Category Archives: Arts, Culture & Entertainment

Art for living

CREATIVE TALENT: These women are the agents of change in the drought-prone hamlet in Sivaganga district. Photo: G. Moorthy / The Hindu
CREATIVE TALENT: These women are the agents of change in the drought-prone hamlet in Sivaganga district. Photo: G. Moorthy / The Hindu

The women of Nedumaram Village strike an example of self-sustenance by making beautiful art pieces out of palm leaves for a living

On a scorching Sunday afternoon, a group of women from Nedumaram village huddle inside the Government complex. They assemble to make artefacts out of palm leaves. It is a joy to watch their fingers move in synchronisation through the bunch of thin palm leaf strands. And in no time the strands get perfectly entwined and interwoven into various shapes. They take a break and beam at each other’s creativity. Soon the silence is replaced by banter and giggles. Their master Tamilarasi appears strict and instructs them to concentrate on their work. The ladies return to the strands of palm leaves in their hands. Like this they spend hours making beautiful baskets, trays, fashionable beer-bottle holders, doom sets, chocolate boxes and puja plates.

These women are the agents of change in the drought-prone hamlet in Sivaganga district. The turning point came when an NGO in collaboration with the National Bank for Agriculture and Rural Development (NABARD) conducted art classes for them three decades ago.

CREATIVE TALENT: Colourful artefacts made out of palm-leaf. Photo: G. Moorthy
CREATIVE TALENT: Colourful artefacts made out of palm-leaf. Photo: G. Moorthy

“I was 10 years old then and six of us attended the course for six months. A foreigner lady came from Kanyakumari to teach us palm-leaf art,” recalls 40-year-old Tamilarasi. She now teaches the art to the entire village. “We were taught only the basic baskets,” she says, “We have invented so many other products now.”

What started with a small group has evolved into a women’s self-sustenance movement in Nedumaram. Today, there are 100-odd women, a mix of young mothers, older women and school-dropouts all from poor families and with a sorrowful saga to narrate. Their lives are much in contrast to the colourful wares they make. Most of them own small lands but curse the rain gods for pushing them to poverty. Some complain of their abusive alcoholic husbands, some worry about the future of their kids. If there is anything that gives them moments of happiness and helps them to earn, it is the palm leaf work.

“We work from home and on an average earn around Rs.100 to 120 per day,” says Karpagavalli, who lost her husband two decades ago. “I was wondering how I would bring up my two children. This work provided me a stable livelihood.”

Says Anandhi, who has been doing palm-leaf art for 20 years: “Only if it rains, we go for agriculture work. Otherwise we are engaged in palm-leaf work round the year. We earn more than a daily wager and each of us maintains a savings account in banks. We feel empowered.”

“Making these art pieces gives peace of mind and we feel happy about being able to make such beautiful things,” says Meena who along with Tamilarasi has showcased the palm wares at expos across the country.

“Three years ago, we took part in the National crafts expo at Delhi and we did business worth Rs.6000 on the first day itself. We made the art pieces during the two-day train journey.”

The women source the bundles of dried palm leaves from Ramanathapuram. One leaf weighing about a kilogram costs Rs.20. The leaves are laid out in the sun to dry for two days, after which they are cut to required measurements.

“The Ramanathapuram palm leaves are the best. Once dried, they turn white in colour and hard in texture,” Tamilarasi explains the process of palm art. The dried leaves are cut into strands varying in thickness and length using a small machine. Colour powders dissolved in boiling water are used for colouring the strands. “We can make any required colour by mixing the common five colours – red, yellow, blue, green and black,” says Tamilarasi.

The women find the method of weaving also simple. They use the single knot technique, which is repeated in different permutations and combinations to get the circular, square and rectangular shapes. Sometimes, the thick palm strands are used as the base for weaving with the thinner strands on them.

