Category Archives: Arts, Culture & Entertainment

Chennai salutes martyred officer

Family members of Major Mukund Varadharajan at the function on Wednesday./ Photo: R Ravindran / The Hindu
Family members of Major Mukund Varadharajan at the function on Wednesday./ Photo: R Ravindran / The Hindu

At a function, a host of distinguished personalities paid their respects to Major Mukund Varadharajan

The Tapovan Hall at the Chinmaya heritage centre on Tuesday evening witnessed the city paying respects to a son who sacrificed his life safeguarding the boundaries of India.

Major Mukund Varadharajan (32) of the 44 Rashtriya Rifles was killed in an encounter with terrorists in Shopian district, South Kashmir, on April 25. Mukund, who hailed from Chennai, was cremated with full state honours.

A large section of people including former civil servants, military personnel, judges and other noted personalities gathered in the evening to commemorate the brave soldier from the city and honour his contributions to the country. Also present were his family members, including his young daughter.

Gita Menon of Chinmaya Mission began the tribute, saying “We bow to the proud son of India.” She went on to add that soldiers provide a sense of security to every citizen in the country.

Nonagenarian V. Kalyanam, who was the personal secretary of Mahatma Gandhi, was also present during the evening. In his brief words to the Major’s family, who were in the front row, he said the officer was a brave man and wished the family well.

“Brave men like Mukund give their today for our tomorrow,” stated retired Colonel David Devasahayam from the Indian Army, to the applause of those gathered in the auditorium. Retired IAS officers M G Devasahayam and Naresh Gupta also paid tributes.

Swami Mitrananda, acharya of Chinmaya Mission, Chennai, honoured the late Major’s family members with a memento towards the end of the evening which concluded with a mime titled Paapa by theatre artist Krishna Ganapathi. A video recording of tributes by personalities who couldn’t attend was also screened.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Chennai> Events / by Staff Reporter / Chennai – May 21st, 2014

Thanjavur Paintings of Later Maratha Period Discovered in Abandoned Temple

Pudukkottai :

An array of age-old Thanjavur paintings was found at an abandoned Ettukal Mandapam near Gandharvakkottai in the district by members of the District Science Forum.

According to Manikandan, a teacher at the Government Boys Higher Secondary School, Gandarvakkottai, and member of Tamil Nadu Science Forum, the paintings were found on the roof top of the Ettukal Mandapam located in the banks of Chettiyurani, a small irrigation tank, in Gandharvakkottai. He said the paintings were lying in a dilapidated state.

After finding the paintings, the team called on a famous artist S Kaliyaperumal here, to know its details. Kaliyaperumal told them that the paintings were of the later Maratha period. Artists had used bio-chemicals to give colour and shade to the paintings.

The members of the Science Forum urged the district administration to take decisive steps to protect the painting before it gets completely destroyed.

source: http://www.newindianexpress.com / The New Indian Express / Home> States> Tamil Nadu / by Express News Service / June 03rd, 2014

TIRUCHI: 10TH ANNVERSARY ISSUE – Cycling, samosas, Maaza… Anu Hasan’s memories of Tiruchi

 

Anu Hasan feels a part of her will always belong to her home city Tiruchi. / by Special Arrangement / The Hindu
Anu Hasan feels a part of her will always belong to her home city Tiruchi. / by Special Arrangement / The Hindu

 My memories of Tiruchi are a stream of pleasantly vague incidents interspersed with events of stark clarity.

I remember walking to Aruna Nagar to get the bus to school and stopping to catch butterflies on the way. My brother and I used to go to the same school for a very brief period. And I remember him walking too fast for me to keep up with him. But I was too proud to ask him to slow down and I would half run half walk behind him.

After a few years, I went back to studying at my old school – St Joseph’s Anglo Indian Girls Higher Secondary school…or convent as it was called then. I loved being back there.

I got my first cycle when I was in the 6th standard and my mother was upset that Visu maama who had gone with me to help choose the cycle had allowed me to buy one that was much too high for me. She later took back her words as my height shot up to 5 ft 7 inches.

I would cycle to school from Kumaran Nagar, past Bishop Heber College and Hostel, studiously ignoring the jeering calls from the boys. The climb up the bridge over Uyyakondaan Vaaykaal would get me out of breath but I would die before I admitted any such thing.

