age homes, orphanages and organisations that worked with children with autism and Down syndrome as well as visually challenged children.

“We wanted to go to these places and perform for them as it would be difficult for them not just to buy tickets for concerts but also transport people to the sabhas,” says Arun, who began the initiative by performing at Annai Illam, an old age home in Mylapore.

“I had sung in many sabhas and for corporates, but I was initially nervous as to how the people would respond,” he says. “But to my surprise, everyone was very enthusiastic and even sang along.”

The trust also tries to support each centre that they visit in whatever way they can. “We do an anna danam and feed people there. At Annai Illam, we also gave sarees to elderly women. In another centre near Trichy, we gave them gave an entire month’s provision. In another old age home in Thanjavur district, we gave mattresses to the elderly as theirs were worn out and we also repaired the roof of an orphanage in Chengalpet,” says Arun.

However, funds are scarce as he has so far been doing it in an individual capacity. And that’s where the idea of ‘Ratna Sangamam’ took seed. “People told me that I should spread more awareness about the initiative so that more people can contribute. Since we already had video footage of all our events, we just had to script the documentary,” says Arun.

‘Ratna Sangamam’ will be screened at the Bharatiya Vidya Bhavan auditorium at 6:30pm on September 30. It will be followed by a concert by O S Arun at 7pm. “The show is free,” says Arun. “On the occasion, we will also be gifting musical instruments to a few autistic children from The Lotus Foundation.”

source: http://www.timesofindia.indiatimes.com / The Times of India / News Home> City News> Chennai / Priya Menon / September 27th, 2016

A traveller’s tale

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The Madras of 200 years ago was a place of beautiful architecture, Nature and women, in equal parts — at least in the eyes of Dutchman Jacob Haafner (1754-1809). A traveller in the latter part of the 18th Century, Haafner’s record of works shows that he had been in Madras for a year and a half; in Negapatam for six years; and in Calcutta and Pondicherry among other places, for a few months. In all, he spent 13 years in India and Sri Lanka between 1771 and 1787. All through his travel, he sketched and wrote whatever he saw, in its rawest sense — all in Dutch.

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Enter Bharatanatyam dancer and historian Liesbeth Pankaja Bennink. After her arangetram in 1981 in Amsterdam, and graduation from Rijksuniversiteit Utrecht (The Netherlands), she came to India to research on Indian culture and dance. She joined Raja Deekshithar (1949-2010), an independent researcher and a scholar belonging to the Chidambaram Nataraja temple. It was during her research on the temple, around six years ago, that Liesbeth chanced upon Haafner’s writings.

Two worlds, two centuries apart, collided.

During a recent lecture at The C.P. Ramaswami Aiyar Foundation, Liesbeth, who is translating Haafner’s biography into English, spoke about what hooked her to his works, and how his writings present a glimpse of the India of the past.

jacobhaafner02cf26sept2016

Excerpts:

What happened after you discovered Haafner’s works?

I had just finished translating a piece by a Frenchman about the Chidambaram temple, written in 1734. Then I came across a piece on dancers by Haafner. He had written about devadasis or temple dancers, and also dancers, who travel in troupes from place to place and perform for the public. His writings offer great insight into their lives in this period, as he had a passionate love affair with one of them named Mamia. He includes details of their dress, music and make-up. I didn’t stop with the dancers though; I read all his works {books on his journey from Madras to Ceylon via Tranquebar, his sojourn in Negapatam, journey along the Coromandel Coast, journey to Bengal and return voyage to Europe}. Most of them have been translated into German, French and Swedish. English, not so much. But, I didn’t find anything about the Chidambaram temple.

Any other structures of today that find mention in his works?

In his book, Travels by Palanquin {he journeyed comfortably in them, for most part}, he writes about the science and art that went into the making of the seven temples of Mahabalipuram. He calls it ‘one of the most beautiful and largest palaces of our time’ and compares it with the ‘miracles of Egypt’. He also mentions the small choultries that hosted visitors for free, soothsayers, the ritual of Naga puja, children engaging in group study, the different kinds of snakes {he suffered a snake bite during his stay} and temple tanks. He had also sketched a scene of Mamia rushing towards him, in the background of the temple tank, and a group of women clad in wet clothes. But I haven’t been able to trace the temples with the names mentioned by Haafner.

