Category Archives: Arts, Culture & Entertainment

This photographer does not own a single camera!

Pranesh (centre, in black) with his team Photo: R. Ravindran
Pranesh (centre, in black) with his team Photo: R. Ravindran

Meet 28-year-old Pranesh Padmanabhan, who heads a photography company that covers a wedding a day without owning a single camera. SRINIVASA RAMANUJAM finds out how

Pranesh Padmanabhan describes the four years he spent studying electrical and computer engineering in four simple words: a waste of time. “In Chennai, if you’re doing anything other than engineering or medicine, you’re considered a terrorist,” he laughs.Looking back, he could have selected the study-engineering-get-fat-paycheque route. But that didn’t excite him.

What did set his heart racing, however, was taking pictures — or rather, “visualising photographs”, as he’d later realise. That was in 2010, when candid wedding photography was still nascent and a fad among the elite.

Pranesh, who already held two management degrees then (one from Chennai Business School and an online certificate course from Harvard), was, simply put, in the right place at the right time… with the right idea.

Today, Pranesh Photography – or Studio 31, as it was rechristened – is run like a corporate and boasts an office environment that might give top IT companies a run for their money.

They have 27 full-time employees and 40 freelancers, plus a Happiness Manager, an accountant and a full-fledged technology team.

These numbers are essential. After all, the team works on one wedding per day, sometimes even two. On one particularly busy muhurtam last year, they covered 27 weddings on a single day.

The big revelation comes here: they don’t own a single camera.

“I don’t understand why one needs to invest when you can just hire cameras, as per requirement,” he says matter-of-factly.

“I’ve a regular deal with a vendor who gives me great equipment on short notice. He takes care of all the equipment, insurance, the works, while we concentrate on the pictures and post-production.”

That’s an aspect he takes very seriously, and so calls it his USP. “Anyone can take photographs these days. And by that, I mean, good candidphotographs. But it’s still an unorganised market. The challenge is to deliver a smooth start-to-finish process; right from the time an enquiry call comes to the final delivery of the album.”

Facebook and other social media have helped his company grow from strength to strength. He typically targets the IT crowd, who hail from middle and upper middle-class families who would like to see “rich photo shoots” done at their weddings as well. “For us, every wedding is special. We target the aspiring middle-class crowd that would like to see a colourful spread of their special day.”

That doesn’t mean just photos of the gushing bride, her happily-in-tears parents and the coy groom. It also includes the traditional posed photos — something that everyone has, especially the elders in the family. Of course, those were shot by shutterbugs growing up at a time when Pentax, Kodak and Konica were household names.

Thanks to package deals made by the company (about one lakh for a wedding, all inclusive), the young, jeans-clad candid photographer no longer poses a threat to the traditional photographer. “I can proudly say that we have changed the lives of about 50 of them. They have bank accounts now. They’re no longer treated with disdain.”

Success and money came Pranesh’s way, but there were still challenges. 27 prospective life partners rejected his marriage proposals – or rather, their families – pointing out that he was just a photographer. 18 banks rejected his application for a loan, because they weren’t convinced that a photographer could earn so much money.

But he’s forgotten all that and moved on. Now happily married (to a journalist), the 28-year-old prefers the cool confines of his Kodambakkam office space to the hustle and bustle at a wedding hall. He’s looking at increasing revenues – their turnover was Rs. 3 crores last year, and he hopes to achieve Rs. 15 crores by 2018, by expanding to Coimbatore, Madurai, Erode and metros like Bangalore and Hyderabad.

What about the need to keep his passion for photography intact? “I’m planning to set up another company called Hues, through which I will directly get into honeymoon photography. It will involve travelling to places like Bali, New Zealand, shooting the newlyweds for a couple of days on location. There’s a huge demand for that now.”

However, he still does not plan to buy a camera, though he can afford it now. “I came into the photography industry without one and I wish to stay that way.”

source: http://www.thehindu.com / The Hindu / Home> Features> MetroPlus> Society / by Srinivasa Ramanujam / May 14th, 2016

Madras Miscellany: Laying down Hindu Law

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Laying down Hindu Law

I was recently asked by a reader who the first Indian Principal of Law College was. I’m afraid I have no answers, so I pass on the question to the readers of this column. The question, however, set me wondering on who was the first Professor of Law in Madras. The answer to that is a little easier. When the oldest college in the South, Presidency, Madras, started, one of its first faculties was the Law Faculty and its sole lecturer was John Dawson Mayne, who had been invited from the UK to head it. At Presidency, he took his classes in the evening, so that he could appear in court in the mornings.

While practising in London in the 1850s, Mayne wrote a book titled Damages and ‘Mayne on Damages’ is still, I’m told, considered an authoritative work. However, certain remarks he had made in it led to solicitors in London boycotting him and his, as a consequence, accepting the Professorship of Law at Presidency. In India, he became fascinated with Hindu Law and made himself an authority. From 1863 to 1878 he worked with translators and eventually brought out a voluminous treatise on Hindu Law, still considered authoritative. Also considered “indispensable” to every lawyer practising in an Indian criminal court was Mayne’s commentary on the Indian Penal Code.

