Category Archives: Arts, Culture & Entertainment

HIDDEN HISTORIES – Lord of the Cooum

Was Cooum originally Komaleeswaram?
Was Cooum originally Komaleeswaram?

There is a theory that Cooum, a polluted river in Chennai is a corruption of Komaleeswaram.

In South India, any spot where a river suddenly turns north is considered particularly holy. A temple usually comes up at this bend. Our polluted Cooum River is no different. After flowing placidly west to east, it takes a turn northwards at Egmore, forms an oxbow around Chintadripet and then flows east to the sea. The little hamlet that nestles in this bend is Komaleeswaranpet.

The village takes its name from its Shiva temple where the Lord is Komaleeswarar and his consort, Komalambika. There is also a theory that Cooum is a corruption of Komaleeswaram. This must have been a sylvan locality around 400 years ago, the river sending wafts of cool breeze. It became an urban settlement in the 1730s when Chintadripet on the opposite bank developed. The main thoroughfare of the village led from the temple and came to be known as Pagoda Street, after the British term for any Hindu place of worship.

This street, backing as it did on to the river, became the place of residence of the well-to-do. Chief among these was Dubash Pachayappa Mudaliar, who in a short lifespan of 40 years (1754 to 1794), earned an enormous fortune, most of which is today used for running educational institutions. Srinivasa Pillai, who wrote Mudaliar’s biography in the 1840s, has it that Pachayappa built his house “at the hermitage like Komaleeswaranpet which takes its name from Lord Shiva.”

Pachayappa’s neighbours on Pagoda Street were Muniappa Pillai, a wealthy businessman and Swami Naick, a Native Dresser in the Army. All three have streets commemorating them in Komaleeswaranpet. Swami Naick is also remembered in a small monument set within a triangular park. Pagoda Street is now Harris (Adithanar) Road, a broad thoroughfare.

Local tradition has it that all the aristocrats of the village worshipped Komaleeswarar. Pachayappa’s will, however, does not mention any donation to it. The temple had a unique festival when flowers would be brought in coracles along the river. Today, this can only be imagined. The flourishing grey market for automobile parts that constitutes Pudupet has cut off the Cooum from Komaleeswarar. Sailing in the Cooum would be impossible anyway.

When you enter Temple Street, you are transported back to the 1800s. Old houses line the sides. The temple has acquired a tower in recent years. A broad courtyard leads to the small sanctum, which has sadly been modernised with polished granite and vitrified tiles. But the pillars and ceiling of the pavilion fronting it retain their antiquity with carved figures on them. A stone slab in the kitchen records a renovation done in 1818 by one Kuppammal, wife of Triplicane-based Baba Sah, a cloth merchant of the Saurashtra community. Donors of this century have not been as aesthetic as her in recording their munificence. Huge black granite slabs set out their deeds in gaudy gold lettering.

Komaleeswaranpet brings a whiff of old Madras, and sadly, a lot of the Cooum.

(Sriram is passionate about Chennai history and Carnatic music, and has several books to his credit)

source: http://www.thehindu.com / The Hindu / Home> Features> MetroPlus / by Sriram V / June 12th, 2015

Ancient royal ring found in Karur riverbed

The silver ring with the emblem of a fish found on the Amaravathi riverbed. Photo: Special Arrangement
The silver ring with the emblem of a fish found on the Amaravathi riverbed. Photo: Special Arrangement

A silver ring with an inscription in the ancient Tamil Brahmi script has been found reportedly from the Amaravathi riverbed at Karur in Tamil Nadu. The highly stylised script depicts the punctuated Pandya fish emblem.

Ms Beena Sarasan, an expert in numismatics, who purchased the ring from an antique dealer, suggested that the script reads “peruvazhuthi.”

Peruvazhuti is the name of a Pandya king who, according to the Tamil sangam tradition, has performed several vedic yagas and rituals . The letters are engraved in bold and legible characters.

The full name of this Pandya king was Palyagasalai Mutukutumi Peruvazhuthi who finds mention in several early Tamil sangam songs.

Dr. M.R. Raghava Varier, former Professor of Epigraphy, Calicut University said the letters on the ring can be attributed to an early stage of evolution of the Tamil Brahmi characters on the basis of the palaeographical features of the script.

Dr. Varier observed that the characters representing the peculiar Dravidian sound “Zha” show the earliest form of the letter found in the cave labels of Arittappatti- Mangulam group of inscriptions of the 3rd or 2nd century BCE.