Does he delve into politics in his writings?

He was clearly against colonisation and looting. He considered the English greedy, and argued for the complete withdrawal of all imperial powers from their respective colonies {probably the reason why his books weren’t translated into English}. Not just that, he had great respect for Indian culture, and was actively involved in the study of Indian languages {he knew Tamil, Urdu, Hindi, Sanskrit and Telugu}. He has translated a part of the Ramayana into Dutch, a 300-page book that was published in 1823.

Do you find all the accounts to be true?

I wish I could find his diaries. They would have more content, in its truest sense, than the books. I think that the writer might have taken the liberty to exaggerate the situations on a few occasions. Like one where he describes falling into a dark tunnel, somewhere near Vizag, and walking through carcasses in the dark before coming out the other side into a whole new land; his description of a snake that is 70 feet long, that is about to swallow him; or Mamia dying in his arms in a very cinematic way; or him engaging in an action-packed fist fight with the locals and defeating them (laughs).

source: http://www.thehindu.com / The Hindu / Home> Features> Metroplus / by Naveena Vijayan / Chennai – December 22nd, 2015

Trade in Madras and its direct link to the Romans

Chennai :

A long with over a dozen students from Beta Matriculation School, we board the Chennai Express – TNIE’s double-decker bus (sponsored by NAC Jewellers) near the famous Gandhi statue. The youngsters were eager to learn more about the history of the city, and were surprised when Suresh Sethuraman, convener of INTACH Chennai Chapter joined us.

Suresh, a numismatic expert and one of the very few with a doctorate in this field, has written over 30 books. Cheerfully greeting the students, he began talking about the heritage buildings along the Rajaji Salai – Wallajah Road stretch.

Student aboard the Chennai Express  P Jawahar
Student aboard the Chennai Express  P Jawahar

“The DGP office to your left was built in 1839, and the Queen Mary’s College in 1914 was the first women’s college in South India…,” were some of the interesting nuggets he announced on the mike. As we cross several other buildings on the stretch, including the Ice House (Vivekanandar Illam), Presidency College and the University of Madras, Suresh quizzes the students. “Why was the ‘Ice House’ called so?” Pat came the reply from a 15-year-old, “The British imported ice from America and stored it here,” and Suresh continued, “Yes, from Boston! And the ice crossed the equator twice and never melted!” he added.

Across the Napier Bridge, we reach the War Memorial and take a detour via the railway office building and notice a few more heritage buildings like the Curzons. “It was built in the early 20th Century and they are wonderful furniture makers. In fact, they made the furniture for the Madras University library,” shared Suresh.

After a satisfying tour, we caught up with Suresh for a small chat about being an archaeologist. “Archaeology has always been a rare subject. But now it’s getting rarer,” he explained. “People are not taking to it due to two main reasons — lack of awareness about the subject and the wrong notion that archaeologists have to live in the forest digging and can’t make money. Senior archaeologists are retiring and we don’t have youngsters with technical qualifications to occupy the post. So, we are trying to spread awareness through career counselling sessions.”

Though foreign governments are giving scholarships to Indian nationals to hone their skills in archaeology, Suresh rued that the number of eligible applicants is few. “This is why engineers and doctors corner the scholarships. We don’t have good archeologists who apply for them!” he said, and added that heritage clubs in schools and colleges could be used to create awareness among the youth. “You can graduate in any discipline and pursue a masters in archaeology,” he said.  The oldest teaching institution for archaeology in India is the University of Madras, while Deccan College, Pune and MS University, Vadodara are colleges that match international standards. “Sadly, we don’t have many Indian students studying the subject in these universities. But, people from abroad come here to study. That’s the sad state,” he sighed.