Palm leaf art made in Nedumaram reaches customers across the globe. The Khadi Gramodyog Bhavan is one of the major buyers. They also get orders from Hotels and resorts from nearby Kanadukathan and Karaikudi, or from big cities like Chennai and Bangalore and many foreign tourists. A chunk of the orders come through South Indian Producers Association, in which the group has been enrolled.

“Since the products are eco-friendly, even organic shops place orders. There are some export agencies that buy artefacts from the women of Nedumaram,” says Michael, Joint Director of Tirupattur Rural Uplift Project Association, an NGO functioning in Sirukoodalpatti village, which helps the women in pricing and marketing their wares. “We educate the women on how to price the products taking into account the raw-material cost, transportation and labour cost.”

“We have scripted a successful story so far. But now there is a shortfall in the supply of palm leaves caused by failure of rains and rampant felling of palm trees in Ramanathapuram district,” points out Tamilarasi. As a result, the price has gone up. “We only hope the remaining palm trees are protected and a lot more get planted,” she says.

source: http://www.thehindu.com / The Hindu / Home> Features> MetroPlus / by A. Shrikumar / Madurai – September 17th, 2014

The piano man

MASTER OF KEYS Venkateswara Rao at Max Mueller Bhavan with the first piano he tuned for Handel Manuel. Photo: R. Ragu / The Hindu
MASTER OF KEYS Venkateswara Rao at Max Mueller Bhavan with the first piano he tuned for Handel Manuel. Photo: R. Ragu / The Hindu

Meet S. Venkateswara Rao, Chennai’s famed piano tuner, who has given the instrument its voice for over 50 years

It’s not easy to tell exactly how old he is, because he still bustles about like he’s in his 20s, lifting piano stools, attempting to move grand pianos by himself and juggling back-to-back piano tuning appointments every day. He’s not sure how old he is either, owing to a flood that washed his birth certificate away.

S. Venkateswara Rao, a piano tuner for over 50 years, says, “I don’t celebrate my birthday, I only celebrate music.” Active and agile, he is keen to talk about himself and the glamorous cine world that surrounds him. He states dates and incidents with accuracy and yet, struggles to remember the name of people who walk up to greet him. “I’m surprised at how much trouble comes at this age,” he says, laughing.

He was born in Rajamundhry. His father died when he was five and his mother fell prey to tuberculosis by the time he turned 12. His uncle, who brought him up, was a harmonist for street theatre, which kept him in the art circle during his childhood. At 14, he was taken in by Ratna Varma in Machilipatnam,  whose shop he worked and often slept in, learning to tune and make instruments. In two years, he’d mastered the art of making and repairing many string instruments like veenas, violins and harmoniums.

He moved to Madras when we was 16, at a time when trams still traversed the streets. He worked in many musical shops in the city, where he learned the technical aspects of making and tuning bigger, professional instruments.

Four years on, he got the opportunity to be a piano repairing technical assistant at Musee Musical, for a monthly salary of Rs. 60. He still works there today, as a freelance tuner, making about Rs. 1,000 for two hours of work.

To learn international tuning, he started training under Master Dhanraj, even before Ilaiyaraaja could learn from the famous music teacher. “I’m Ilaiyaraaja’s senior,” he says, smiling proudly.

Rao says there are about 3-4 other tuners in the city who he has heard about, but never met, making him quite a rarity. “You know the pianos Rajnikanth and Sri Devi play on screen? I’ve tuned those,”  he says proudly, yet matter-of-factly. He emphasises that he hasn’t missed a single Ilaiyaraaja composition; he’s always the piano tuner on the job.

In 1967, Rao joined Max Mueller Bhavan and the first ever piano he tuned, was for the legendary Handel Manuel.

He has tuned for the programmes of many big names since then, including musicians Roman Rudnytsky, Billy Taylor and Chico Freeman; music directors A.R. Rahman, Yuvan Shankar Raja, and Harris Jeyaraj; and singers Unni Krishnan, Srinivas and Karthik.