Mayne’s work on Hindu Law was, however, not a pioneering work, I discovered recently when reading a book of brief biographies of the Chief Justices of Madras during the British period, by V N Srinivasa Rao, an Oxford-educated Barrister who wrote articles and commentaries regularly to various law magazines, mainly in the 1950s and 60s. The pioneer was Sir Thomas Andrew Lumsden Strange who came out in 1798 to head the newly established Recorder’s Court which succeeded the Mayor’s Court. When the former institution was succeeded by the Supreme Court, forerunner of today’s High Court, Sir Thomas in 1801 became its first Chief Justice, a position he held for 15 years. Returning to England in 1817 he began reflecting on Hindu Law and decided to write a book on it. His Elements (of Hindu Law) was published in 1825. But when he sat down to work on a second edition and wrote to several legal luminaries in Madras asking for additional inputs, none replied. In his preface to the 1830 edition, Sir Thomas wrote in sorrow, “In preparing the present edition… the author has no acknowledgements to make in any quarters, for assistance, or suggestion, though invitation, and even solicitation, on his part, has not been wanting.”

The significance of Sir Thomas’ contribution was recognised by Mayne in 1859 when he wrote, “In fact, Sir Thomas Strange’s treatise has done more than merely collecting the authorities upon the Hindu Law. It has settled the Law. Few will search for themselves through Manu and Mithakshara when they find the substance brought out in the masterly English of the Chief Justice of Madras.” I wonder how many in the legal profession in the city recognise today Sir Thomas Strange’s contribution.

***

The cave at Saluvankuppam
The cave at Saluvankuppam

The cave in the kuppam

I had in Miscellany April 25 wondered why no prominence has been given to Saluvankuppam as a destination to also be visited by those going to see that open air museum of rock sculpture that is Mahabalipuram. I wouldn’t have if I had not been confused by Sir Walter Elliot’s description of the place. Saluvankuppam is Tiger’s, or Yalis’, Cave where most visitors stop for a while before proceeding south, three miles further, to the main sculptures. There is also a small signboard at the site saying Saluvankuppam, writes Dr. R.K. Natarajan in setting me straight.

Natarajan adds that the kuppam in ancient times was known as Tiruveluchiyur and the sculptures there, including the Athirachanda Mandapam a few yards north of Tiger’s Cave, were created during the reign of Rajasimha, the son of Mahindra Varma Pallava, according to that modern authority on Mahabalipuram, R Nagaswamy. Natarajan adds that there are “two inscriptions here, one in Pallava-Grantha on the southern flank and the other in Nagari on the northern flank.” Both are in praise of Rajasimha.

This information had me searching for a beautiful thin landscaped-sized guidebook on Mahabalipuram that TT.MAPS had produced many decades ago, with photographs by M. Purushothama Rao and script by veteran journalist M C Subrahmanyam. In it, ‘MC’ wrote, “Another attractive monument called the Tiger’s Cave is in Saluvankuppam, a sea-coast village three miles to the north of Mahabalipuram. We see here an enchanting mandapam behind the facade of gigantic, prancing yali-s. To the south of Tiger’s Cave is Athirachanda Mandapam with the bas relief of Somaskanda. Very near the mandapa is a very beautiful sculpture depicting Durga’s fight with Mahishasura. The theme is the same but the artist has exhibited his skill by introducing a number of interesting changes.” Sad, I’d forgotten all this, for I had been the publisher of this guide book!

Trying to learn more about Tiger’s Cave, I searched and found my 40-year-old copy of Michael Lockwood, Gift Siromoney and P Dayanandan’s Mahabalipuram Studies. It did not take me much further than a questioning of Rajasimha’s ownership of the work in much of the Mahapalipuram area. But it did throw up a surprise. They write, “Although these monuments and their figures are all carved out of stone, yet every inch would have been covered by the artisans with a thin layer of fine, white plaster and then painted… All of the human and animal figures would have been painted so as to impart a startling realism to them. The paint, of course has disappeared except for traces.”

They refer in a footnote to a letter they had written to The Hindu in January 1970, “…we three adults (were) craning our necks and peering intently at the upper reaches of the ‘Rathas’… On the basis of a little detective work, we were imagining in our mind’s eye… the ‘Rathas’ completely covered outside and in with bright colours of paint… Imagine the many graceful figures which people the niches of these temples rendered in life-like colour… Imagine the great panel of ‘Arjuna’s Penance’ alive with colour… Everywhere… the unmistakable traces of plaster and paint which have survived more than perhaps a thousand years of weathering… are quite evident.”

Every day a new surprise comes into my life as I work on this column. I had always thought that painting stone sculptures was a new phenomenon.

