Category Archives: Arts, Culture & Entertainment

Melody Through Seven Holes of a Wooden Tube

Karthikeyan (fifth from the left) with his troupe  P Jawahar
Karthikeyan (fifth from the left) with his troupe  P Jawahar

Chennai :

The inseparable couple are truly a marriage made in heaven. You might have heard the couple in almost every Hindu marriage and also during importance functions at temples. No one can miss the sound of the nadaswaram and the thavil. The former especially is not an easy instrument to play. Even years of practice doesn’t guarantee you the correct sound, says M Karthikeyan, a music college student who is also a proficient nadaswaram player.

“When you are playing a flute, which is also a difficult intrument to play, you are not digging deep for air like you are when playing the nadaswaram,” he says.

The sound that is emitted from the instrument, like the air, is also equally deep and resonating. “That might be one of the reasons the instrument is not encouraged too much

at sabhas,” opines Karthikeyan. “For some people it is too loud.”

Another physical hurdle while playing the instrument is holding it for a long times. But that, Karthikeyan says, can be done with practice. “That is why it is important to start early. I joined training when I was seven or eight years old,” he informs. “Also, with several years of training, you have to learn to work with thavil players who always accompany you.”

Catch music college students perform nadaswaram and thavil at the Urur Olcott Kuppam Vizha on February 27, Saturday.

Factoids about Nadaswaram

  • The name supposedly comes from the
  • it’s snake-like structure (naga). It is
  • also attributed to nadam, meaning pleasant sound
  • The instrument is made out of a tree called aacha. Nowadays even bamboo is used
  • Seevali, the blow piece, is made of a plant called Korukku Thattai
  • It is said that king’s court required two things, vedham and nadam

Thavil Facts

  • Two different skins — the skin of a goat and the skin of a cow, are used to make the two sides of the thavil
  • One side is played with the stick (left) while the other side is played with the hand (right). Jackfruit wood is used for frame
  • The stick is made out of the thiruvachi plant, a medicinal plant. Rice paste is used to make koodu, which is worn in the hand
  • Mallari is a unique composition played by the nadaswaram along with the thavil

source: http://www.newindianexpress.com / The New Indian Express / Home> Cities> Chennai / by Express Features / February 27th, 2016

HIDDEN HISTORIES – The Goddess of Madras

The Ekavalli Amman shrine Photo: Dr Vijay Sriram
The Ekavalli Amman shrine Photo: Dr Vijay Sriram

Early one morning this month, I set out for Prakasam Salai (aka Broadway) with a few friends, our destination being the Pidari Amman Koil.

It all began with a search on Google, regarding the North Gate of Fort St. George. I came across a House of Lords paper dating to 1839. Right-wing Protestants of Madras had complained about the practice of the East India Company supporting Hindu and Muslim festivals in the city and its environs. The paper listed several ‘heathen’ events, in which the Company played a part. Among them was the annual procession of the Idol Padarier, the Goddess of Madras. The festival, an ancient one, had not been held for 30 years when Mr E, the Collector of Madras, decided to revive it in 1818. The person referred to is obviously the orientalist FW Ellis, who helped establish the College of Fort St George, gave us the Dravidian proof for the southern languages, and translated the Kural.

Ellis, however, died before his plans became a reality. The Company took it upon itself to revive the custom in 1821, and annually sanctioned Rs. 350 for its conduct. The Goddess was brought out of her shrine in procession and came to the North Gate of Fort St George. There, the collector waited upon her and presented her with a ‘gold botto called talee, a piece of red silk cloth called Cooray with Doopa Deepum (incense)’. Town was then a walled city, and when it was found difficult to carry the idol through the Pully Gate at the end of Thambu Chetty Street, the height of the arch was increased at Company expense.

The Eicher map of Madras revealed a Pidariar Koil Street in Town off Broadway. A call to good friend Prasanna Ramaswami confirmed that Pidari is the Tamil derivative of the Sanskrit term Pida Hari — destroyer of suffering and that it was a Goddess.