The characteristic rightward stroke of the Tamil Brahmi letters as suggested by earlier scholars are also present in the third letter “Va”. The artefact is a valuable find in the historical and epigraphical studies of ancient Tamilakam, Dr. Raghava Varier added.

source: http://www.thehindu.com / The Hindu / Home> News> National> Kerala / by E. M. Manoj / Kalpetta (Kerala) – June 01st, 2015

Chunkath’s scrabble journey: From kitchen table to top prize

Chennai :

Growing up in Delhi, Mohan Verghese Chunkath used to play ‘kitchen table scrabble’ with his siblings and parents. What started out as a pastime became a passion and today, despite a demanding career, the senior bureaucrat is a force to reckon with in the war of words. Chunkath recently won the Bayer National Scrabble Championship 2015 held in Mumbai from May 29 to 31.

“I have been playing scrabble since my childhood, but it was a family game and never played one on one, there were always three of four of us playing together,” says Chunkath, who began playing competitive scrabble in the 1990s.

“I had gone to the US on study leave, and began going to the local club to play. I got interested in competitive scrabble and went from rookie to expert level while I was there,” says Chunkath, director, Anna Institute of Management, and additional chief secretary and director general of training, Tamil Nadu.

He became the first person to represent India in the world scrabble championship held in Melbourne in 1999. “I also participated in the world championships in 2001 and 2007 but work pressure was building up,” says Chunkath. The demands of his growing career meant that he couldn’t devote as much time for competitive scrabble though he did play on the net or sometimes with friends. “I almost drifted out of competitive scrabble, but after my change of job in December 2014, I came back to the scrabble scene,” he says. In January 2015, he participated in iGate International Scrabble Tournament held in Bangalore.

For the voracious reader, scrabble is chess with words. “There is a lot of strategy involved, and a lot of nuances to the game — you track tiles that are played, work with probability, know what is in your bag, what your opponent is likely to have in his bag, how to maximize your offence and defence. It is an interesting hybrid between skill and luck,” says Chunkath.

The championship he recently won saw him pitted against the best. “Indian scrabble players have become very strong and the games were fought very keenly,” says Chunkath. “Younger players have an advantage as don’t get fatigued easily. We played a fairly gruelling number of games – on the first day we played eight games, nine on the second day and though I was supposed to play eight games on the third day, I was able to wrap up after playing just seven,” says the 59-year-old, who beat Sherwin Rodrigues, a player in his mid-20s.

According to him, the future of scrabble in India is very bright. “With the stellar spelling bee performances by Indians in the last decade, scrabble is just waiting to explode in India,” he says. “There is tremendous potential.”

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City> Chennai / by Priya M. Menon, TNN / June 04th, 2015

New CEO writes poetry, likes to read about archaeology

Coimbatore :

N Arul Murugan, city’s new chief educational officer is more than a former government school teacher. While he spends all day attending to administrative matters of the school education department, the officer likes to dedicate some time every weekend to write poetry.

Murugan assumed office on Thursday morning, taking charge from his predecessor A Gnana Gowri. As Gowri was transferred to Salem as the chief educational officer (CEO), Murugan has moved from Pudukkottai.

The 43-year-old officer has published three of his poetry books and two prose books till now. Murugan, who has completed his PhD in Tamil Grammar from Annamalai University, also likes to know about archaeological findings. “While I write literature, I love to read about archaeological findings, and related matters,” said Arul Murugan.

A native of Karur, Murugan started his career as a secondary grade Tamil teacher in a government-aided school in Karur in 1992. In 2002, Murugan became a government school teacher, and then in 2009, he successfully cleared the Tamil Nadu Public Service Commission exam, and became an officer of the school education department. A batch mate of the former CEO Gnana Gowri, Arul Murugan started his service in the school education department as the district education officer, Kanniyakumari.

Arul Murugan, however, said that Coimbatore is a developed district when it comes to school education. “I personally like Coimbatore, both as a city to live in and as an educational district. My aim is to further improve the enrolment in government and government aided schools,” he said.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City> Coimbatore / by Adarsh Jain, TNN / June 05th, 2015

Bikers go on epic journey

Members of Chennai Superbiker’s Club went as far as Delhi during their 5-day ride and interacted with various NGOs —Photo: V. Ganesan
Members of Chennai Superbiker’s Club went as far as Delhi during their 5-day ride and interacted with various NGOs —Photo: V. Ganesan

Four bikers rode across 8,000 km in 14 states, over 15 days to rollback to Chennai carrying a social message.

Meet members of the Chennai Superbiker’s Club, a bunch of enthusiasts who bond over superbikes and are popular for their macho machines on city roads. Launched in January 2014, the Club has over 40 members flaunting a stable of super sports and adventure models including Yamahas, Aprilias, Suzukis, Kawasakis and Hondas.

