Category Archives: Arts, Culture & Entertainment

Crochet for a cause and a record

Weaving colours At the Bengaluru chapter Photo: K. Bhagya Prakash / The Hindu
Weaving colours At the Bengaluru chapter Photo: K. Bhagya Prakash / The Hindu

The day to reveal the largest crochet blanket in the world stitched by Indian women is fast approaching. Karnataka too has contributed to this cause.

There’s a movement happening as you read this. The protagonists are women and children from age eight to 85.

Since August 2015, the group Mother India’s Crochet Queens, spearheaded by Subashri Natarajan in Chennai, comprising nearly 1,000 Indian women from India and other countries, including the USA, the Gulf, Europe, and Australia, have been busy with their hooks and yarn to beat the current record of the biggest crochet blanket in the world, that stands at 3,377 square meters set by South Africa in April 2015. But the intention is not just to create a world record, but to donate the blankets to the needy.

Subashri, who has been crocheting since she was 10 years old, says the idea for making the world’s largest crochet blanket was to make it a nationwide movement.

“I first approached my friends and relatives who know crocheting, but then the movement grew with people joining the Facebook group, and through word of mouth. Every thing these days is made out of machines. But crocheting is all hand work.”

She adds that crocheting isn’t a dying art, considering the number of women who are passionate about it. “Even children are participating. Our youngest participant is an eight-year-old girl. There are even young boys. There are schools in Kerala who have participated. It’s not true that children are only interested in technology and video games.”

Women from Karnataka have contributed to the event too. In Bengaluru, at Cubbon Park earlier this month, on a pleasant Saturday afternoon, colourful blankets were laid out, with women engaged in crocheting blankets. Padma Srinivasan, 75, and her friend Thiru Rajan sat together chatting and laughing as they nimbly crafted blankets. “Crochet has been a hobby since ten years for me,” says Padma. “I came to know about this event from a friend of mine in Chennai in December. I completed eight blankets in one month.” Thiru adds: “I have completed two blankets.”

Padma and Thiru are glad that they are contributing to a noble cause. “Through the thread—this mission binds women to bring love, peace and harmony. It is similar to the Swadeshi Movement, when it was the charkha and the thread that brought people together,” says a passionate Padma. Thiru adds: “Doing this for others is a great honour for me.”

A vibrant Varalakshmi S. had a number of blankets laid out in front of her. “I have stitched 67 blankets since August 2015. I learnt crocheting from my neighbour, from 1997 to 2002. I got to know of this event from Facebook.” What appeals to her is the passion behind the cause and that the blankets will go to charity. “Over the weekends I would decide colour combinations, and would crochet one blanket per day during weekdays.” For Mughda Manasa too, it is the cause that matters. “What interested me is that this is going to charity, and that this event has brought Indian women together from across the world.”

Poornima Kannan also says that she joined because it brought people from diverse backgrounds together. Dina Sengupta says blankets have been crocheted in Mangaluru, Hubli and Mysuru. “We had about five meets in the city. And subdivided groups according to area.”

Through Facebook and Whatsapp, crochet meets were organised. Technology, Subashri says, has been a boon. “We realised that Facebook alone wasn’t enough to get everyone together. So we created Whatsapp groups. We have co-ordinators and associate co-ordinator to help organise meet ups.”

Though the event was mostly self-funded, Subashri adds they received support from Knit Pro and Ganga wool manufacturing company in Noida. “Harish Mehta, secretary of MNM Jain Engineering College in Chennai, has also been very supportive,” says Subashri.

The initial target was to join 5,000 blankets together, but Subashri says they have even exceeded that. The final event will be held on January 31 at MNM Jain Engineering College, Chennai.

source: http://www.thehindu.com / The Hindu / Home> Features> MetroPlus / by  Sravasti Datta / Bengaluru – January 20th, 2016

Chennai floods: 14 heroes honoured

Chennai :

They have no cutouts in cinema theatres. They have no big fan following. They led a simple life just like anybody else until the rain gods lashed their fury on Chennai in December.