And so there we were, looking for the Pidariar temple. We got caught up in a poultry market that comes up each Sunday in the environs, but managed to reach Pidariar Koil Street; from there, we turned into Amman Koil Lane. There was a shrine for Goddess Ekavalli, whose figurine and bali peetham pointed to a venerable past. Without revealing what we knew, we asked the priest about the temple’s history. He did not know much, but he did remember his father telling him that sometime in the distant past the Goddess set out each year on a tour of her city’s bounds and that the collector waited on her at the Fort. That confirmed that this was indeed the Goddess Pidariar. As to how she became Ekavalli is an unsolved mystery. When did she stop going out? That too is not known.

The temple happily shares a wall with a mosque. In Chennai, secularism is a way of life.

source: http://www.thehindu.com / The Hindu / Home> Features> MetroPlus – Hidden Histories / by Dr.Vijay Sriram (Sriram V)/ Chennai – February 26th, 2016

Young entrepreneur carries forward a colourful legacy

The store will cater to professional and amateur artists, hobbyists, students and children. Photos: R. Ragu & Special Arrangement
The store will cater to professional and amateur artists, hobbyists, students and children. Photos: R. Ragu & Special Arrangement

Amritha Venketakrishnan is on a mission to take the family-run Hindustan Trading Company to greater heights. She has started Madras Art Store near Alwarpet

This store near Alwarpet promises to be a hot destination for professional and amateur artists, hobbyists, students and even children. Selling everything from wax crayons to imported paints and stationery items, the Madras Art Store has something for everyone.

For, Amritha Venketakrishnan, 27-year-old proprietor of this shop, it is a challenge to expand her family business and at the same time be different.

The store is a unit of Hindustan Trading Company, a 65-year-old store selling art products and stationary items. “The company was started by my grandfather, P.V. Narayanan, in 1948 at Sowcarpet. Back then, it was selling cashewnuts and glass feeding bottles. A few years later, my father P.N. Venketakrishnan took over the mantle. He finished his class X and dropped out of school to look after the business. He started another store near Ajantha Hotel on Royapettah High Road. Meanwhile, my uncle was taking care of the Sowcarpet store. When the Deccan Plaza hotel was being constructed where Ajantha stood, we had to move out. But, customers requested my father to start a store in the neighbourhood itself,” says Amritha.

The store shifted to the adjacent complex. It was still selling gift articles and stationary products. “The idea of selling art material was given by our customers themselves. But, a chance encounter with an art material importer at an exhibition was what diverted the business towards art supplies. Imported art material were hard to find some 20 years ago. My father was not sure if this would work. But he took the risk and succeeded. Slowly renowned artists and even hobbyists started frequenting the store,” she says.

Their most famous customer was M.F. Hussain. “He visited the shop twice. Artist Achuthan and art director Thota Tharani are also our clients,” adds Amritha.

Now, Amritha wants to carry forward this legacy. She has been spending time at the store right from her school days. “My summer holidays would be spent at the store. After finishing my college I decided to take over my father’s business. But it took me four years of working here to take the next big step: of expanding,” she says.

She is looking to create a new set of clientele. “My target is art students and graphic designers. For niche requirement, people may still have to come to my father’s store,” says Amritha, who will be managing both the stores.

Madras Art Store is at F1-F2, First Floor, Mookambika Complex, No. 4, Lady Desika Road, Mylapore. For details, call 89391 77621. The store is opening on February 21.

source: http://www.thehindu.com / The Hindu / Home> Features> Downtown / by K. Sarumathi / Chennai – February 20th, 2016

20 lakh-plus expected to take part in Mahamaham today

Trichy:

Having ensured that the first nine days of the Mahamaham festival were incident-free, Kumbakonam is all set for the final and most auspicious day of the event that is celebrated once in 12 years.

More than 20 lakh devotees are expected to descend on the town on Monday to take a holy dip in the Mahamaham tank.