And then we would cross court and then cycle past Campion – another attempt at studiously ignoring the boys who stood outside the school while being acutely conscious of the fact that the July wind could whip my uniform skirt embarrassingly high at any moment if I weren’t careful enough. Half the time I cycled with one hand holding my skirt in place. It’s a wonder I didn’t fall off!

My days were filled with basketball and dance classes and samosas and Maaza (mango drink).

I remember practising basketball in YMCA and my parents coming to watch me. I remember my mother’s shock when some guy yelled out my name as we went past Bishop Heber. She looked at me in askance and I shrugged.

My school teachers who loved me and disciplined me and guided me and encouraged me … what would I have become without them … or should I say how much worse would I have been without their influence in my school life.

When I look back at those years gone by, I wish I could remember more but then I realise I remember that I was happy and that I had a great childhood…and after all that is all that matters isn’t it?

And now even though I live in the United Kingdom and have been to many parts of the world, in my heart, I am still the same small town girl.

I am from Tiruchi and a part of me will always belong there.

Tamil actress and TV anchor Anu Hasan (born Anuradha Chandrahasan) is currently based in the UK.

source: http://www.thehindu.com / The Hindu / Home> Features> MetroPlus / by Anu Hasan / Tiruchirapalli – may 20th, 2014

Shooting inside a Shaolin temple

Director Haricharan./ by Special Arrangement / The Hindu
Director Haricharan./ by Special Arrangement / The Hindu

Director S. Haricharan is in China to film the life of Bodhidharma, said to be a Tamil prince

“Is the blue-eyed barbarian, as he is referred to in Chinese texts, a myth or real?” asks film director S. Haricharan (Thoovaanam), who is in China on invitation to shoot a film on the life of Bodhidharma, the 28th Patriarch of Buddhism. “I consider this a rare privilege and an even greater honour that I have been given access to shoot inside the Shaolin temple at Mount Song in the Henan Province of China. It is probably the first time that a film director from Tamil Nadu will have access to shoot inside the Shaolin temple. It is even more gratifying that I will be shooting a film on the life of the great Bodhidharma who, according to many available records, was a Pallava prince born in Kanchipuram!” says Haricharan.

Haricharan in front of the Shaolin temple./ by Special Arrangement / The Hindu
Haricharan in front of the Shaolin temple./ by Special Arrangement / The Hindu

Prior to his visit to China, Haricharan went on a recce to Vaiyalur (Kanchipuram) to check out a culvert inscription available with A.S.I Chennai (provided by Dr. Maheshwari) that one Bodhivarman (a Pallava prince) did exist around the same period that Bodhidharma surfaced in China. “Did Bodhivarman, on embracing Buddhism and fearing persecution, flee from Kanchi via the Palar river to Mammalapuram and then board a ship to China? Did his father, the king, aid him in his efforts to leave Kanchi in search of a forefather who was already in China spreading Buddhism? There are many such unanswered questions. With hope in my heart and filled with pride and enthusiasm, I am on the way to China in an effort to try and unravel the mystery surrounding Bodhidharma,” says an excited Haricharan.

The director is accompanied by cinematographer Sharon and will be assisted by a Chinese crew while shooting at the Shaolin temple.

source: http://www.thehindu.com / The Hindu / Home> Features> Cinema Plus / by Nikhil Raghavan / Chennai – May 31st, 2014

Carnatic singer dead in Chennai

Jayalakshmi of the Radha-Jayalakshmi duo, whose timbre and ‘briga’-laden voice stood out in the worlds of Carnatic and film music, died on Monday. She was 82.

The Radha-Jayalakshmi duo came from the G.N. Balasubramaniam (G.N.B.) school of music and were trendsetters in the Carnatic music world after Brinda-Mukta of the Veena Dhanammal school of music.

Like the Alathur Brothers, Radha and Jayalakshmi were cousins. Jayalakshmi had her roots in Srirangam while Radha’s family hails from Chengalpattu. But they were born in Chennai and both of them grew up together in the city. They started giving performances from the age of 14.

T.R. Balasubramaniam, one of the primary disciples of G.N.B., was their teacher.

“But they would often visit G.N.B. and get their lessons corrected by him,” said Jayalakshmi’s sister Champakalakshmi.

After listening to them singing for All India Radio (AIR), recording companies made a beeline to release their songs rendered in a unique style, but immersed deeply in the classical tradition.

A listener of Carnatic music of the bygone era could clearly notice the perceptible difference in the singing style of the duo, in all popular songs.