He continues to tune pianos for many in the city, even as he divides his time between tuning appointments for The Music Academy, Taj hotels, The Leela Palace, Chennai, the programme VijaySuper Singers, weddings, receptions and just about any stage with a piano that requires his attention. Typically, he tunes around 15-20 pianos a month.

For the hour-and-a-half he takes to tune a piano, everything is in his control. He tunes in accordance with Bach’s technique and that has been a constant since the day he started. “Till the world ends, the technique will be the same,” he states. Everything else, however, changes.

When his wife of 50 years fell ill, it was a struggle for him and his family of five children. She suffered from diabetes for years and he spent lakhs for the treatment. And then, she died suddenly of a heart attack. “I’m alright,” he says when asked how he came to terms with her death. “Life is as it is. I give full attention only to music; nothing else matters.”

His love for music and his work takes up every inch of his life, including the time he could spend with his seven-year-old grandson. “Fine tuning isn’t possible if you have avocations,” he states plainly.

Rao does not pause to rest because the happiness he derives from work, he gets from nothing else. Yet, his work is done well before the curtain goes up.

While a guitarist plays with six strings on stage, he works with the 220 strings of a piano backstage, knowing them like the back of his hand. “This is a special technique. One town has one man,” says Rao, who for the longest time, has been tuning for this city.

source: http://www.thehindu.com / The Hindu / Home> Features> MetroPlus / by Raveena Joseph / Chennai – September 15th, 2014

A R Rahman to receive honorary doctorate from Berklee

"I'm deeply moved to receive an honorary doctorate from such a distinguished school which has contributed so much to the world of music," said Rahman.
“I’m deeply moved to receive an honorary doctorate from such a distinguished school which has contributed so much to the world of music,” said Rahman.

In recognition of his two-decades-long musical legacy, the prestigious Berklee College of Music is all set to honour Oscar-winning composer A R Rahman with an honorary doctorate.

The honour will be conferred on Rahman, 47, best known globally for the original scores and songs in ‘Slumdog Millionaire’, ‘127 Hours’, ‘Elizabeth: The Golden Age’ and ‘Million Dollar Arm’, at an event at the Berklee College of Music on October 24, a media statement said.

“I’m deeply moved to receive an honorary doctorate from such a distinguished school which has contributed so much to the world of music,” said Rahman.

“I’m especially proud and honoured the college is graciously establishing a scholarship in my name for future generations of musicians to follow their dreams,” he added.

Berklee College of Music president Roger H Brown said, “A friend from India described A R Rahman to me as John Williams and Sting rolled into one – a leading film composer and a wildly popular, brilliant songwriter and performer.

“We welcome him to Berklee, where the college and our students look forward to paying our respects.”

At a concert celebrating his career on October 24, 2014 in Boston, students and faculty will perform songs paying tribute to his distinguished work with Rahman performing alongside them for select pieces.

In addition to the performance, Rahman will conduct a master class at the Berklee Performance Center, the college said in a statement.

In honour of Rahman’s new relationship with Berklee, the college will establish a scholarship in his name to help bring students from India to Berklee. All proceeds from the October 24 concert will go toward this scholarship fund, the statement said.

source: http://www.indianexpress.com / The Indian Express / Home> Entertainment> Music / Press Trust of India, Washington / July 18th, 2014

Glitter … Glamour and Rochelle …

RochelleRaoCF10sept2014

by S.N. Venkatnag Sobers

Having won a beauty pageant, any girl would want to get into movies and dominate the glamour world. In days when models want to get into movies, Rochelle Rao, who won the Miss India Inter-national 2012, has gained popularity as a presenter and anchor. She was seen as an anchor in season six of Indian Premier League (IPL) hosting Extraa Innings and postmatch analysis. Rochelle has also anchored various events and shows. She was in Mysore to anchor the first leg of Karbonn Smart Karnataka Premier League (KPL) – 2014. Star of Mysore caught up with Rochelle for a brief chat. Excerpts…

Star of Mysore (SOM): Normally, any girl having won Miss India International title would want to get into movies, especially Bollywood. But, you have chosen to be an anchor and a presenter. Why ?