Scholars have pointed out that before 1947, Santhome, Kilpauk and Chetpet were sites of archaeological digs. “There’s a lot of scope for excavations in Chennai. The irony is that India is rich in archaeology but poor in archeologists,” he averred.

Suresh explained about a little-known piece of history — Roman trade in South India. “Romans and Greeks came here 2,000 years ago. They reached Poduke (Arikamedu) and came to Pondicherry. From there they travelled to Melange (Mahabalipuram) and finally reached Mailarfa (Mylapore). They used the ECR route even before we built it!” The Romans took Indian textiles, gems and spices for gold and silver coins and accidental discoveries have shown that their presence was strong in areas like Mambalam and Saidapet. “Excavation is still on in some rural parts like Kodumanal,” he said.

But the most astonishing fact is that scholars and archaeologists from abroad aren’t aware of the Roman trade in South India. “It’s our fault too. We discover something but we don’t publish it in international journals. Even in books about Romans, the trade is either mentioned in merely a line or there’s no reference at all,” he rued.

source: http://www.newindianexpress.com / The New Indian Express / Home> Cities> Chennai / by Roshne B / August 29th, 2016

Kamal Haasan to get prestigious French honour

Kamal Haasan. Photo: Nagara Gopal
Kamal Haasan. Photo: Nagara Gopal

The Order is part of France’s premier award, the Legion of Honor.

Actor Kamal Haasan will be awarded the Chevalier de L’Ordre Arts et Lettres (The Knight of the Order of Arts and Letters) by the French government. The Order is part of France’s premier award, the Legion of Honor.

“The distinction, which is yet another laurel for the actor, is in recognition of his high level of artistic excellence and his distinguished career achievements. The award will be conferred on Kamal Haasan at a special ceremony,” read a statement from the actor’s publicist.

The order of merit is awarded “to recognize eminent artists and writers, as well as people who have contributed significantly to furthering the arts in France and throughout the world.”

The Order has three ranks – chevalier (knight), officier (officer), commandeur (commander) – and two high offices.

Other Indians who have been conferred the Chevalier Order include veteran musician Balamuralikrishna, and actors like Sivaji Ganesan, Amitabh Bachchan, Aishwarya Rai, Nandita Das and Shah Rukh Khan.

The actor released a statement thanking his family and fans for supporting him.

Our Staff Reporter adds:

In March 30 this year, the versatile actor, who made his debut as a child artiste in Kalathoor Kannamma in 1959, had received the Henri Langlois Award for his contribution to cinema in France.

Mr. Haasan, who is a recipient of the Padma Bhushan from the Government of India, has donned several hats and has been actively involved in production, direction, playback singing and song writing in films.

Chachi 420 (the Hindi version of Avvai Shanmughi), Viswaroopam and Hey Ram are among the movies he has directed.

He is currently directing and starring in the trilingual film Sabhash Naidu which is being made simultaneously in Tamil, Hindi and Telugu. He was last seen onscreen playing the lead in the movie Thoongavanam.

Here is his full statement:

“The French Government has kindly conferred the Chevalier award for Arts and Letters on me. On this occasion, I bow before my more deserving forerunners, Mr. Satyajit Ray and Mr. Sivaji Ganesan, who made even the common man realise the value of the Chevalier award. I thank His Excellency, the Ambassador of France in India, Mr. Alexandre Ziegler, who inimated me of this honour.

“This award humbles me rather than stiffen me with pride.

“I realise my journey in my chosen field has not been alone. Teachers and admirers abounded around me. With motherly care they have applauded my every little step forward. The melancholy of my parents not being alive to see this day is allayed by the fact that the elders and the young are still around in my family to enjoy it. I dedicate this award to my admirers and audience, who give me the tenacity of purpose to pursue, to this day and moment, my arts and letters. Thank you.”

source: http://www.thehindu.com / The Hindu / Home> Features> Cinema / Internet Desk / August 21st, 2016

A temple for Tao

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The Huan De Temple in Uthandi, the first in India, promotes the philosophy of peace in everyday life

Just off East Coast Road in Uthandi lies a gleaming, modern structure bearing an unusual name —‘Huan De Temple’.