With the aim of spread ‘biker camaraderie’ across State boundaries by meeting fellow enthusiasts and also to spread awareness on the escalating violence against Indian women, seven club members rolled on a road trip from Nungambakkam on May 25. Mounted on four eye-catchy rides — Yamaha Vmax, Aprilia Caponord, Kawasaki Z1000 and the Kawasaki ZX 14R — the riders roared on towards Rajahmundry in Andhra Pradesh in the first leg.

The riders then headed off to Kolkata, passed New Delhi, Jaipur, Surat, Mumbai, Pune, Hubli, Mangalore, Kovalam, Kanyakumari, Madurai, Tiruchi and finally completed the last lap of their 15-day journey early on Wednesday.

Speaking to media persons, the riders were clearly weary, but stood proudly beside their rides that did all the miles. One of the riders Hariharan recalled interacting with fellow bikers at the cities they passed and stopping their machines for interactions with local NGO representatives working on issues related to violence against women. “We visited some affected women who are now protected by NGOs. This road trip was no way like cliché rides, but the one with a purpose,” added a young rider.

Club members carried out the ride with a cause in association with Indian Community Welfare Organisation, Chennai. The bikers plan to organise a helmet awareness ride soon.

Seven enthusiasts travelled over 8,000 km in 14 States to spread awareness on escalating violence against women

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Chennai / by Petlee Peter / Chennai – June 11th, 2015

Lasting regret of Tamil thatha

Portrait of U. Ve. Swaminatha Iyer
Portrait of U. Ve. Swaminatha Iyer

He could not meet the man who sent him palm leaf manuscript of Tamilvidu Thoothu

It may sound like a tragic romantic story in which the lovers never get to meet each other.

U. Ve. Swaminatha Iyer, the grand old man of Tamil, had a lasting regret that he never got to meet a man who had sent him a rare palm leaf manuscript of Tamilvidu Thoothu , an anonymous Tamil literary work in 264 stanzas.

In an essay, ‘Innum ariyen’, Iyer narrated his failure to meet the man who had brought the manuscript. Apparently, the man was in financial trouble and was hiding from his creditors. He was not able to preserve the manuscripts and sent them through Swaminatha Iyer’s student Sambasivam Chettiyar in 1900 in Kumbakonam.

“Iyer’s regret was that not only was the author ofTamividu Thoothu unknown, he could not meet even the person who preserved the manuscripts,” said P. Saravanan, who is compiling 165 articles written by Swaminatha Iyer during various periods.

Most of these articles had appeared inSwadesamitran , Kalaimagal , Ananda Vikatan ,Kalki and little known journals such as Darul Islam , Aadal Paadal and Silpasree . Twenty of these were never published.

Book release in August

Mr. Saravanan, a postgraduate Tamil teacher at the Chennai Corporation School, said the book would run into 1,000 pages and ‘Kalachuvadu’, the publisher, had plans to bring it out in three volumes .

It will be published in August with a preface by Professor A.R. Venkatachalapathy of Madras Institute of Development Studies (MIDS), who encouraged Mr. Saravanan to take up this venture.

“While compiling the book, I have depended on the first edition, and the second edition that contained corrections carried out by Swaminatha Iyer himself. I am saying this because subsequent editions are rampant with errors,” said Mr. Saravanan, who has already published the prefaces of Swaminathan Iyer titled Saminatham.

In search of

missing flowers

In Uthirntha Malar , Iyer had explained his journey in search of three flowers mentioned inKurinjipattu .

Nilavil Malarntha Mullai talks about the surprise discovery of a work called Mullaipattu .

Mr. Saravanan said Swaminatha Iyer had also reviewed Sangakaalathil Chera Mannargal , a book penned by Raghava Iyengar in 1937. Sanga Tamizhum Pirkala Tamizhum , originally delivered as a 10-day lecture at the Madras University, runs into 200 pages.

“A news reporter in Swaminatha Iyer can be spotted in the essay he wrote in 1904 about Tiruvidaimarudhur Vasantha Mahotsavam,” said Mr. Saravanan.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Chennai / by B. Kolappan / Chennai – June 02nd, 2015

Leftover food fills hungry tummies, thanks to these three youths

Coimbatore :

A two-wheeler fitted with a cardboard box is used to transport extra food from various marriage halls, association functions and hotels by a group of three youngsters aged between 22 and 24. Started as a small pilot project to collect and distribute extra food, they have now converted it into an organized effort over the past five months. The food is passed on to the needy at various slums, orphanages and ashrams in the city. They have also created a helpline number through which public could inform them about extra food.