They rose to the occasion. They saved lives and brought smiles to many others. “We had to make a choice. Whether to sit at home or get out there and save people,” they said. They then became real heroes.

On Monday, 14 people, who volunteered in flood relief work and did a heroic job, were honoured with awards at the Adding Smiles Ambassador Awards 2016 organised by Adding Smiles Foundation.

“We were doing our duty to help someone who is in need,” said Blue Cross general manager Dawn Williams, one of the awardees, in a video on the awardees.

All the 14 volunteers, including Peter Van Geit, Chennai Trekking Club founder and senior citizens of Anandam Homes, were presented with ‘Real Hero Awards’.

Awards were also given to celebrities, who were active during flood relief. The team ‘Mana Madras Kosam’ with Telugu film actors including Navdeep, Kajal Agarwal and Samantha , Sathyam Cinemas and Tamil actor Parthepan were presented awards.

 “I am doing whatever little I can do. I have changed myself. As you grow older, you get fearless and want to do things before you go away,” the award winning composer said.

Activist and founder of NGO Prajwala Sunitha Krishnan, team from National Award winning Tamil film Kaaka Muttai, former RBI governor C Rangarajan, national paralympic swimming champion Madhavi Latha, founder and dean of Great Lakes Institute of Management Prof Bala V Balachandran, acid attack survivor Soniya Choudhary were some of the awardees in the ‘ambassador awards’ category.

The highlight of the evening was music composer AR Rahman, who was one of the awardees in ‘Adding Smiles Ambassador Awards’ category. The category included people, who have come the hard way to live a dream and spread smiles in the life of others by way of help.

source: http://www.timesofindia.indiatimes.com / The Times of India / News Home> City> Chennai / by V. Tejonmayan, TNN / January 19th, 2016

Educationist’s role in integrating culture and education hailed

Mrs. Y.G .Parthasarathy (centre) receives the award from Padma Subrahmanyam. Also seen are K. Shivakumar (left) and Mohan Rajan (right) of PSBB Alumni Association and Ravi Venkatraman (second from right), President, Rotary Club of Madras T. Nagar —Photo: S. R. Raghunathan
Mrs. Y.G .Parthasarathy (centre) receives the award from Padma Subrahmanyam. Also seen are K. Shivakumar (left) and Mohan Rajan (right) of PSBB Alumni Association and Ravi Venkatraman (second from right), President, Rotary Club of Madras T. Nagar —Photo: S. R. Raghunathan

Mrs. Y.G. Parthasarathy was conferred the ‘Living Legend’ award on Sunday

Mrs. Y.G. Parthasarathy, dean and director of PSBB Group of Schools, was conferred the ‘Living Legend’ award here on Sunday by PSBB Alumni Association and Rotary Club of Madras T. Nagar.

Speaking on the occasion, she said many students of the school have attained great heights now. But what was more important was that art and culture have become part of teaching and children have taken to music and dance very well, she said.

“My mother always told me ‘be true to what you do and children will always be grateful to you’,” she said.

Dancer Padma Subrahmanyam, who felicitated Mrs. Y.G. Parthasarathy, recollected her decades-long association with the family.

She noted that Mrs. Y.G. Parthasarathy was the first person to combine education with culture and that is one of her greatest contributions to society.

“I still remember how she completed her doctorate in Vaishnavism at the age of 75. Her husband was in the hospital and she was sitting beside him and writing her thesis to be submitted. She is a very strong woman,” she said.

K. Shivakumar and Mohan Rajan of PSBB Alumni Association were among those who spoke at the function.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Chennai / by Staff Reporter  / Chennai – January 18th, 2016

Anuradha Kapur awarded first JV Lifetime Achievement award

Anuradha Kapur, former director of National School of Drama, delivering a talk on 'The place of theatre in the changing Indian context' after receiving an award in Madurai on Sunday. / Photo R Ashok
Anuradha Kapur, former director of National School of Drama, delivering a talk on ‘The place of theatre in the changing Indian context’ after receiving an award in Madurai on Sunday. / Photo R Ashok

The first J. Vasanthan Lifetime Achievement Award, instituted by Nigazh Theatre Centre for excellence in the field of theatre, was awarded to Anuradha Kapur, noted theatre personality and former Director of National School of Drama (NSD), at a function organised by J. Vasanthan Art Foundation at Madurai Media and Film Studies Academy (MMFSA) here on Sunday.