Thanks to meticulous security arrangements, medical facilities, accommodation, food and transport facilities made by the authorities, the festival this year has been smooth and safe for millions of devotees, including sadhus and agoris from the northern states. After the stampede that ed around 50 devotees dur killed around 50 devotees during the Mahamaham on February 18, 1992, the organisers have been allowing devotees to take the holy dip from day one of the festival. The temple town witnessed around 35 lakh devotees during the last festival in 2004 that culminated on March 6. This year, the number is expected to cross 50 lakh.

The festival organisers have installed sprinklers to spray holy water on the people, but most devotees are likely to go for a dip in the tank, as is the custom.

One major problem many elderly pilgrims arriving by rail are facing is that many of the long-distance trains overshoot the platforms at the Kumbakonam station. Senior citizens have to be carried down to the ground as the platforms are not long enough to accommodate all the compartments.
source: http://www.timesofindia.indiatimes.com / The Times of India / News Home> City> Trichy / by Gokul Rajendran, TNN / February 22nd, 2016

Long journey of Inner Wheel Club in Chennai celebrated

Mervin Alexander, Postmaster General, Chennai City Region, releasing a special postal cover on Thursday evening. Photo: G. Krishnaswamy
Mervin Alexander, Postmaster General, Chennai City Region, releasing a special postal cover on Thursday evening. Photo: G. Krishnaswamy

Countries should come forward and release commemorative stamps recognising the service done by Inner Wheel clubs in their countries, said Post Master General (Chennai Region) Mervin Alexander, while speaking at the Golden Jubilee celebrations of Inner Wheel Club of Madras here on Thursday.

Alexander said such commemorative and cancellation stamps were mainly based on certain themes. At present, such stamps were released for the work done by Rotary Clubs all over the world.

“This is the first time such special cancellation is done for the service of Inner Wheel in the country,” he said. Addressing the gathering, Charlotte De Vos, International Inner Wheel president, said she was happy to see many enthusiastic women volunteers and members take the vision of Inner Wheel across the country. She also said that she was touched by the passion and commitment of the members of the Inner Wheel Club of Madras in serving the general public, especially women and children. Earlier, danseuse Anita Ratnam enthralled the audience with a dance performance as a tribute to her mother, Lily Ratnam, who was association president of Inner Wheel Clubs in India.

On the occasion, a special postal cover with special cancellation was released by the Post Master General. Also, The Golden Journey , a book that deals with the journey of the Inner Wheel Club of Madras in the past 50 years, was released on the occasion.

Noted participants at the event included Kamala Ramakrishnan, convenor, golden jubilee celebrations, and Mamta Agarwal, association president, Inner Wheel Clubs.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Chennai / by Staff Reporter / Chennai – February 12th, 2016

Fading ritual finds new life through lens

Chennai:

Each time Julie Wayne visited an Ayyanar temple with her camera, her viewfinder caught images of a vanishing ritual once prevalent across Tamil Nadu. It was a journey in search of diversity and colour through the rituals of the ancient cult of Ayyanar, the protector god many village dwellers have been honouring for centuries. Terracotta offerings in various sizes and shapes are part of the worship of Ayyanar. Julie has taken almost 12,000 photographs from various Ayyanar temples in her decade-old journey.

A photographer from France, Julie’s interest in a fading cult in Tamil Nadu deserves praise. What attracted Julie to Ayyanar was the illustrious god’s strong connection with the villagers through agriculture, art and craft. The villagers believe that Ayyanar protects them, their cattle and harvest. “Frequently hidden within sacred groves, the open shrines are home to remarkable and fantastic terracotta bestiaries. But there is an interesting story behind this art of pottery,” said Julie.

For each shrine, at the beginning of the summer a meeting takes place among a group of wise men to determine the date of the next festival honouring Ayyanar. “Once the auspicious date is decided, the potters for whom it is the hereditary charge begin to create the various clay effigies ordered by the villagers. These statues manifest the devotees’ request for protection or for the fulfilment of desires, and gratitude for wishes granted,” she said.