***

When the postman knocked…

M S Sethuraman’s reference to ‘excommunication’ of Mahatma Gandhi and Dr. Swaminadhan had D R Santhanam recalling another such incident. He recounts how his paternal grandfather, Anni Seitlur Venkatachari, Village Munsiff of Dusi Mamundur near Kancheepuram and head of 24 families belonging to the Ahobila Mutt, ‘excommunicated’ the family of his younger brother, a District Judge, because he sent his daughter to the UK for higher studies in 1928-29. There, after post graduation, she became private secretary to Lord Louis Mountbatten and came out to India with him when he was appointed Viceroy. After World War II he sent her with the team that went to Japan to facilitate the release of Indian prisoners-of-war. When she eventually returned to Madras as a spinster she wished to adopt one of my correspondent’s brothers but their father said ‘no’, adhering to the ostracism of the past. She then adopted a boy called Narasimhan, who fared well in life and when Dr. D S Rajalakshmi died, he respected her wishes and founded a women’s college in her name in Tiruvallur. The college flourishes, but how many know the background of the person after whom it is named?

The sketch by Bharanidharan and Lady Nye
The sketch by Bharanidharan and Lady Nye

Another reader, Arun Prakash, recounts another incident he recalled after seeing my mention of Governor Sir Archibald Nye in this column on April 9. Bharanidharan (T S Sridhar), a well-known writer and artist with Ananda Vikatan, had sought a sitting with the Governor to do a drawing of him. Lady Nye watched the proceedings carefully. But as Bharanidharan handed his finished drawing to Sir Archibald for his autograph, Lady Nye interrupted: “That nose is not quite right,” she said and taking Bharanidharan’s drawing pen, she made a minor correction to Nye’s nose. “I too do a bit of sketching,” she had said. The accompanying sketch was published together with this anecdote in theSwadesamitran of September 5, 1948 — as my illustration shows.

Harvard Prof. David R Armitage’s request for information about University of Madras’s Law Professor Alexandrowicz brought me a press cutting from the Alliance Francaise. The cutting from The Hindu of August 14, 1953, states that Charles Henri (the French connection?) Alexandrowicz was elected the first President of the Alliance Francaise. It goes on to list the first office-bearers as follows: Vice-President: Rev. Fr. Charles Racine S.J., Professor of Mathematics, Loyola College; Secretary General: Mrs. Marcella Hardy; Joint Secretary: Dr. V. S. Krishnan, Professor of Mathematics, Madras University; Treasurer: Mr. S S T. Chari, Director of Best and Co.; Members: Mr. M V Subramaniam, I.C.S.; Mr. D. Padmanabhan, I.C.S.; and Mr. W Wolff. Surely there is some kin of theirs who could help out Prof. Armitage. And in passing, I might mention that Chari was the mentor at Best & Crompton of K R N (Ravi) Menon, who is the present President of the Alliance Francaise.

source: http://www.thehindu.com / The Hindu / Home> Features> MetroPlus / by S. Muthiah / Chennai – May 14th, 2016

`Artivist’ from Chennai wins UN’s poster design contest

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By the age of four, she started painting, B and at 10, she was an `artivist’ -using her art work to raise funds and create awareness about different social causes. Now, she is 23, and Anjali Chandrashekhar, has made the city proud! Two of her posters have been selected for a disarmament campaign by the United Nations (UN). In a recent event, which was attended by the top officials of the UN, including the Secretary General Ban Ki-moon, the two posters which she designed were unveiled. In a chat with Chennai Times, she talks about her journey as an artivist, the UN’s disarmament campaign, projects she plans to do in India and more. Excerpts…

TURNING AN ARTIVIST
I have been painting since the age of four. My grandmother ran a trust for children with multiple disabilities and growing up with them made me realise how lucky I was to be what people would call `normal’. When I started getting serious about art, I realised that I had this really powerful platform which I could use to talk about issues that I held close to my heart. That’s when it all began.I did most of my schooling in PSBB and was involved in art then as well. At the age of 10, I founded a global social project called Picture It. This project uses art to raise funds and awareness about health, humanitarian and environmental causes for many national and international organisations, including several campaigns associated with the UN. It was then that I realised I was really passionate about using my art for greater causes.

CAREER IN INDUSTRIAL DESIGN
I headed to New York to study industrial design at Pratt Institute, based in Brooklyn. It seemed like a good marriage of my passion for art and creating physical products that had a tangible impact on people’s lives. I was really excited to try working three dimensionally . There was so much more I could do with an object, and I loved how it was more engaging and interactive.Now, I work as a designer, researcher and consultant and I am trying to gain more experience working at the intersection of design, technology and social innovation.
POSTER DESIGN FOR THE DISARMAMENT CAMPAIGN
The United Nations Office for Disarmament Affairs sponsored the UN Poster for Peace Contest, in commemoration of the 70th anniversary of the first UN General Assembly resolution, which established the goal of eliminating nuclear weapons and all other weapons of mass destruction.The contest aimed to raise awareness for the need for nuclear disarmament and to inspire citizens across the globe to add their voices, and use their artistic talents, to promote a world free of nuclear weapons.Nuclear disarmament is usually spoken about on such a high level and I believe that art has the power to humanise us, and some of the most pressing issues that the world faces today . It is also able to transcend barriers of age, language and literacy, and so, I thought this was a great opportunity for me to show that the brush can be mightier than arms.