Rochelle: It is that I don’t want to get into movies. But, I like being an anchor and a presenter, which I was involved even before winning the beauty pageant. My whole family loves talking and interacting a lot and moreover my sister Paloma Rao (well-known Video Jockey) has been my mentor and inspiration who helped me to learn about anchoring.

SOM: Do you plan to get into Bollywood in future ?

Rochelle: Yes for sure. But, I would like to launch myself with a Tamil movie, since I am very comfortable with the language with Chennai being my home town. In the meantime if I get an offer from Bollywood, I would definitely take it up. I also need to improve upon my Hindi before taking a project.

SOM: If you get a chance to act in a Tamil movie, whom would like to be your co-star ?

Rochelle: There are a lot of talented actors in the industry. But, among them Vikram has been my favourite actor. I would like to act alongside him.

SOM: Being an anchor for sports show, one needs to get to know with the latest updates and also know about the players. How do you update yourself with cricket ?

Rochelle: Cricket has been my favourite sport which I have been following since I was young. We do a lot of research before coming on air presenting a show. I keep updating myself about cricket happenings not just in India but across the world. Having knowledge about the sport always helps the anchor in presenting the show.

SOM: Who has been your favourite cricketer ?

Rochelle: Undoubtedly Yuvaraj Singh. I think he should have been given a chance to play in England to prepare himself for the World Cup 2015. He played a vital role for India to win the 2011 World Cup. I am sure that he would make a comeback into the team and win us another World Cup.

SOM: You have travelled across the country visiting various cricket grounds. What do you have to say about Gangotri Glades ?

Rochelle: Gangotri Glades is among the best cricket grounds that I have visited across the country. The view is wonderful and I am sure that Gangotri Glades will host IPL and International ODIs in future.

SOM: How has Mysore treated you ?

Rochelle: Mysore has been a wonderful place. My father is a photographer. We have visited Mysore together many times. Ranganathittu, has been one of my favourite places. This apart, I am familiar with the Chamundi Hill, Mysore Palace and Zoo.

source: http://www.starofmysore.com / Star of Mysore / Home> Feature Articles  / September 05th,  2014

CHENNAI ON CANVAS – A studio with a view of the city

The small studio, which stands amongst a row of shops at Mootakaranchavadi, also serves as an art school in the evenings — Photo: M. Karunakaran / The Hindu
The small studio, which stands amongst a row of shops at Mootakaranchavadi, also serves as an art school in the evenings — Photo: M. Karunakaran / The Hindu

On busy OMR, artists K. Yuvaraj and N. Kirubakaran catch the attention of passers-by with their Old Madras series and portraits

Amidst the hustle and bustle of Rajiv Gandhi Salai or Old Mahabalipuram Road (OMR), this fine arts studio stands as an island of silence.

In the evenings, you can watch artists K. Yuvaraj and N. Kirubakaran, seated in front of their easels, work on an Old Madras series or portraits of people that many visitors seem to take a fancy to.

“People who are on their evening walk or shopping for their daily needs walk in and look at our work. They ask us if we can replicate famous paintings or can draw portraits to be presented as gifts for weddings and housewarming ceremonies. A pencil drawing portrait takes a day to complete,” says Yuvaraj, who has a Masters in Fine Arts. He and Kirubakaran share the space and work.

“Since Madras Day just passed, people have also taken a liking to old Madras paintings. We did some images typical of the city including those with temples, oxen-drawn carts, women in saris and houses with pyols. We are also planning a series on OMR itself,” says Kirubakaran.

The small studio, which stands amongst a row of shops at Mootakaranchavadi, also serves as an art school in the evenings. “People who walk in start asking questions about the paintings and want to know if they can draw and paint like us. Anyone with interest can learn. We get people from the IT field as students. Many of them are women who come in between 7 p.m. and 9 p.m. We also teach children during the weekends,” Yuvaraj adds.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Chennai / by Deepa H. Ramakrishnan / September 05th, 2014

German students get lessons in business skills, Indian cuisines

Coimbatore :

Seventeen students from various universities in Germany are in Coimbatore city to spend part of their summer at PSG Institute of Management, thanks to the Bavarian state government which facilitated the summer project.