Delivering a speech after receiving the award on ‘The place of theatre in the changing Indian context,’ Ms. Kapur stressed the importance of preserving theatre at a time when space for liberal ideas and possibilities of dialogues appeared to be on the wane. She said that theatre was like a magic mirror that used body as its material and enabled a rare dialogue between artistes and the audience. “That is why we should be very mindful about ensuring that theatre and its dialogues continue,” she said.

Stating that theatre was a social medium, Ms. Kapur urged the artistes to be ethical, socially concerned, thoughtful and respectful.

Pointing out the diverse nature of Indian theatre, she said that there was not a single form of theatre in the world that was not already happening in some parts of India. “Be it classical, folk, traditional or popular, every form is here. Therefore, it is a lost cause to define Indian theatre as it exists in hundreds of forms,” she said.

Ms. Kapur was awarded the prize, which included a purse of Rs. 50,000, by G. Srinivasan, a schoolmate of the late J. Vasanthan and president of GOVEL Trust that manages Aravind Eye Hospital. In a noble gesture, Ms. Kapur donated back the cash award as a contribution for encouraging theatre art in Madurai region.

Earlier, T. Chinnaraj Joseph Jaikumar, Managing Trustee of JV Art Foundation, recollected the multi-faceted talents of J. Vasanthan, who started a theatre group at The American College when he was a professor there. The paintings of JV, as he was fondly called by his friends, were exhibited at the venue.

P. Gunasekaran, a painter, was awarded Vasanthan Artists in Residence Fellowship for the year 2016-2017 by Solomon Papaiya, Trustee of JV Art Foundation. Chandni Appadurai, daughter of JV and Founder Trustee of the foundation, welcomed the guests.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Madurai / by Staff Reporter / Madurai – January 18th, 2016

A temple to worship weapons

The ‘Paramasivan koil’ on the outskirts of Tirupur city.– Photo: R. VIMAL KUMAR
The ‘Paramasivan koil’ on the outskirts of Tirupur city.– Photo: R. VIMAL KUMAR

Swords, spears, bows and arrows greet you when you enter this temple at Uppilipalayam, near here.

The temple is believed to be constructed some 300 years ago.

The main ritual of the temple is the puja conducted for weapons used during the period, probably to hunt, or to protect villagers.

About 75 years ago, an idol of Shiva was placed in the sanctum sanctorum of the temple alongside the weapons.

The temple complex, spread over 60 cents, itself is constructed in a way to hold gram sabha, and padashala (school).

It has facilities to deposit money collected by the village administration, a library, space for teaching youth to use weapons, an Ayurveda centre to treat snake poison, and a place to serve free meals for the poor too.

“The temple was called ‘Vel kottam’ in the earlier days before been renamed as ‘Paramasivan koil’ after the idol was placed,” said S. Ravikumar, an archaeologist who has made many a studies about ancient temples in the region.

The temple architecture resembles those situated in Kerala.

“This is because that those who were residing in the village, who originally were from Vellakoil, migrated to Palakkad for a brief period in search of livelihood. After returning, they built the temple to perform puja on weapons to attain prosperity. They might have copied the construction style in Kerala,” said K. Ponnusamy, a historian at the Virarajendran Historical Research Centre.

Even now during festivities, villagers display their skills on using swords and spears.

“Since the temple is not popular outside the region, there is not much crowd,” said S. Ramesh, the temple priest.

source: http://www.thehindu.com / The Hindu / Home> National> Tamil Nadu / R. Vimal Kumar / Tirupur – January 10th, 2015

Pages from History : Musings on Saint Manikkavachakar

by Prof. A.V. Narasimha Murthy, former Head, Department of Ancient History & Arachaeology, University of Mysore

Near Madurai is a place called Thiruvadhavoor. A pious Brahmin by name Shambhupadasritar was living there with his wife Shivajnanavati. Unfortunately their exact dates are not known. A wide bracket of 3rd to 9th centuries is given to this Saint. A boy was born to them and we do not know the name given to him by his parents. Actually Manikkavachakar is a name meaning whose utterances were like manikya or ruby by which he became famous. By sixteen years, he mastered all aspects of traditional education and was ready to take up the hereditary Ministership under the Pandya king. But the young man was interested in divine things. Anyway he became the Minister and a famous administrator too. He was a great devotee of Lord Shiva and was always meditating upon him.