Earlier this year, I worked on a couple of posters around the theme of peace and nuclear disarmament when the UN Office for Disarmament Affairs had announced an international call for entries. With over 4,000 entries received from around the world, I had the honour of having two of my posters being chosen for the official 2016 campaign.

RUBBING SHOULDERS WITH THE BIGWIGS
Releasing the posters on May 3 with the Secretary General was a once-in-a-lifetime opportunity that I will cherish forever. I also had the opportunity to meet Mogens Lykketoft (President of the General Assembly), Kim Won-soo (Under Secretary-General and High Representative for Disarmament Affairs), and actor Michael Douglas, who has been the longest standing UN Messenger of Peace. I got to speak with them and understand what they do and the challenges within the realm of nuclear disarmament. Ban Ki-moon also did an art interpretation of my poster.

PLANS FOR PROJECTS IN INDIA
I am working on some exciting projects that are based in India, and I am looking forward to it. A project on water and sanitation is something I have in mind. If I get adequate funds, I intend to definitely go ahead with the project.
source: http://www.timesofindia.indiatimes.com / The Times of India / News Home> City> Chennai / by Ashish Ittyerah Joseph / May 12th, 2016

Serving the taste of the Tamil land

The Pongal festival celebrated as a community event / The Hindu
The Pongal festival celebrated as a community event
/ The Hindu

Terrain and climate have endowed Tamil land with a unique culinary culture. Geetha Venkataramanan captures the essence.

‘Unavae marundhu, marundhae unavu’ – this sums up Tamil food, rather food consumed south of Asia from the ancient days. Traditional food and recipes are catching the attention of the health conscious even as the so called convenient and fast food have made inroads into lifestyle.

The presentation that C.P. Ramaswamy Iyer Foundation had organised recently in Chennai came as a timely reminder not only of the wealth that Tamil Nadu has in terms of food but the history and culture behind the treasure. The speakers – Kausalya Santhanam, Bhaktavatsala Bharati and Viji Varadarajan – took the audience through the Tamil land’s rich (vegetarian) food heritage spanning thousands of years.

Kausalya Santhanam.
Kausalya Santhanam.

The humble idli, eminently suitable for all ages (thanks to steam preparation), did not after all originate here, said Kausalya, who acknowledged Dr. K.T. Achaya as her source. It has its roots in Indonesia, where it was called ‘kedli,’ the chefs accompanying the kings of that country bringing with them the methods of fermentation. The staple food of the South Indians finds mention in Manasollasa, the 12 century encyclopaedia. Dosai and aappam find mention in Sangam literature.

The five divisions of land as Marudham, Kurinji, Paalai, Mullai and Neidhal have high value in Tamil literature with the people and the chieftains leading lives as dictated by the nature of the terrain in which they lived.

Sangam literature attributes distinctive characteristics to the denizens of each region. Geography decided the occupation of the people, which in turn reflected in the food they ate.

Rice figured in ancient Tamil literature, that which was stored for three years considered premium. Guess what Brahmins ate? Curd rice and mango pickle! Rice roasted on hot sand was a favourite snack.Pathupattu sings of salt exchanged for rice. All, including women consumed alcoholic beverages, toddy being the most common.

Sesame oil (nallennai) and coconut oil find mention in Naaladiyar and Divya Prabhandam. While references to turmeric and pepper are plenty, conspicuous by its absence is mustard. How was food seasoned then, one wonders.

In recent history, the Maratha rulers had several kitchens, so elaborate was the cooking drawn from various cuisines.

Bhaktavatsala Bharathy
Bhaktavatsala Bharathy

It was the Kurinji (hills) people, who discovered fire to cook meat, informed Bhaktavatsala Bharati. Mullai (pastoral) people, basically farmers, took to boiling and frying was a technique adopted by the people of Marudham and Neidhal (seashore). He went on to say that ancient Tamil has 13 terms to refer to food, Una, undi, agaaram, for example.

There were 209 sub-cultures and as many food practices. Eating, he said, was a social act. Food was meant to be shared. Quite understandable, hospitality being the hallmark of the Tamils. The concept of sharing is behind the act of Koozh vaarthal, an activity so common in Amman temples (annadanamcould be an echo of this custom) and which transcends the rural-urban divide. The haves and have-nots found a common ground here. Grains were collected and the porridge made to be distributed among the villagers. Mayanakollai also is based on the same concept, he said. The temple figured as a place of refuge and solace, where the local community gathered. The temple kitchen is therefore as sacred as the sanctum, he observed.

Water was brought from the Cauvery delta to quench the thirst of pilgrims, who trekked to Palani (Kurinji), to participate in the famous Panguni Uthiram festival happening in March, when the weather is hot. The generosity was reciprocated by the Nattukottai Chettiar community that carried jaggery during Thai Poosam, January being a cooler month and the sweet would give warmth in the hilly region!