The sculptures consist of life-sized horses (Ayyanar’s mount), cows, elephants, dogs and snakes and small human-like figurines that represent the devotees themselves. All of these pieces are modelled, dried, fried, painted and finally decorated during elaborate celebrations, which often last two or three days. “Once the rituals that implore Ayyanar’s grace and give life to the terracotta offerings are completed, the pieces are placed in an outdoor shrine dedicated to the god. There they will stay, gradually worn by the sun and wind. And slowly, they crumble, like things bound to the cycles of nature, once again becoming earth and dust,” said Julie, who has even made a documentary on the potters.

Today, as many potters are busy with commercial terracotta making, many temples don’t get these sculptures. Many Ayyanar temples have dropped the idea of placing terracotta offerings, according to Julie. “Only a few temples follow the ritual these days. This is a dying art. I am happy that I could document it,” she said. A selection of 99 photographs has been exhibited at DakshinaChitra, after being displayed in Delhi, Bangalore and Thanjavur.

source: http://www.timesofindia.indiatimes.com / The Times of India /  News Home> City> Chennai / M T Saju, TNN / February 09th, 2016

Inscription that sheds light on Mahamaham tank, ‘theerthas’ discovered

An inscription found at the Mahamaham tank. -Photo : special Arrangement
An inscription found at the Mahamaham tank. -Photo : special Arrangement

The inscription has it that it was composed by Guru Rajacharya of Kumbakonam, who was the brother of Guru Ragavendra of Brindhavan.

As Kumbakonam is gearing up for the Mahamaham, discovery of a rare inscription throws light on the Mahamaham tank plan and the arrangement of 20 ‘theerthas’.

“I found inscription in Sanskrit on the outside wall of the sanctum sanctorum of the Brahma Theerteswara temple on the bank of the tank. Probably this is the first inscription giving plans of a temple tank,” historian Kudavayil Balasubramanian told The Hindu.

He said the Brahma Theertheswara temple is one of the sixteen temples built by Raghunatha Nayakkar under the guidance of Maha Pradani Govinda Dikshithar in the 17thcentury. He had also renovated the steps on all sides of the temple leading to ‘theerthas’ .

“The ‘theerthas’ listed in numerical order in the inscription will help the devotees find their exact location,” he says. According to the inscription, ghats leading to the tank have been identified as various ‘theerthas’ and they are similar to the ghats in the Ganga river at Kasi.

“In the past, the tank would be full during Mahamaham. But in the early 1900s, wells symbolising various ‘theerthas’ were dug and the water level in the tank was kept very low to prevent drowning of devotees,” said Mr Balasubramanian.

Raghunatha Nayakkar also built the sixteen Dhana Mantapas in front of the shrines.

The inscription has it that it was composed by Guru Rajacharya of Kumbakonam, who was the brother of Guru Ragavendra of Brindhavan.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Chennai / by B. Kolappan / Chennai – February 03rd, 2016

MADRAS MISCELLANY – Another house on Eldam’s Road

EldamsRoadCF01feb2016

A calendar anyone interested in the city’s past might like to possess is ‘Madras Then…’ brought out by the C.P. Ramaswami Aiyar Foundation with a dozen old pictures of Madras taken in, I would say, the early 20th Century. There are certainly a couple of pictures in it I’d like to use in this column when the occasion rises, because in one case the view presented is of buildings well-known but no longer visible in this fashion, and, two, the scene and its venue no longer exist. Meanwhile, however, with all the recent references to houses on Eldam’s Road, a third picture caught my attention and I present today The Grove, the Foundation’s present home and once the home of Sir C.P., though its main entrance was then on what was Mowbray’s Road.