‘Huan De Temple’ literally translates into ‘The Temple of Universal Virtues’ and is a centre for the propagation of a philosophy called Tao.

Not to be confused with Taoism, Tao is a philosophy that propounds an upright way of life as a means of understanding the Universal Truth,” says Master Mak Siew Fong, a founder-trustee who lives in Malaysia, who is on a visit to the temple. Elders of the Tao order are referred to as Masters or Teachers.

The philosophy believes that we are all imbued with the basic values of benevolence, righteousness, propriety, wisdom and trustworthiness.

These are lost in the course of our daily lives; Tao seeks to bring about a transformation from within to help people connect with their true inner selves. While Tao is popular in China and South East Asia, it has its headquarters in New York, and centres in major cities of the world (there are more than 200 Tao temples worldwide). The Chennai temple is the first in India.

Chennai’s relationship with Tao goes back to the 6th Century CE, when Pallava king Simhavarman ruled Kanchipuram and its surrounding areas. His third son Bodhidharma is supposed to have been a meditative ascetic, who learnt Tao from a scholar. It is reported that he travelled to China, where he introduced Tao to the Chinese Emperor. This led to the proliferation of the philosophy throughout that country.

Master Fong explains that the doctrine of Tao comes from the teachings of Maitreya Buddha (or the ‘Laughing Buddha’ as we know him), who was a disciple of Gautama Buddha. “It is based on the premise that our needs are simple but our wants are endless, which leads to negativity in our lives. Tao teaches us that we are here to love one another and be kind. We hold the power to change our life by transforming our behaviour,” he elaborates.

The Chennai temple was established in April 2015, and holds three prayer services (mainly for world peace) every day. Master Madam Soong Moi Fong, another teacher, says the services are conducted in a serene, solemn atmosphere, where the “body, heart and thoughts have to be clean”.

The Temple does not actively solicit members or advertise ; most members were passers-by drawn to the temple while driving by.

The spacious three-storey temple has a central prayer hall, besides lecture halls, a dining room that can host 500 people, meeting rooms, a library, the administrative office and a couple of apartments for visiting teachers. Most of those who work at the temple are volunteers.

The temple funds some of its expenditure through the sale of fresh, home-made tofu that is made there every day.

As part of its outreach initiatives, the temple funds a host of charitable projects around ECR.

Volunteers were active during the floods in Chennai last December, taking part in relief efforts.

source: http://www.thehindu.com / The Hindu / Home> Features> Metroplus> Society / by Shazia Andaleeb / August 19th, 2016

The mouthpiece as mirror of the soul

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Murasoli is an integral part of the Dravidian movement and its history precedes that of the DMK

When DMK president M. Karunanidhi launched Murasoli, a handwritten manuscript mouthpiece of the then fledgling Dravidian movement on August 10, 1942, World War-II was still on. The DMK itself was not launched then. Murasoli which has since graduated, first from a hand-written magazine to a weekly and then to a daily is now into its platinum jubilee year.

Recording the landmark moment, Mr. Karunanidhi. writing in the party organ recently, describedMurasoli as his “first child” and said he cherishes its founding day more than his own birthday.

The veteran politician had for long used the mouthpiece as a medium to communicate with his party cadre. In fact, during the Emergency when media was subjected to stringent censorship, he subtly conveyed to the cadre about the list of leaders who had been jailed under the draconian Maintenance of Internal Securities Act (MISA). Knowing well that the Press Information Bureau would not allow these leaders to be named, he, instead, published the list of leaders who would not be able to pay respects to party founder C.N. Annadurai on the latter’s death anniversary.

“The DMK and the Murasoli are inseparable and the contribution of the paper to the growth of the party is immeasurable,” said former Minister Duraimurugan, who has been reading the paper since 1962. Few leaders had the passion of Mr. Karunanidhi when it came to running a party organ, he said.

“Our leader has the capacity to write what will please all sections of the society. He will proof-read what he had written even at midnight and always ensure that he read the paper in the morning before others read it,” said Mr. Duraimurugan.