Yet another point to underline how food and eating were community-based. Bharati made the interesting observation that the woman was the first farmer, her tool being the trident (soolam). It has always fallen upon the women to feed the family, a trait that can be traced back a thousand years and more. What better way than to dig the soil and sow seeds for long-term benefit?

Food united communities and flavours differed although the same ingredients were used.

Viji Varadarajan
Viji Varadarajan

Viji Varadarajan explained how food was classified according to three qualities – tamas, sattva and rajas, the middle one preferred by Brahmins, especially the priestly class. This accounted for the absence of garlic and onion in their preparations. The components that go into a typical sambar have medicinal properties that cannot be ignored, she said.

Author of several cook books, Viji literally led the audience through the hills and plains of the South, where the Kongu, Vellala, Chettinad, Kannada, Andhra and Kerala communities tossed and tweaked ingredients to offer recipes unique to their belts.

To the modern refrain of eat millets, Viji’s answer was: “Yes, millets are healthy and nutritious. But it is best to continue with what one grew up with. Only mind the portions.”

Globalisation opened all the doors, food being no exception. Fast recipes and takeaways have reduced the time spent in the kitchen. Teach children the importance of traditional food, which alone can keep modern day’s diseases at bay, Bhaktavatsala pleaded. Can across the counter delicacies offer ‘Ammavin kaimanam’ that comes with so much love and concern? Kausalya’s question was of course rhetoric.

When Masterchef shows are popular, it is most appropriate that C.P. Ramaswamy Foundation chose to whet the appetite for traditional cuisine, which never considered food and health as two different things.

The taste buds were taken into account too, as the delicious sweet thinaipongal offered at the start indicated.

For details email, Bhaktavatsala Bharati: bharathianthro@gmail.com; Viji Varadarajan: vrnalini@gmail.com; Kausalya Santhanam: kausalyas16@gmail.com.

source: http://www.thehindu.com / The Hindu / Home> Features> Friday Review / by Geetha Venkataraman / May 13th, 2016

Adopted at 4 by Shirdi Sai, man dies at 108

Swami Ganeshananda Giri (extreme right) with spiritual leaders from Tamil Nadu at the 'bhoomi puja' of Shirdi Sai Baba Temple in Sriperumbudur
Swami Ganeshananda Giri (extreme right) with spiritual leaders from Tamil Nadu at the ‘bhoomi puja’ of Shirdi Sai Baba Temple in Sriperumbudur

Chennai:

An abandoned boy who started his life at the feet of Shirdi Sai Baba, he grew up to be Swami Ganeshananda Giri. After spreading the word about the saint across the country, he came back to his land at the age of 108 and breathed his last on April 29. The desire to return to his motherland made the spiritual guru undertake a journey to the south a couple of months ago as the apt place to attain ‘jeeva samadhi’.

Born in Suseendram in Kanyakumari in 1908, Ganeshananda was destined to take the spiritual path. A sadhu had approached his parents and requested them to allow the boy to follow the cult of Lord Murugan, but his parents refused. But fate had other plans. In 1912 during a visit to Tirupati temple, Ganeshananda was separated from his parents. A Maharashtrian family rescued the boy and took him to Shirdi Sai Baba, who adopted him along with 13 children, says S K Vasan, trustee of Shri Dattatreya Siva Sai Trust, to whom Ganeshanandan recounted his early life. He attained ‘jeeva samadhi’ at Shri Dattatreya Siva Sai Trust office in T Nagar.

As a spiritual person and a naga sadhu he spent a quarter of his life in the Himalayas but it was the memory of Shirdi Sai Baba that he would recollect often. “When Ganeshananda was six years old he was caught stealing a sweet. Swamiji would merrily recount to us how the incident made Sai Baba angry enough to slap him.He considered the slap his biggest lesson,” says V Anbalagan, another trust member. But the tales of the spiritual guru, however small, reinforced the aura of Sai Baba.

Shirdi Sai with devotees.
Shirdi Sai with devotees.
On another occasion when Ganeshananda and others were cleaning the ashram at Dwarawati in Shirdi, he found a bronze coin. This time, he gave it to his mentor, but was surprised when Sai Baba asked him to keep the money . The coin, a piece of cloth and a 200-year-old bronze kundalam (vessel) used by Sai Baba were the prized possessions of Ganeshananda, which he proudly showed to his devotees, says Vasan. All the belongings of Ganeshananda have been kept at Sivan Koodal, where a Sai Baba temple is to come up.

The spiritual leader’s single-minded devotion towards his guru made him set up at least 13 Sai Baba temples in Delhi, Himachal Pradesh and Gujarat. He then chose Tamil Nadu as the place to construct a similar temple. “The mahant approached us and informed that he wished to end his life near Sivan Koodal village in Sriperumbudur,” says Vasan who was chosen to construct a 106ft Shirdi Sai Baba temple at the site where Ganeshananda is buried.