One day, King asked this Minister to go to the Sea Port and buy horses. Minister started with some followers after worshipping Shiva (Chokkanatha) at Madurai. He reached the sea port Tirupperunthurai and spent all the money in feeding the Shiva-devotees and on temples. This was conveyed to the king who became furious at Manikkavachakar and ordered him to come back with horses or with money. Manikkavachakar prayed to Lord Shiva and requested him to show the way. God also asked him to go back to his king and tell him that the horses would arrive on the appointed day (avanimulam). He also gave a rare ruby as a present to the king.

Manikkavachakar went back to Madurai and told the king that the horses would arrive on the appointed day. The king waited but there was no sign of any horse; the spies of the king also brought the news that no horses were seen anywhere on the way. The king got angry and put him in the prison. Manikkavachakar prayed to Lord Shiva and God came in the form of the leader of the horse trader. The Saint mentioned this to him. But the king’s ego did not permit him to respect him. However, he received all the horses; gave a silk scarf to the dealer who received it with his whip. The king got offended by this but he was helpless and went back to the Palace.

Next morning a miracle happened. The horses which the king had purchased by paying huge amounts of money had turned into jackals. They ran out of the stables and entered into the streets, houses, temples, Palace and created great chaos. The whole town of Madurai became chaotic. The king thought that it was due to the negligence of the Minister who did not take enough precautions in this regard. Hence, he ordered the arrest of the Minister Manikkavachakar and torture him till he returned all the money.

Again a miracle happened. The level of the Vaigai River rose and inundated the whole town. The king realised that this is nothing but a punishment by the almighty for this folly. He went to the prison and released Manikkavachakar. Immediately, the flood waters began to recede and everybody was very happy at this. But the embankment had breached and it had to be rebuilt. The king ordered all the able-bodied men and women to go for this work and do the repairs without any wages. Each was allotted a part of the embankment. Many old people could not take up this work as they were helpless. There was an elderly woman by name Vanti who was eking out a living by selling eatables to the travellers. She was very old and could not do the manual hard work of repairing the embankment. So she thought of hiring men to do her part of the work on a fixed remuneration. But none came forward to work on her terms.

Being a great devotee of Lord Shiva, she appealed to him for help. Shiva took pity on her and came in the guise of a young labourer and began work. The king who came for inspection saw this young man was not working satisfactorily and beat him with a stick. With this, the basket full of earth fell on the embankment. And to the surprise of the king and others present there, the embankment work was complete in all respects. The woman Vanti was called to heaven and the young labourer vanished in the thin air. A divine voice admonished the king. The king realised his mistake. Immediately he went to the place where Manikkavachakar was meditating and requested him to come back and take up Ministership. But the Saint refused to accept the offer because the divine will had asked him to proceed to Chidambaram, the place of Nataraja aspect of Shiva.

On his way, he visited many Shiva temples at Tirukalukundram and others and finally reached Thiruvannamalai. He was inspired by devotees and composed Tiruvembavai and sang it in praise of the Lord. At Tirukalukundram he had another vision of the Lord.

At Chidambaram, he fell into a trance and sang several hymns in praise of Shiva. These songs contain three representations of Shiva namely; a form as in Nataraja, with and without form as in Linga and finally without form as in Akasha. The last is the Chidambara Rahasya (the secret of Chidambaram). The phrase Chidambara Rahasya is amongst us even today and it means that the form of the Lord cannot be known or understood. But Manikkavachakar understood that secret because he was a devoted soul. He lived in the outskirts of the town and practised meditation on Shiva. He used to go to the temple to see the image of Lord Shiva. Many hymns of Tiruvachakam were composed here.