The students are from different academic backgrounds, including, science, engineering and management.

They are on a 17-day tour to India and the schedule had been arranged by PSGIM and the Bavarian Government prior to the visit. Guest lectures on topics like textile engineering, entrepreneurship, cultural events, industrial visits, student interaction and sharing of tradition and culture were among the few events organized for the students.

The students arrived in India on August 31 and will also visit Kochi and Bangalore as part of their programme, spending a weekend in each city. Josef Bertler, a student of engineering science at University of Bayreuth said, “I wanted to come to India to learn entrepreneurial skills. The business tactics practiced in India, I am told, are futuristic and commendable.”

In most German Universities, students are required to undergo a summer programme between August and September.

While India is popular among students, other popular locations include China, USA, France and a few countries in South America.

The German visitors got hands-on training in cooking Indian dishes from students of catering and hotel management at the PSG College of Arts and Science.

“We learnt to make samosas, dosa and kolokottai,” said Daniela Islinger. “In return, we taught the PSG students a few German delicacies,” said Julian, who is an environmental engineering student at University of Applied Science Weihenstephan, Triesdorf.

It is not just entrepreneurial skills that attracted the German students. “India is skilled in technology too, especially when it comes to web design,” said Julian Vortendieck, a business administration student from Friedrich-Alexander University, Nuernburg.

“I find the websites of Indian organizations more user-friendly and attractive,” Julian said. He feels that the Germans are very conventional when it comes to designing their websites, while in India, innovation is integral to design.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City> Coimbatore / by Adarsh Jain, TNN / September 08th, 2014

Battlefield to silver screen

Chennai :

Quibble Island’s been creating quite a scene for centuries now. In October 1746, it set the stage for the Battle of Adyar, which several historians believe is one of the most important in modern Indian history. In the battle, a small French force managed to defeat the 10,000-strong army of the Nawab of Arcot, proving not just the superiority of the French, but also how far military training can take an army.

Today, while Quibble Island cemetery hasn’t really been scripted into history books, it is certainly helping Tamil movie directors plot their scenes — a shootout spread across the 10,000 graves, a little body dumping perhaps behind the massive silk cotton tree or the ominous neem tree, a hero staring teary-eyed at the cross on his father’s tomb, or a hooded cobra popping out of a head-stone. According to caretaker Paul Raj, the last movie to be shot there was director Mysskin’s “Onaayum Aatukuttiyum”, which released in 2013. “There is another unit coming here sometime soon,” he says.

The Padmanabhan committee report, which documents historical buildings in Chennai, has categorized the cemetery as a grade 1 structure (meaning it is an important landmark of the city). It forms one of the three groups of cemeteries that grew on the outskirts of the city, all in the early 1900s. The first group had those attached to churches, the second were those that came up near Vepery and Purasawalkam, and third comprise Quibble, and the cemeteries at Kilpauk and Kasimode.

The cemetery, Raj explains, is split down the middle — since 2007, the left comes under the purview of the CSI Thomas English Church and the right is under control of the Santhome Basilica of the Roman Catholic Order.

“There is no more space in the cemetery and so the churches do not accept any ‘new’ burial applications. These are all family graves,” says Raj.

Apart from its rather romantic past as a battlefield, there is nothing very significant about the architecture here other than the typical exposed brick entrance gate with a pointed archway and rooms on either side. Definitely the most striking spot here — the centerpiece if you can call it that — is the tomb of the three children of William and Amelia Donahue, dating to between 1882 and 1885. The children who died a couple of years apart from each other, all of them between the ages of one and three. “I think there must have been a disease or a plague in those years, otherwise how would they all die,” explains Raj(he may be right too, considering small pox was rampant in India).