Vasan said Ganeshananda had healing powers too and had cured a trustee member Paulraj, who was suffering from chronic seizures.

source: http://www.timesofindia.indiatimes.com / The Times of India / News Home> City> Chennai / A. Selvaraj / TNN / May 11th, 2016

When the beautician knocks…

Naturals @Home is the latest entrant in this segment. Photo: R. Ravindran / The Hindu
Naturals @Home is the latest entrant in this segment. Photo: R. Ravindran / The Hindu

Pamper yourself in the comfort of your space… Naveena Vijayan on the growing trend of home salons.

It is my first time. Till date, I have taken up all my hair and skin grooming services in the unfamiliar rooms of salons. Now, there is a stranger waiting with hot wax and paper strips in my bedroom. What led to this? A harsh sun and a working weekend. As much as time constraint is a reason, a visit to the nearest salon would have also meant filling fuel in the car, braving the traffic, and finding a parking space. A load of things for some beauty? Probably not. I instead download an app called UrbanClap.

The app has a network of beauticians, carpenters, plumbers, yoga teachers, wedding photographers and more. All you have to do is select ‘Salon Services at Home’, and add items (waxing, bleach, facial) to the cart. On Friday night, I opted for the Monthly Wax and Relax package at Rs.499 — the minimum order price requirement — and received an instant confirmation for a 9 a.m. appointment on Saturday, along with the beautician’s name and photo. It was an Ola/Uber déjà vu moment.

Devi was at my doorstep at 8.45 a.m. From the crack of the door, I see her stirring the honey wax set on my study table, and spreading a white sheet on my bed. The strangeness of it ends when the first coat of wax is applied; it’s the same pain. Except, I can hear my mom talking to the neighbour, and see a younger me smiling from an old frame. Over the course of epilation, I learn that Devi has an experience of over 17 years, and ran a couple of salons in Ambattur before giving it up to take care of her kids. She was hired by UrbanClap a few months ago, and goes around the city on her two-wheeler for at least three services a day.

There are around 30 others like Devi, who have been trained by UrbanClap, which gets over 6,000 requests for home beauty services per month from Delhi NCR, Mumbai, Bangalore, Hyderabad and Chennai. The services and products are standardised. Though beauty services account for only five per cent of its total requests, they earned the company a business worth of Rs 2.5 crore in February 2016 alone, according to a report shared by them.

Started in November 2014, UrbanClap is probably the oldest (in India), though only by a few months, among the many ventures that are lapping up this trend that’s taking the beauty industry by storm. A recent hefty investment made by SoftBank Capital on GlamSquad, an on-demand beauty service business launched in New York City in 2014, stands proof.

Meanwhile, in India, beauty and hair salon giant Naturals has also joined the bandwagon. The brand invested Rs. 100 crore in Vyomo, a Bangalore-based mobile platform for beauty and wellness services, rebranding and launching it as Naturals @Home on April 29. The entire strength of the staff in the 500-odd salons across the country will be part of the network. “This comes as a step towards providing on-demand beauty services for the customers, and empowering the staff, or smile providers as we call them. While at present the capacity utilisation in our salons is around 50 per cent, with Naturals @Home, it would increase to 70 per cent. This in turn would increase their pay, as they would attend to more clients,” says C K Kumaravel, co-founder and CEO, Naturals, which has also launched its own training academy in the city now.

Other players include Housejoy, a concept similar to Urban Clap, which began its services in Bangalore in April 2015, later expanding to six other cities, including Chennai. Prem Anand, head of its operations in the city, rolls out some figures: 500 requests every day for beauty services pan India, and around 30 to 40 in Chennai. “As we move towards a time-poor world, where women shoulder as many responsibilities at the workplace as at home, the whole concept of a salon where you have to wait for ages before you can get your turn, is obsolete. The new economy is about convenience and quality.” Another Chennai-based home beauty service, Pamperazi, was born out of the same sentiment, in August 2015. Lavanya Iyer, its founder, and mother of a one-year-old, says, “I could neither leave my kid and go to a salon nor find someone who provides quality and hygienic services at home. So, I decided to start a network of beauticians on my own. Now, the venture has takers from working mothers to over 70-year-old women who want to be ‘pampered’.”

Highs

Get the service done in the comfort of your home

Perfect for summer

Save on fuel and time

Get an appointment as early at 7 a.m.

No waiting time

Lows

Restricted nail colours

Most platforms do not offer haircuts and hair colouring

No services for men

For many apps, booking is valid only above a specific amount

source: http://www.thehindu.com / The Hindu / Home> Features> MetroPlus / by Naveena Vijayan / Chennai – May 10th, 2016

Seven villages & a cluster of garden houses

bhattCF10may2016

When Ramana Bhat, a vedic scholar from Udupi, wanted to migrate to the Madras Presidency along with his six children in the early 1900s after a severe drought hit Dakshina Kannada region, Egmore was his immediate choice. Egmore, derived from Elambore, which means seven villages in Tamil, was mostly filled with government employees from the brahmin community. They lived in single storey houses hidden amidst thick vegetation, and worked in government offices lodged in majestic Indo-Saracenic buildings.