There is another interesting story in this connection. The Buddhists from Ceylon came there and dragged him to a debate mainly to defeat him. But Manikkavachakar became victorious and all the Ceylonese monks became dumb. At the prayer of Manikkavachakar, the Ceylonese Princess was cured of her dumbness and the king of Ceylon embraced Shaivism. He became a disciple of Manikkavachakar.

Another miracle happened at this time. A Brahmin came to his abode and asked him to recite all his songs and he would be his scribe. At the end he wrote that this was recited by Manikkavachakar and copied by Ambalavan (Shiva of Chidambaram). This news spread far and wide and people began to assemble there to see the script. Manikkavachakar showed them that Lord Shiva of Chidambaram was his scribe; Not only he is my scribe, he is also the meaning and aim of my songs. Finally, he disappeared from this world.

But his works have made him immortal. His Tiruvachakam consists of 656 verses; Thirukovayar has 400 verses. Both these works contain the secrets of divinity and how to reach that stage of divinity. He sang in praise of Shiva and brought a revolution. Perhaps he is the one who gave the assurance that everyone can see divine by his good deeds without going into the rigour of orthodoxy. God himself will embrace such people. This is a great assurance indeed! That is why he was called Manikkavachakar, meaning his utterances were like precious rubies. Now, we have rubies in plenty but no Manikkavachakars!

source: http://www.starofmysore.com / Star of Mysore / Home> Feature Articles / Sunday – January 10th, 2015

MADRAS MISCELLANY : A well-kept old age home

Kamini Dhandapani, on holiday here from the U.S., writes to tell me that on a nostalgic visit to the Monegar Choultry, she found it anything but run-down, in fact much of it looked spick and span. The nostalgia relates to the fact that her grandfather, a doctor, was the Superintendent in charge of the choultry for many years and that as children, she and her siblings spent a lot of time in the institution while visiting him every Sunday.

The main building of Monegar Choultry
The main building of Monegar Choultry

Monegar Choultry is probably the oldest organised charity in India; it certainly is in the South, what was once the Madras Presidency. Following the famine of 1781, the choultry was established in 1782 by a Committee comprising members of the Government and of the St. Mary’s-in-the-Fort congregation taking over a private gruel centre just outside the northern town wall. In 1808, the Government took over responsibility from the Committee and has ever since run the choultry.

The entrance of Monegar Choultry
The entrance of Monegar Choultry

Initially a poor-feeding centre, the choultry was developed as an old age home for the destitute, primarily for women, but later with accommodation for men. Today, it has around 60 residents, most of them women. And it is the women who virtually run the place, cooking and serving the food — Kamini says it is food of the quality and variety you would get at home — keeping the premises clean, and looking after the cubicles. Kamini’s picture of the dormitory reflects how well the premises are kept. I wonder how many other Government institutions are as well kept.

Inside Monegar Choultry
Inside Monegar Choultry

In 1799, Company Surgeon John Underwood established facilities in the choultry to treat the aged there and this soon grew into the ‘Native Infirmary’, the first formal Western medical facilities for Indians. Amalgamating it in 1809 with a younger Native Hospital in Purasawalkam, Monegar Choultry Hospital was developed by the Government to become the first organised hospital in North Madras for Indians. In 1909, the Government took over the facility and renamed it the Royapuram Hospital. In due course it was to become Stanley Medical College and Hospital.

When the Government established the Royapuram Hospital, the old age home moved into the adjoining premises by which came up the like-minded Rajah of Venkatagiri Choultry. Eighty years later, around 1990, many of the dilapidated old buildings of the Monegar Choultry were pulled down and today’s tidy campus developed. It is today an institution you can hardly find any fault with, says Kamini.

A visit to Grayshott

The other day, I called on friends at a rather handsome gated community named Ceebros Grayshott,which boasts of 110 apartments. When they asked me where the name came from, I remembered a developer once asking me what could be done to the house called Grayshott which was in the midst of a nearly three-acre property he planned to develop. I had suggested he make it a clubhouse for the development, particularly keeping in mind its history. He, however, sadly demolished it and another magnificent garden house vanished from the Madras heritage scene.