“Most cemeteries don’t come under the subject of archaeology because they are not that old. Also, a number of them are under private care,” says S Suresh, TN state convener, Indian National Trust for Art and Cultural Heritage (Intach). “But while in terms of architecture there may not be much to conserve, there is certainly a lot in terms of history,” says Suresh, adding that a national scheme to document tomb stones never kicked off.

“For instance, for decades historians searched for the grave of Robert Brucefoote in Chennai. It was finally recently discovered in Yercaud. It was just assumed that Brucefoote, a geologist who is considered the father of pre-historic archaeology in Chennai and whose discoveries are in the Egmore Museum, died here,” says Suresh. “Cemeteries are a link to history and can be marketed in terms of tourism. That in itself will ensure conservation.”

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City> Chennai / by Kamini Mathai, TNN / September 05th, 2014

Racing ahead

Alisha Abdullah is one of India's very few women bike racers. / by Special Arrangement / The Hindu
Alisha Abdullah is one of India’s very few women bike racers. / by Special Arrangement / The Hindu

Champion racer Alisha Abdullah is in top gear as she dons new roles

“The guys, after every race, used to put me down. I would be one among the last. They would tell me that I am a girl and that I couldn’t do it, say things like girls should get married. I took it up as a challenge. And with every race I worked hard and I improved my position,” says Alisha Abdullah. She went on to prove the ‘guys’ wrong.

One of India’s very few professional women bike racers Alisha inched her way up, competing with men, to be one among the best in the circuit. “Today guys come up to me asking me for tips for the track.” She is also a car racer. She recently won the Toyota Vios Cup, a street car race held in Thailand, where she competed with the best women racers in Asia. “These women are much stronger and tougher racers and I won competing against them.” She says over phone from Chennai where she is based. She said she is scheduled to visit the city for the inauguration of Lap 47, a performance studio for vehicles.

At a time when little girls dreamt of becoming princesses or at least a Miss Universe, Alisha was on the race track wanting to be a biker like her father, R.A. Abdullah, a seven-time national biking champion. Go-karting, bikes and car racing…the petite Alisha has done it all – won prizes and broken records. At 13 she won the national go-karting championship and the best Novice Award in the open class of Formula car racing. She was all of 15 when she got to bike racing.

It is not easy being a professional car or bike racer ‘irrespective of gender’, she says. “As a racer you have to extremely alert. There are many things you need to monitor – check if the RPM is going down or if there is some other suspicious blip and this at speeds exceeding 160 kmph.” A profession which demands physical and mental strength, it keeps her on her toes constantly. She works out intensely, “focussing on strength training than cardio. I never do any cardio. The physical demands of car and bike racing are different. For the former, neck and lower back are the areas of focus. And I train only with men because, I mean no offense, but their workouts are much more intense when compared to how women workout. I can do between 50 to 60 push-ups in a minute.”

With all talk of RPM, bikes, cars and racing tracks one would think this is all the 25 year-old does. She is consumed by it but there is more to her. She is a model and an actor too. She debuted in the recently released Tamil film Irumbu Kuthirai. She plays the villain’s (a biker) girlfriend. “The story was based on bike-racing and, like everything else in my life; I wanted to do a role different from the usual run-of-the-mill characters.” This was a guest role, soon she is to start shooting for a yet-to-be named project she is the lead actor, “I play a psycho.”

Any offers from the Malayalam film industry? “None yet!”

Films and racing, isn’t the plate loaded? “No. My role model is Danica Patrick, she is an actor and a car racer. She is married, has a family and multi-tasks. It’s not that I am doing a 100 things. Just two things and that’s fine.”