Once woodland, the land at the junction of Eldam’s Road and Mowbray’s Road (T.T.K. Road) had belonged to John Bruce Norton, the eminent lawyer. It then passed into the joint hands of Bhashyam Aiyangar, Madhava Rao and Chentsal Rao. They, in turn, sold the three acres and a small house in it for Rs. 30,000 to Venkatasubba Aiyar in 1882. Venkatasubba Aiyar had only one child, Seethalakshmi Ammal, and she was CP’s mother. In 1885-86, Venkatasubba Aiyar developed the small house into a mansion, The Grove, and gifted it to his only daughter. She in turn left it to her only son, CP.

Two outstanding features of the house were its magnificent, eight-pillared portico and its 16-pillared central hall, a kalyanakoodam (wedding hall). In this marriage of Occidental and Oriental styles, the former’s pillars were of masonry, the latter’s included 12 of Burma teak and four of African ebony. Steel girders were imported from England for the roof of the kalyanakoodam and the ceiling for the Venetian marble-floored library came from Belgium. Over the years, the mansion was expanded considerably, but leaving its main features untouched.

A description of the property adds, “The grounds were lovingly tended… Two-century old rain trees and the rare African baobab trees were carefully looked after. Well manicured lawns were laid. Exotic plants defied the searing Madras summers to perform botanical miracles. Fountains and marble statues sprouted at the most unexpected spots. A lovely naked marble maiden sprang up bang in front of the portico. At the main entrance to the property a grand pair of wrought iron gates was erected. Needless to say, the long driveway (from the gates to the portico) was simply spectacular…”

It was in these grounds that CP exercised his passion for riding while his numerous dogs yapped at the heels of whichever horse he was on. These gardens had a fascinating story to tell. When Annie Besant was interned in Ooty over her allegedly seditious writing in New India, CP took it upon himself to edit the paper and bring it out. If he had edited the paper from his house, he ran the risk of the house being confiscated under the prevailing laws of sedition. So he placed chair and desk under the shade of a divi divi tree in the garden and put up a notice saying the spot was the editorial office of New India. It was an arrangement that continued till Annie Besant returned to Madras.

But for all the magnificence of The Grove and its gardens, its lavish parties and the hosting of the eminent, its pride was its library. In the 1930s, it was described by a knowledgeable visitor as “one of the finest private libraries in India”. It had 50,000 books, numerous paintings and antiques. Situated on the first floor of The Grove, in a room that could have done with more windows, it was a meticulously arranged facility that always overwhelmed visitors.

*****

When the postman knocked …

With a whole heap of mail, the rest of this week’s column is devoted to what the mail, snail as well as space, has brought in.

*Pointing out an error in my recollection of G. Subramania Aiyar (Miscellany, January 18) S. Raghavan writes: “The story states that Mr. Aiyar was among those who started The Aryan School (which was the precursor to Hindu High School). Hindu High School (or its precursor), to the best of my memory, was founded in 1852 and the school celebrated the centenary in 1952 with the construction of a Centenary Block. Mr. Aiyar was born around 1855, I wonder as to how he could have been among those who started Hindu High School. Of course, if he had started The Aryan School sometime in the 1880s and this was later merged with Hindu High School (which obviously was an older school) the story may be acceptable but in that event Mr. Muthiah ought to have clearly stated thus (instead of stating “now Hindu High School” in parenthesis). The story gives the impression that Hindu High School was started by Mr. Aiyar (as Aryan High School) which is definitely not true.” This was a case of error compounding error. My original source was an article in The Hindu of April 26, 1998 which stated: “He was appointed headmaster of the Anglo-Vernacular School, Triplicane. Later, he started the Aryan (now Hindu) High School.” What I did not read carefully enough was a correction to this from V. Subramanyan, grandson of G. Subramania Aiyar. He wrote to the author of the original article as follows:

“No doubt G.S. Aiyar was appointed the Headmaster of the Anglo-Vernacular School (now the Hindu High School), Triplicane. Disagreeing with some of the committee’s policies, he came away and in 1888 founded Aryan High School (now Kellett High School), Triplicane. He admitted to the school all boys regardless of caste.” In further clarification, may I add, a Tamil and a Telugu Padasala in Triplicane were founded in 1852 and merged in 1860 as the Triplicane Andhra Dravida Padasala. This was later renamed Anglo-Vernacular High School of which G.S. Aiyar became Headmaster in 1879. This School was renamed as Hindu High School in 1897.