J.O. Robinson and Stanley Edwards
J.O. Robinson and Stanley Edwards

Once, the Grayshott property was part of a huge acreage called Bishop’s Gardens, the first and only building in the Gardens dating to 1817. At some point in time the gardens came into the hands of P. Venkatachellum, the famous condiment maker in the European market but better known in Madras for the 100 or so properties he owned in some of the best areas in town. In 1927, Venkatachellum’s son P.V. Subramaniam sold Bishop’s Gardens in a distress sale, to whom and how much being not traceable. What is known is that the property was parcelled out and sold to different buyers. John Oakshott Robinson, the Chairman of Spencer’s and possibly the first takeover king in India, bought nearly three acres during the division for Rs.14,750 and gifted it to his son-in-law and fellow director Stanley Edwards as a wedding present. Another large acreage with the original house — Bishop’s Gardens — in it, was bought for the philosopher-guru, Annie Besant’s messiah, J. Krishnamurthi, by some of his followers in 1934 and renamed Vasantha Vihar. It today serves as the Krishnamurthi Foundation’s Study Centre.

The neighbouring plot was named Grayshott when Edward and his wife built their mansion in it, the name deriving from the village where they had got married, her father having settled there. The 7,000 sq.ft. mansion Grayshott the Edwards’ built in art deco style was moved into in 1929/30 and remained their home till they left in 1957. Edwards was a racing man and also a very popular extrovert. The racing parties he held on racing weekends and others he held during the rest of the year were remembered as “memorable” by those who attended them. That is why I had suggested to the developer of the gated community that he retain it as a clubhouse where the residents’ association could hold more memorable parties. Neither happened.

When the Edwards’ left, Spencer’s took over the property for Rs.1,50,000 and successive managing directors occupied it — but without the flair of Edwards. When Spencer’s began to downsize operations in the 1990s and was trying to sell the property, the Income Tax Department bought it for Rs.191.8 million. What they sold it for I do not know, but how the property values had appreciated in 70 years!

When the postman knocked…

* Eagle-eyed N.S. Yogananda Rao, with an elephantine memory, takes me to task for repeating in Miscellany December 21, 2015 an item that appeared in The Hindu on December 25, 2011. He was referring to the letter to the Editor of The Hindu appealing to Srinivasa Ramanujan, who had run away from home, to return. Rao wonders whether it was an “oversight” or “mere repetition”. I would say neither.

Much of what appears in this column, which is based on factual information, and not being fiction or literary creativity, would have appeared somewhere else in the past, in The Hindu itself, perhaps in the columns of other newspapers, in journals and books. Someone might have come across a particular bit of information elsewhere but to most readers it would be ‘new-s’. As this bit of information was to me; I for one had not come across it till the Sreedharan biography was sent to me. And I’m sure that the information, even in ‘re-use’, would have been ‘new-s’ to many a reader of this column, particularly in the context of much else about Ramanujan being offered in it. I wonder whether Rao had come across the “attempted suicide” story before; I hadn’t.

* My little tale last week about playing fortune-teller reminded Dr. N Sreedharan that Khushwant Singh had confessed to the same experience some 30 years ago during a speech at IISc, Bangalore. Narrating what he did, when he was Editor of the Illustrated Weekly of India, whenever astrologer Bejan Daruwala’s forecasts did not reach him in time, Singh said that to avoid disappointing readers who looked forward to the column, he wrote the predictions himself. “I was quite familiar with the jargon,” he had added. And then related that there would often be Letters to the Editor after each week stating that the predictions in the last issue were better than usual!