She is a car racer, model and actor, too. / by Special Arrangement / The Hindu
She is a car racer, model and actor, too. / by Special Arrangement / The Hindu

Films and modelling are an aside, her focus is racing. She plans to start an academy for racing for women at Chennai. Her dream is fuelled by a desire to see more women competing in motor sport. “There are so many talented sportswomen, but almost none in motorsport. I want to change that trend. And if a man wants to come he can come wearing a wig!” she signs off.

source:  http://www.thehindu.com / The Hindu / Home> Features> MetroPlus> Society / by Shilpa Nair Anand / August 31st, 2014

1,000th anniversary of coronation of Chola ruler begins in Thanjavur district

Trichy :

The 1,000th anniversary of the coronation of Chola ruler Rajendra Chola began at Gangaikondacholapuram in Thanjavur on Thursday in the presence of scholars from across the country.

The city is said to have been founded by King Rajendra Chola to commemorate his victory over the Pala dynasty. The city was founded by king Rajendra Chola to commemorate his victory over the Pala dynasty. The name means “the town of the chola who brought Ganga (water from Ganga) or who defeated (the kings near) Ganga.” It is now a small village that has totally gone dry.

The village’s past eminence is only remembered by the existence of the great Siva Temple. The entire temple resembles to that of the Big Temple in Thanjavur with a the statue of a huge Nandi in the front.

The majestic gopuram of the temple can be viewed from all sides of the village. The architecture and the engineering skills of Chola kings that are widely spoken about across the world still stand tall in this temple. Gangaikondacholapuram is among the three popular temples that was built by Chola rulers.

The other two temples are Big Temple in Thanjavur and Darasuram Shiva Temple in Kumbakonam. S Muthukumar, secretary of Indian National Trust For Art and Cultural Heritage (INTACH), said that as part of the celebrations, a procession of torch along with a bike rally will begin on Friday morning from the Big Temple to Gangai Konda Cholapuram with college students taking part in it.

He further added that among the three temple rulers, Rajendra Chola at Gangai Konda Cholapuram was the most powerful as his army is believed to have at least 1.7 million warriors.

source: http://www.timesofindia.indiatimes.com / The Times of India / Home> City> Trichy / TNN / July 25th, 2014

MADRAS 375 – The bakers of Bazaar Street

M Srinivasan, who runs Crown Bakery, at Mylapore in Chennai. Photo: R. Ravindran / The Hindu
M Srinivasan, who runs Crown Bakery, at Mylapore in Chennai. Photo: R. Ravindran / The Hindu

The quaint Crown Bakery on Bazaar Street, Mylapore is easy to miss. But just try their loaf of bread, and while at it, also find out the story behind the bakery; the taste and the tale are sure to captivate.

Established by one Kanthasamy Mudaliar in 1905, it is easily one of the oldest functioning bakeries in the city. But the family that runs the bakery is descended from Manickadevar, who used to help Kanthasamy Mudaliar at the bakery. “Kanthasamy Mudaliar literally adopted my father because he was without refuge as a three-year-old in Madras,” recalls M. Srinivasan, Manickadevar’s eldest son.

In 1943, amidst fears of Japanese bombing, Kanthasamy Mudaliar asked all the workers to return to their native places. “Everyone left, but my father had nowhere to go. He opted to stay on at the bakery. When the owner left, there was just a bag of flour and sugar. My father ran the bakery for two years until the owner returned. By then, Crown Bakery was well established and my father had stocked more than 20 bags of flours and several more bags of sugar.”

But as a loyal worker, Manickadevar returned the keys to the bakery to Kanthasamy Mudaliar and the latter’s family ran the bakery till the 1970s. But after Kanthasamy’s death, his widow decided to return to her native place. “On the day they left, after packing everything, she called my father just as we were about to head home,” Srinivasan says, his eyes welling up. “She gave him the keys to the bakery. His loyalty had been rewarded.”

Today, Crown Bakery operates on a very small scale. They just bake a few items fresh every day, opting to keep out artificial sweeteners. It is a matter of pride that keeps Srinivasan going against the odds, especially after his brother M. Sukumaran’s death last year.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Chennai> Madras 375 / by Karthik Subramanian / Chennai – August 27th, 2014