*It’s all still a bit confusing, those houses on Eldam’s Road that I wrote about on January 4 and 25. V. Ramnarayan tries to explain it to me in these words: “Soundarya was the large house next to Sri Sundar(where P.S. Ramachandran (PSR) lived) in a compound measuring 28 grounds or an acre or so.Soundarya was in a separate compound to the left of Sri Sundar. There were two houses, Sundar andParvati, in one compound, and Soundarya was a different property. It was much bigger, too.Soundarya had belonged to Justice P.R. Sundara Iyer, Ramachandran’s father. M.D. Seshadri Iyengar had bought it for about Rs. 60,000. P.S. Ramachandran’s eldest brother P.S. Swaminathan owned Soundarya Nursery, and I am sure it was no coincidence that it shared a name with the Eldam’s Road house. Sri Parvati still stands in its original form, maintained by Lakshmi Venkataraman, daughter of P.S. Venkataraman (PSR’s elder brother), a building contractor. At Sri Parvati is an art gallery run by Lakshmi. Sri Sundar was developed into flats many years ago.

“When I was growing up, both Sundar and Parvati were with our extended family (and still are), whileSoundarya was already owned by M.D. Seshadri Iyengar. It had belonged to an Englishman, and I have all along believed that P.R. Sundara Iyer bought it from him and that his sons sold it to MDS. However, I was once told, that P.R. Sundara Iyer sold it to an Englishman who sold it to MDS.

“When P.R. Sundara Iyer’s sons ventured into business and went bankrupt, only the minor son P.S. Ramachandran’s properties had been protected under the law, according to family lore. That is howSundar and Parvati were saved. PSR is said to have helped his brothers, including the eldest, P.S. Swaminathan, who then started Soundarya Nursery, which became a success.”

*Joshua Kalapati, the chronicler of Madras Christian College, writes in connection with my reference to Prof. Edward Ross and S.R. Ranganathan, the Father of Library Science (Miscellany, January 4), “Ross was an outstanding teacher of both head and heart. He was Seventh Wrangler in the Mathematical Tripos of Cambridge University in 1904. Having studied Statistical Theory under the famous Professor Karl Pearson in the University of London, Ross sought to introduce all these pioneering ideas in the Mathematics Department of Madras Christian College, where he taught between 1907 and 1933. Ross not only enabled Ranganathan to do his B.A. in 1909, but Masters as well, although he was the only one student in the Mathematics Department. It was a blessing because Ross taught his brilliant pupil, as it is said, ‘in the corridors, in his flat and all around’. Because Ranganathan lived in the First Student Home of the College, more interaction was possible. There was also a connection with the great mathematician Srinivasa Ramanujan, who also admired the genius of Ross. Robert Kanigel, Ramanujan’s biographer, narrates that when he was very ill, Ramanujan placed two large notebooks stuffed with Mathematics into the hands of a close associate, saying, “If I die, please hand over to Professor Singaravelu Mudaliar from Pachiappa’s or to Edward Ross of Madras Christian College’.”

*From Australia comes another communication from A. Raman. Sending me the title page of Materia Medica – Madras published by the Government of Madras, he points out that the correct name, as indicated on this page, is Mohideen Sheriff and not Moodeen Sheriff as variously stated (Miscellany, January 4). Dr. Mohideen Sheriff’s classic comprises six volumes.