* Did the British ride to the hounds in Madras was an e-mail query I received from a chronicler in Britain, E. Jameson. They certainly did, but for jackals and not foxes. And the hounds came out once a year in an East Indiaman and were kennelled not far from wherever the Madras / Adyar Clubs were located. There was a Madras Hunt which assembled at either of the Clubs and rode to the hounds south of St. Thomas’ Mount or in the west in the Koyambedu area. There are references to a Madras Hunting Society as early as 1776, which would make the Madras Hunt the oldest in the country. The sport seems to have died out soon after the Great War, in the 1920s. Work and Sport in the Old ICS by W.O. Horne (1928) paints some nice word pictures of the sport in Madras.

source: http://www.thehindu.com / The Hindu / Home> Features> MetroPlus> Madras Miscellany / by S. Muthiah / Chennai – January 09th, 2016

The Paganini of Carnatic music

Two years ago this week, M S Gopalakrishnan (MSG) who played Hindustani and Carnatic styles with ease on the violin passed away . In a musical world where violinists aspired to be the perfect human voice, MSG stayed within the `gayaki’ framework but gave it a uniquely violin touch – only a violin could unleash what he did. What characterized his playing was the totally relaxed manner built into his very approach, be it the rendering of the song, the alapana or the swara answers. And all of this would come with a disarming smile.

At The Music Academy in 1968, Balamuralikrishna had taken up Hindolam (Manasuloni Mar mamulu) to mesmerize the audience with a non-repetitive all-encompassing swara sequences that would end at the note of madhyamam (ma).MSG, who was the accompanying violinist, enhanced his stature on that day by staying at the “ma” all the while during all the rounds which must have put Balamurali in familiar territory throughout. MSG later unleashed his potential during his turn.

MSG combined famously with other instrumentalists – Ramani on the flute and TV Gopalakrishnan on the mridangam. MSG’s rendering of the Saveri varnam in two speeds is a landmark. The first speed has a caressing effect whereas the second is marked by clarity of notes.

MSG started on the violin when he was five and his first recording was the krithi `ManavyalaKinChara Thate’. He owes this and all other things to his father Parur Sundaram Iyer – innova tor of the Parur style of violin playing.

When he received the Sangeetha Kalanidhi award in 1998, he said that he attributed any award, including this, to the long hours (sometimes even 15 to 16 hours a day) of practice he put in. He also insisted that the first step in becoming an instrumentalist is learning vocal music, while fielding questions in an interactive session held in 2009.

Experts on the violin were more than amazed by the use of staccato and legato phrases he produced. The former came with exceptional sound quality and the latter was produced with deft fingering. Many violinists have, consciously and unconsciously, followed MSG’s playing style so much that it has come to stay as a style (bhani) in its own right, though it is still inscrutable to some.

When he toured the world (North America, Western Europe and Britain, Singapore, Malaysia, Hong Kong and South Africa), his audiences were left wondering how he was able to achieve the perfection that seemed to come to him so naturally . MSG is survived by his wife, two daughters and a son. His daughter M Narmadha is a front-ranking violinist.

source: http://www.timesofindia.indiatimes.com / The Times of India / News Home> City> Chennai / January 06th, 2016

2015: The year that saw many Kovaiites make headlines

They did not want to follow the masses and hence, took the path less travelled. And then, nothing could deter them from making the headlines in 2015. Here are a few Kovaiites who thought out of the box and won the hearts of many in Coimbatore.

Shradha Prasad While students her age were burning the midnight oil to prep for their examinations, Shradha Prasad had a different agenda in the mind. This space enthusiast and mechanical engineering student from Amrita University was short-listed for the Mars-One mission. She is the only one from India residing in the country to be part of the final selection round of the mission that aims to establish a permanent human settlement on the red planet by offering a one-way trip to the chosen ones. “I want to do ample justice to the mission by being a thorough help in the scientific experiment. Once I reach there, I want to give my best to make the conditions favourable for human settlement.”

Aravind P Right from his childhood, Aravind P was sure that he would not settle for a nine-to-five job like many of his friends. And he did stand apart from the rest, by making it to the Guinness Book of World Records for memorizing the longest binary sequence of 270 digits. For this language teacher, it was a chance encounter with a record for memorizing the longest binary digit sequence a couple of years ago that pushed him to take up the challenge and surpass the record. “Every morning I would spend three hours staring at my laptop trying to recall sequences on the screen. I started with 90 numbers and gradually started increasing the sequences.” Aravind has started a memory club in the city to help students reduce learning time.” He is also contemplating working on memory enhancement techniques for adults.