Former School Education Minister Thangam Thennarasu, a second-generation leader, said, Murasolihas adapted itself to technology and it is now available online to reach a wider audience.

“The first issue of Murasoli had four pages and Kalaignar wrote the contents under his pen name ‘Cheran’,” said Dravidian Movement’s historian K. Thirunavukkarasu. “It became a weekly in 1948 and Kalaignar suspended its publication after joining Modern Theaters. He resumed its publication in 1954 and Murasoli became a daily on September 17, 1960,” he added.

Murasoli has since become the only newspaper of the Dravidian movement to have weathered many a political storm and Mr. Karunanidhi had ensured its existence by forming a trust to run the paper. “He was a hands-on editor and never hesitated to spend his money to run the paper. Murasoli is a guide to the party leaders as well as the cadres,” said Mr. Thirunavukkarasu.

But the admirers of the Dravidian movement, who pointed out its role in demolishing feudalism and upper caste domination in the society, are sceptical about the role of the Murasoli. “While the Dravidian movement ensured that democracy percolated and reached sections of society that were hitherto impossible to reach, Murasoli has become a weapon in the hands of neo capitalists, particularly the family of the DMK leader,” felt V. Arasu, former head of Tamil department at the University of Madras.

source: http://www.thehindu.com / The Hindu / Home> National> Tamil Nadu / B. Kolappan / Chennai – August 15th, 2016

Lyricist Na Muthukumar passes away

Na. Muthukumar. / File photo: S. Siva Saravanan
Na. Muthukumar. / File photo: S. Siva Saravanan

He won two national awards for the songs “Ananda Yazhai Meetukiral” in “Thanga Meengal” and “Azhage Azhagu” in “Saivam”.

Two-time national award-winning lyricist Na. Muthukumar succumbed to jaundice in Chennai on Sunday. He was 41 and is survived by his wife, a son and a daughter.

He first won the award for the song Aananda Yazhai Meetukiral in the filmThangameenkal and the second award was for the song Azhage Azhagu inSaivam.

“In my opinion he had the calibre to achieve great heights in Tamil literature. But film industry reduced the space for his creativity,” said director N. Alagamperumal. Na. Muthukumar wrote most of the songs for his film Dum Dum Dum and all of them were hits.

“He is a friend and we would have a chat over phone once a week. I love his lines Un Perai Sonnale Ul Naaku Thithikkume, Nee Yenkey Nee Yenkey and Desingu Raja Desingu Raja,” said Mr. Alagamperumal.

Later, he wrote for films of Selvaragahavan and the song Niniathu Ninaithu Parthen in 7G Rainbow Colony became one of the evergreen film songs. His Anil Aadum Mundril, a poetic narration published in Tamil weekly Ananda Vikatan, proved his grip with the language and close observation of Tamil life.

“It was writer Sujatha who first introduced his poem Thoor in a meeting organised by Kanaiazhi magazine. He introduced images of modern poetry in films songs, which is achieved by very few writers. He excelled both as a lyricist and a poet and he achieved great heights in a short span of life in a highly competitive world,” said poet Manushyaputhiran.

He further explained that at a time when music directors dominated the film world, Muthukumar secured a space for poetry and meaningful lines and also an identify for himself.

Muthukumar entered the film world with a dream of becoming a director and worked as an associate for Balumahendra. “But his knowledge in Tamil language and literature led him to the area of song-writing and he first wrote for director Seeman’s film Veeranadai,” said writer Suka, who also worked with Balumahendra.

A native of Kancheepuram, Muthukumar is also a distant relative of DMK founder C.N. Annadurai, “He studied in Pachaiappa’s college and was shaped by his father Nagarajan who was a voracious reader and had a great collection of books,” said lyricist Palaini Bharathi.

DMK leader M. Karunanidhi condoled his death, saying he was shocked by the sudden demise of the lyricist.

source: http://www.thehindu.com / The Hindu / Home> Entertainment / by Special Correspondent / Chennai – August 14th, 2016