A G Padmanaban, M Sudhakar and M Dinesh who have been roommates since their second year of college, bonded over developing innovative projects and apps initially. “As production engineering graduates, we were keen on developing new devices. Thought we have all got placements, we were more interested in doing something that would contribute towards sustainable living,” said Padmanaban. Thus, they started the Spice Foundation.

Sudhakar’s father is a lorry driver, Dinesh’s, a textile weaver and Padmanaban’s father is a central government employee. “We divided the work based on our interests and skills. Dinesh and I take care of school education and Sudhakar takes care of solid waste management projects,” said Padmanaban.

So far this year, they have fed 4,350 people with quality food worth Rs1.74lakh. “We calculated the cost per person to be Rs40 but it could be more than that,” said Sudhakar. They aim to feed 2000 people daily. The group is currently looking to launch an application created by them to organize their ‘no food waste’ project. “We plan to launch the app after it is tested. When we receive a call from a hotel, the app immediately sends a message to one of our volunteers, that would include the name, location and phone number of the hotel. The receiver also gets directions,” said Padmanaban.

The group has identified 30 marriage halls, three hotels and a few other associations where they could collect left-over food. “We distribute it at several orphanages and slum areas,” said Padmanaban. As of now, the only advertisement is through social media.

Though food collection and distribution sounds simple, they face several challenges, they said. “Most of the caterers dislike us as they would have sold the food instead. So they are not very helpful. We pack the food in banana leaf and paper,” said Sudhakar. Besides, since they get calls round-the-clock, they have to coordinate with the donors in such a way that the food does not spoil. “As per our pilot study, 60% of the food wasted is during lunch and 20% each during breakfast and dinner,” said Padmanaban. They hope to get some grants to support their project. “We earn around Rs7000 per month from other projects and continue to work on creating apps and e-commerce portals during our free time,” said Sudhakar who is also involved in segregating and selling recyclable waste in two areas in Kovai Pudur.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City> Coimbatore / by Komal Gautham, TNN / June 02nd, 2015

‘Tamil-Korean Link is Age-Old’

A visitor checking out the exhibits displayed at the Korean Exhibition at Fort St George | D Sampath Kumar
A visitor checking out the exhibits displayed at the Korean Exhibition at Fort St George | D Sampath Kumar

Chennai :

Just as Prime Minister Narendra Modi was recalling the age-old cultural and business relations between South Korea and India in Seoul on Monday, Kyungsoo Kim, Consul General of South Korea in Chennai, revealed that his country indeed had a link with Tamil Nadu from the first Century AD., at a function held at Fort St George. Speaking at the inauguration of exhibition titled Museums of India and Korea, Kim said strong evidence to this connection lay in the common words used in Korean and Tamil languages even today. He narrated an interesting incident that took place just a day before, on Sunday, when he was visiting Mahabalipuram. As he was walking along the sea-shore, Kim heard his son calling him. When he turned back, he realised that it was not his son, but another child who was calling him Appaa. He learned, to his surprise, that the two languages shared some common words.

Tamil Korean1CF27may2015

In all, he claimed, there were around 4,000 words in Korean and Tamil that had similar meaning, indicating the age-old connection between the two countries. It was the French missionaries in Korea who first noted the similarities between the two languages. Many of the names of ancient colonies of Southern Korea were the exact counterparts of Tamil words. Exhaustive as it is, linguistic similarities were not all. The Consul General pointed out that the way both people built their hutments were the same, so were some of the household utensils like ural (a heavy stone or wooden mortar) and ulakkai (long heavy wooden pestle). Experts say that agriculture, pottery, beads, textile, turtle boats, and many ancient industries and cultures in the two countries have stunning similarities.

These similarities, they add, are not coincidences. Early Tamil people migrated to the Korean peninsula around the first century AD, noted N Kannan, Orissa Balu and Dr Nagarajan, all experts on the topic.

The connect between the two cultures is believed to have started way back in CE 45, from the period of King Suro and Hok and Ayi of Pandian Kingdom. Incidentally, King Suro’s kingdom was named Karak, which has a Tamil (proto-Dravidian) meaning fish. “This view was confirmed by the Centre for Korean Studies at the University of Hawaii. Both languages are agglutinative, follow the subject-object-verb order, nominal and adjectives follow the same syntax, particles are post positional, modifiers always precede modified words are some of the common features,” they say.