Auto Chandran When M Chandra Kumar (‘Auto’ Chandran as he is fondly known) returned to Coimbatore after walking the red carpet at the 72 Venice Film Festival in September, he received a hero’s welcome. The auto driver from the Hopes auto stand was in Venice for the screening of the film Visaaranai, which was based on his book Lockup. The film won the Amnesty International Italy’s Cinema for Human Rights Award and became the first Tamil film to have won the honour. The book Lock up published in 2006, chronicles Chandran’s first-hand experience in police brutality as a young man when was working in Guntur. “We have to stop glorifying encounters on screen. Police enquiries have to be done in a fair manner and for that, we have to make some changes in the constitution itself.”

Sakthi B When Sakthi B, a civil engineering student from Coimbatore, did backward skips with his hands clasped, many made jaws drop. The 20-year-old made it to the Guinness Book of World Records by doing the maximum number of backward skips- 46 skips in a minute, a record hitherto held by Brittany Boffo, an Australian (40 skips in one minute). The attempt was recorded in front of a large gathering at a mall in the city. “When I first started working toward it, I was a tad doubtful if I would be able to achieve the feat. I used to wonder ‘Will this ever happen’? But after a few days, I decided to work hard and give it my best.” He is now awaiting the results for 25 skips in 30 seconds, which is expected to come in January.

Rathi Punithavathiyar The transgender community seems to be going places in the city. While Padmini Prakash (country’s first transgender newsreader) made headlines in 2014, it was the turn of author Rathi Punithavathiyar to hog the limelight in 2015. Ostracized by her family at the age of 14, Rathi became the first author from the city to have penned a book. But the journey wasn’t a cakewalk & she even resorted to begging for survival at a point of time. Despite the fact that she had studied only till Class 10, Rani was confident that she would author a book. Her book revolves around stories of transgenders and is expected to hit screens in January. “I hope one day the society would treat us as equals.”

Sabari Venkat 12-year-old Sabari Venkat has no vision in his right eye, and has partial vision in his left. But that didn’t deter the Class VIII student from being winning with the ‘Creative Child with Disabilities’ award by the Ministry of Social Justice and Empowerment. “I want to eradicate corruption & illiteracy. I want India to become a leading nation by 2016. I enjoy addressing those issues through my speeches,” says Sabari, who aspires to become a journalist when he grows up. Sabari was also featured in a calendar titled I’m special’.

source: http://www.timesofindia.indiatimes.com / The Times of India / News Home> City> Coimbatore / P. Sangeetha, TNN / December 31st, 2016

Angling festival to celebrate native fish species

Madurai :

To sensitise people about the importance of preserving local fish species, nature enthusiasts have decided to organise an angling festival in a water body at the outskirts of the city on Sunday. Kayal – a centre for traditional inland fishermen and fish species – and the Madurai Nature Forum are organizing the event, inviting eager people to spend some time in angling at the Nesaneri tank near Thirumangalam.

 

Explaining the objective of such novel initiative, M Tamildasan said childhood memories were always filled with catching fish, climbing trees and using catapults to target birds. “With many species of birds disappearing at an alarming rate, we can’t justify using the catapult. At the same time we just cannot forget the games that helped us connect with nature. Hunting for food cannot be deemed a reason for several species vanishing; the actual reasons are the destruction of natural habitat of birds and fishes for human use and the mindless exploitation of natural resources,” he said. The new generation has lost touch with nature. This angling festival is just to recreate that childhood sport and reconnect with nature, he said.

 
A Ravichandran of Kayal said it would be also an occasion to document indigenous fish species in water bodies. A fortnight ago, the centre organized a river walk with volunteers to sensitize them on native fish species and their decline due to commercial aqua culture.

 
“Angling was one of the ancient practices of catching fish. There are different methods of angling to catch different species of fishes. We will be demonstrating to volunteers these methods as well as traditional fishing practices,” he said.

source: http://www.timesofindia.indiatimes.com / The Times of India / News Home> City> Madurai / TNN / January 01st, 2015