Bhat’s was one of the first seven families that shifted base to Madras. Having witnessed the migration of many families driven out of their soil by drought over the next few months, Bhat’s household wanted to serve their community in some way. This is when their experience in the temples and its kitchens in Udupi came in handy.

Two of Bhat’s sons Shyam Bhat and Hari Bhat started Udupi Sri Krishna Bhavan, one of the earliest vegetarian hotels, on Hall’s Road, Egmore. Over the years, it grew to be a popular landmark in the area and was rechristened as Udipi Home.

“In 1955, we were the first to have an air-conditioner in a standalone restaurant in the city,” said 46-year-old Ram Bhat, son of Hari Bhat, who now runs Udupi Home, which now includes lodging and a restaurant named Mathsya. Bhat said although there was a sizeable north Indian population in the area, there was no restaurant catering to them. “We were among the first to introduce north Indian cuisine in our menu,” he said. Cold drinking water, a luxury in the 60s and 70s, was sold for five paise.

The restaurant boasts of several celebrities who were regulars before they went on to become big names. The Amritraj brothers boosted their energy with a generous glass of badam kheer every day after tennis practice in the 1970s at the stadium nearby, which is now the Mayor Radhakrishnan stadium. MG Ramachandran too was a fan of the kheer.

“Actors Nasser, ‘Thalaivasal’ Vijay and director Selva worked at our restaurant as stewards,” Bhat recalled. But the owners of the more than a century-old hotel, valued some of their little known customers, who had been their regulars for many years and wanted to honour them. Hence came ‘P J Uthappam’, named after a Prashanth Jain, and ‘Pistah milkshake Pal’s Special’ after a Palaniappan. Both had been customers for four decades. Egmore was, however, more than just the food empire built by the Bhat family. With public halls built during the British Era for entertainment, Egmore has always been a self-contained locality.

The Egmore station had a special feature. Cars could go up to the platform so that passengers could get off and board the trains from there, said Ram Bhat.

“The Egmore museum and the art gallery were our regular spot for playing hide-and-seek. After playing, we would spend our time watching the train pass by in the level crossing near Gengu Reddy subway,” recalled 55-year-old S Lakshminarayanan, a resident of Sait Colony, Egmore. The Cooum was one of the major transportation routes.

Students from Presidency College would take the rowing boats to reach the campus from Egmore. The women had lived life that revolved much beyond the realms of their family. They started an NGO ‘Kamala Nehru Madhar Sangam’ engaging the kids to collect donation to educate the underprivileged children.

“The locality had everything. Unfortunately, it has also become a victim of crass commercialization.There are barely few houses in the locality now,” said Lakshminarayanan.

source: http://www.timesofindia.indiatimes.com / The Times of India / News Home> City> Chennai / by U. Tejonmayam / TNN / May 06th, 2016

In this Theni village, ritual of lashing each other with brooms helps bury differences

Theni:

All you need in this village to patch up with your relative after a quarrel or dispute is a gunny bag tied to your waist and a broom in hand. To signify this, a group of villagers gathered at the village square at Maravapatti near Andipatti in Theni district on the last day of three-day temple festival on Thursday.

As part of the festival, the bizarre ritual was performed wherein men lashed each other with brooms to shed their hatred and bury personal differences and bring harmony within the families.

T Govindan, a resident of the village, says this festival has been celebrated for many years to make life easier for women in their families. “Usually, troubles in families crop up between male members of a woman’s family and her husband, which later burgeons into bigger problems. By participating in this ritual, we solve and overcome these problems,” Govindan says.

The ritual was conducted after special pujas were performed to the temple deities. Brooms, both new and old, were bought and men clad in gunny bags braced themselves for the ritual. Some women poured water into the ground, making it slushy. Old brooms were rubbed into the slush and new ones kept dry.

“It is a tradition that you beat a person with whom you have some differences of opinion and restore your family relationship with him,” says Sankaralingam from the village. Amusingly, some men even invited their relatives to whip them with brooms.

Those who participated in the ritual will earn the wrath of the deities if they continue to keep their resentment against their relatives, he adds. People from surrounding villages came to witness the ritual. The festival ended with a feast and a show of bonhomie between the warring families.

source: http://www.timesofindia.indiatimes.com / The Times of India / News Home> City> Madurai /by Padmini Sivarajah / TNN / May 06th, 2016

‘Human Rights Education Need to be Taught in Schools’

Henri Tipagne, the recepient of the eighth Human Rights award from Amnesty International | P JAWAHAR
Henri Tipagne, the recepient of the eighth Human Rights award from Amnesty International | P JAWAHAR

Chennai :

Human rights activist Henri Tiphagne has become the first Indian to receive the human rights award from the Amnesty International. Tiphagne, known more as the founder of People’s Watch, says his activism began when in his youth he was stopped from doing flood relief work, because the villagers did not know if he was from a ‘pure’ caste or not.

Q: What does this award mean to you?

A: I think this award is not for me as an individual, but for all those who do good work and go unrecognised. This award highlights the shrinking civil society space globally.