*A.V. Mukuntharajan, responding to my request for more information on P.M. Adikesavalu Naicker (Miscellany, January 18) wonders whether he is the same person who was known as Sardar Adikesavalu Naicker who lived opposite the railway gate in Washermenpet. The title ‘Sardar’, he thinks, was bestowed by Mahatma Gandhi. Which only makes me want to know more about this leader.

source: http://www.thehindu.com / The Hindu / Home> Features> MetroPlus> Society> Madras Miscellany / by S. Muthiah / January 30th, 2016

Last ruler of Kandy has his resting place in Vellore

SriVikramaRajasingaCF30jan2016

Muthu Mandapam, a memorial for Sri Vikrama Rajasingha

A rusty signboard marks the lane leading to Muthu Mandapam near the banks of the Palar river, off the busy Katpadi Road. It is the resting place of the last ruler of the Sri Lankan kingdom of Kandy, Sri Vikrama Rajasingha, since 1832.

Saturday (January 30) will mark the death anniversary of this “Tamil-speaking” ruler of Kandy. Though Muthu Mandapam, the memorial built around his tombstone, as a locality is popularly known among Velloreans, the place is not frequented by many.

As a layer of dust on the floor is swept away by Muniyamma, an elderly woman, the tomb of this king stands tall inside this pearl-shaped structure that was raised in 1990. It also houses tombs of seven of his family members.

Known as Prince Kannasamy, Sri Vikrama Rajasingha, a king of the Nayaka dynasty, was sworn in during 1798. He ruled Kandy till 1815, after which he was exiled by the British. He, along with a few of his family members, were taken as royal prisoners and imprisoned in Vellore Fort in 1816.

Plaques in Muthu Mandapam hail him Sri Lanka’s last Tamil King, and note that he was housed in a room inside the fort for 16 years. This room later went on to be used as the Registrar’s office of the Vellore district.

He died on January 30, 1832. Among his family members, who were laid to rest here, are his queen Savithri Devi and other spouses.

The Tamil Nadu government had constructed pearl-shaped structure over the tombs, which were earlier in the open amid huts in the area, at a cost of Rs. 7 lakh. Former Chief Minister M. Karunanidhi inaugurated Muthu Mandapam on July 1, 1990. The pearl-shaped structure was known to be designed by him.

“The chess board and boomerang used by the king are on display at the museum. While the chess board is made of wood, the chess coins and boomerang are made of ivory,” said K. Saravanan, curator, Government Museum, Vellore.

The Muthu Mandapam is under the maintenance of the Public Relations Office. Staff said that every year, the descendants of the king living in Madurai and Chennai visited the memorial on his death anniversary.

source: http://www.thehindu.com / The Hindu / Home> National> Tamil Nadu / by Serena Josephince M / Vellore – January 30th, 2016

Two Madurai students to attend first Seema Darshan

Madurai :

Two students from Kendriya Vidyalaya, Narimedu, in Madurai will be the participants from Chennai region (Tamil Nadu – Pondicherry) to attend the first ever “Seema Darshan” to be held on the Indo-Pakistan border at Wagah in Punjab on January 26.

The Seema Darshan programme is being organised by the Ministry of Human Resource Development for school students. Students from Kendriya Vidyalayas and Navodaya Vidyalayas are eligible to participate in the programme which aims at encouraging students to witness soldiers in action on the borders.

M Ponni and K Bala Ramadas, both 11th,  12th standard students, edged out students in other parts of the state. They left for Delhi on Saturday evening. The 50-year-old Kendriya Vidyalaya-Narimedu has been having NCC programmes for the last 12 years. The NCC cadets are given intensive training.

Principal of the school C Muthiah said the two students had proved their prowess in firing, attended over 25 camps and had NCC-A certification. The programme aims at selecting 60 students from 32 Kendriya Vidyalayas and 28 Navodaya Vidyalaya Samiti schools throughout the country. They will participate in the flag hoisting ceremony to be held on the Wagah border during the 67 th Republic Day celebrations and will have the honour of spending some time with the Border Security Forces (BSF) in their camps.

The two students said they were excited about this journey and that their school and parents had helped them achieve this. G S Murugan, NCC officer of the school, said the two students had brought laurels to the institution.

source: http://www.timesofindia.indiatimes.com / The Times of India/ News Home> City> Madurai / TNN / January 18th, 2016