Inaugurating the photo exhibition, R Kannan,  secretary, Culture, Museums, Tourism and Religious Endowments Departments, recalled the strong cultural connection between the two countries.

Earlier, Consul General Kim released a CD on the museums in Tamil Nadu for the student community. K Moortheeswari, Deputy Superintending Archaeologist, Archaeological Survey of India, said the CD would be distributed to all schools in Tamil Nadu free of cost if they approached the Fort St George museum.

The theme of this year’s International Museum Day is ‘Museums for a sustainable society’. It highlights the role of museums in raising public awareness about the need for a society that is less wasteful, more cooperative and that uses resources in a way that respects living systems, she added.

The exhibition will be on till the end of May.

source: http://www.newindianexpress.com / The New Indian Express / Home> Cities>Chennai / by T. Muruganadham / May 20th, 2015

A Cannes winner’s Chennai link

A well-known city-based film production company, Wide Angle Creations, which has produced Papanaasam with Kamal Haasan in the lead, played an important part in the making of Dheepan , which won the Palm D’ Or at the Cannes film festival.

This would mean that Kalieaswari Srinivasan, who plays the lead, is not the only connection the film has with the city. The film, which was shot for not more than 7-8 days in parts of Mandappam (near Rameswaram), and Ooty among other places in Tamil Nadu, in the month of December and January, has actually made use of a number of local technicians and several hundred junior artistes.

Suresh Balaje, one of the partners of Wide Angle Creations, said the Palm D’ Or came as a pleasant surprise./  Photo: R. Ragu / The Hindu
Suresh Balaje, one of the partners of Wide Angle Creations, said the Palm D’ Or came as a pleasant surprise./ Photo: R. Ragu / The Hindu

Suresh Balaje, one of the partners in the company that specialises in ‘line production’ in India, said that he did not really expect to win the big prize. “There was a lot of interest in the film because of Jacques Audiard, whose earlier films have been received well by the press. But, honestly, nobody was expecting to win, although everybody was proud that the film was selected in the competition section,” he said.

While the crew only shot for a few days, it wasn’t a small-sized production, says George Pius, Mr. Balaje’s partner. He says that except for the camerawoman, Jacques Audiard, costumer and the art director, the support crew were all locals.

Many of the actors and technical support staff of the film directed by Jacques Audiard were from India —Photo: Special Arrangement
Many of the actors and technical support staff of the film directed by Jacques Audiard were from India —Photo: Special Arrangement

“We erected a big set in Mandapam of a refugee-camp. We worked with hundreds of junior actors on the sets. Even the technical crew had very few people from France. They came with a small crew and the rest of the technicians were locals,” he explained.

George Pius, who worked on the film, said that this recognition for Dheepan would likely open many doors, which were earlier not available for production companies from the South. “Previously, only companies from Mumbai were working with foreign productions. After this award, I hope companies like ours also get a look-in,” he said.

Though Dheepan is a French production, it is said that at least 75 per cent of the film is in Tamil. Asked if he thought if the film would clear the censors, Mr. Balaje said, “ I do not think there is anything wrong with the film. It should release without a hassle,” he said.

The awards for Dheepan are likely to flow as the film will also be in pole position to win the Best Foreign film at the Oscars next year.

City-based Wide Angle Creations played a key role in the making of Dheepan

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Chennai / by Udhav Naig / Chennai – May 27th, 2015

Savithri Devanesen Dies at 99

Chennai :

Noted social worker Savithri Devanesen, who ran the organisation Roofs for the Roofless after the death of her legendary husband, Chandran Devanesen passed away at her residence in Chennai on Wednesday. She was 99 and is survived by two sons.

Her late husband Chandran was the first Indian to become principal of Madras Christian College, Tambaram. He founded Roofs for the Roofless in 1980 to ‘improve the quality of life for a better India’. After he passed away in 1982, Savithri took over the reins of the organisation.

Over the years, the organisation took up several programmes in villages on health, primary education, sanitation and environment protection. It now supports work in 18 villages. Persons close to the family said, Savithri till recently used to work in her office and inspected the villages where the projects and programmes were underway.

She is survived by her sons Dr Sudarshan Devanesen, a professor of family medicine who was honoured as the Member of the Order of Canada and Dr Dayalan Devanesen, director of Aboriginal Health, who too was honoured with the Member of Order of Australia.  Savithri’s funeral service will be held on Thursday at 2 pm at the St. Andrews Church, the Kirk, and 4 pm at the Kilpauk Cemetery.

source: http://www.newindianexpress.com / The New Indian Express / Home> Cities> Chennai / by Express News Service / May 07th, 2015