Q: With more than 30 years of active participation in human rights cases, what was the first case that drove you to this phase?

A: It started in 1977, when human rights was not known in the country. We would call it a fight for social justice. In the same year, in November at Vedasandur, a panchayat in Dindigul, a group of volunteers including me went for doing flood relief work as the Alagapuri dam in Vedasandur had broken. But when we started work, we were prevented by the so-called ‘upper caste’ of the village from cleaning a particular well. They said it in good interest. We were supposed to clean only pure well, considering us to be pure people. Only then, I understood the concept of impure well and pure well. They did not know our caste. So they did not allow us to go to the impure well. But we refused to do it, and I think it is that refusal that turned a life of refusal for me and taught me many things.

Q:  You are an advocate as well. What made you take up law?

A: To support the poor, you also have to be competent in terms of being a lawyer. That is what forced me to take up law in 1980. But we could not study law in the college, as it taught us how to prepare ourselves for breaking law. So my study of law was study of street law in the streets of Madurai intervening in the lives of several people.

Q: Do you think independent institutions in India can work or survive?

A: Of course, we have the best example of the Election Commission. Though it has drawbacks it still controls the entire nation during elections. They conduct peaceful elections and all States follow their instructions. The reason is most of the people in it are vigilant. We have gone one step ahead. The commission does not only conduct election but also conducts campaign to attain 100 per cent Voting. So if independent institutions work better and are vigilant, that could make a difference.

Q: Things that need to be implemented for betterment of the country.

A: We have to ensure that human rights education is taught in schools so that it functions as an antidote to  challenge inequality in this country. Protection should be given to defenders. All persons defending the good are attacked and they should be protected. Institutions should be focused and should be made to work.

source: http://www.newindianexpress.com / The New Indian Express / Home> Cities> Chennai / by Jayanthi Pawar / May 05th, 2016

Tireless chronicler

Film News Anandan. File photo by K.V. Srinivasan / The Hindu
Film News Anandan. File photo by K.V. Srinivasan / The Hindu

It could well be curtains for flawless archiving of South Indian cinema

In the past two decades my interactions with this unique personality were many. Every time I needed pictures for a story on cinema, all I had to do was call up ‘Film News’ Anandan. He would attend the call himself. “Sir, I need a few pictures. Can I come over this evening?” “Sure, just give me the details and they will be ready,” he would say. And I would find them in a cover, neatly labelled with the essential information. His only request was that I return them after use.

Every time I visited Anandan I was awestruck by his simplicity and self-effacing nature. In fact, he would even sound slightly diffident. Like the time when he hesitantly walked up to Sivaji Ganesan, who was sitting under a tree at the shooting spot of ‘Raja Rani,’ and requested him to pose for him. Anandan’s career in cinema began with that click! “Great man, he immediately obliged,” he would recall often. His passion for photography and love for his prized possession, a rolleiflex camera, may not be known to all.

Also few may be aware of his knowledge of Carnatic music. We were walking out after the press show of ‘Subramaniapuram,’ when he told me, “I enjoyed that song in Reetigowla. The new composer, James Vasanthan, has done a good job.” Even later, during our conversations Anandan would dwell on the music of films of Tyagaraja Bhagavathar and the kritis of Saint Tyagaraja, used in cinema.

Anandan never forgot kind gestures. M.G. Ramachandran, who enabled him to become the first PRO in cinema, was often in his thoughts. So was Jayalalithaa. She was instrumental in the State Government buying over Anandan’s archival collection. She had planned to make it into a permanent exhibition. “I can’t thank her enough,” he said. Yet I sensed both agony and ecstasy, when he told me in a choked voice that parting with his ‘treasure’ wasn’t easy. It was just a week after he had handed over his collection.

Film News Anandan File Photo by K.V. Srinivasan / The Hindu
Film News Anandan File Photo by K.V. Srinivasan / The Hindu

Newspapers, cuttings from them, notepads and dairies of details on cinema were seen everywhere in his room always. “These are my years of hard work. This is not junk, this is my life. Nothing would upset me more than sitting in a neat room without these possessions around me,” he would smile with pride as he cleared some of the papers on the sofa for me to sit down.

The last time I met him was more than a year ago. He mentioned that the State Government had honoured him enough. So it was the Centre’s turn? He simply smiled. His meticulous chronicling will be an objet de vertu for generations of students of cinema. The diligence ought to be recognised, at least now.

When I entered Anandan’s home to pay my last respects, his daughter was standing beside her father’s body. Tears welled up in her eyes. “Just before he died, he mentioned three letters. We couldn’t understand them. He then asked, ‘Did all the films scheduled for Friday get released?’ ‘Yes, appa, they have all come out,’ I said. Next he uttered the word, ‘Sivaji’ and passed away.”

Ironically, the man’s first step into cinema began with clicking Sivaji Ganesan, and his last breath was with the name of the thespian on his lips!

source: http://www.thehindu.com / The Hindu / Home> Features> Friday Review> History & Culture / by Malathi Rangarajan / March 24th, 2016