Jayalakshmi rendered a lot of semi-classical songs in films, for music directors including S.V. Venkatraman, K.V. Mahadevan, S.M. Subbaiah Naidu and Kunnakudi Vaidhyanathan. Her solo song, ‘Manamey Muruganin Mayilvahanam’, and the duet with Radha, ‘Thiruchenduril Porpurinthu’, continue to enthral lovers of semi-classical songs.

source: http://www.thehindu.com / The Hindu / Home> News> Cities / by Special Correspondent / Chennai – May 28th, 2014

62nd Annual Film Fans’ Assn Awards Presented

Chennai :

The 62nd annual awards function of the Film Fans’ Association turned out a mediocre affair as the glitz, glamour and hype that filmdom is known for were missing.

A few shining stars in this galaxy turned up to receive their awards at the Kamaraj Arangam recently.

Among those who made it to the occasion were Premgi Amaren, who received the award for his lesser known role of a music director for the film Ennamo Nadakkudhu, accompanied by Vijay Vasanth, hero of the film, who received an award for his rising status as an upcoming actor.

Leggy lass Dhansika of Paradesi fame received an award for her role in the film.

‘Power Star’ Srinivasan was seen with his trademark smile, obliging the starstruck fans who sought him out for autographs and photographs. He was recognised for his role in Kanna Laddu Thinga Aasaiya with an award.

A trickle of lesser known but rising stars from the film and television scene came in to pick up their trophies.

Music director Shankar Ganesh gave away the awards in the presence of R Vijayabose, executive committee member, Film Fans’ Association, G Purushotham, honorary general secretary, and other members of the Association.

Light music and dance performances by youngsters kept the audience entertained throughout the evening.

source: http://www.newindianexpress.com / The New Indian Express / Home> Cities> Chennai / by Express News Service / May 26th, 2014

A Kumbakonam Affair to Remember

KumbakonamCF29may2014

Chennai :

Men in veshtis welcome us at the Mylai Maami Samayal food festival at Deccan Plaza. Huge banners of  traditional kolams, bharatanatyam poses and auspicious mud pots hug the walls. On one corner we see bharanis of pickles arranged much like the kolu set up, and on the other corner a dosa and neiappam counter.

Prema maami, the chef behind the 45 varieties of dishes that the festival menu boasts of, pours dosa maavu on the pan to make a perfect circle. In no time, it looks like a mild gold sheet of cotton. Soft podi dosas pile up on the plate. After it makes its way around the restaurant, the plate is empty. She repeats the process again. “This was my idea, to make hot dosas for customers,” says maami, adjusting her red madisar sari.

Everything, from the traditional Kumbakonam special vendakka mor kuzhambu to ragi payasam in the menu, has been prepared by her. She enters the kitchen early each morning, and gets the dishes ready by service time, 7 pm. A handful of chefs assist her with moving heavy vessels, but otherwise she does all the cooking by herself. Don’t you get tired putting all this together yourself? we ask. She just smiles, and finding out she started cooking when she was just a child, poured over the authentic Kumbakonam recipes, followed by working as a chef in Dubai, New Jersey and Muscat, and later started a catering service of her own,  we understand why.

While our plates gradually fill up with podi rice, keerai kootu and vazhapoo usili, she prompts us to try everything else. “Rasavangi is a special Kumbakonam dish, so is akkaravadisal among the sweet dishes,” she says. We learn that mor kali, a  blend of buttermilk and rice flour, should be accompanied with vetha kozhambu, and panagam, a brown drink tasting of ginger and jaggery, that is the best for digestion. “No panneer, cauliflower, mushrooms or lettuce, if you are searching for it. It is not part of the authentic menu,” maami explains. But one glance at the buffet, and there’s no room for disappointment. Maami’s hospitality as she points a finger at the other options (how about Paruppu podi or vepillakatti?) makes us feel  at home, quite like the flavours in her cooking.

“And all this has been cooked without any onion or garlic,” she saves this important fact for the end. Maami adds, “Most people in the North think that South Indian food lacks flavour without these ingredients. What do you think?” A satisfied burp will have to suffice in response.

The festival is on at Deccan Plaza, Royapettah till June 1. Contact 98849 32022  or   044  6677 3333.

source: http://www.newindianexpress.com / The New Indian Express / Home> Cities> Chennai / by Naveena Vijayan / May 29th, 2014

Attakatti wildlife interpretation centre a hit with tourists, public

The wildlife interpretation centre established recently at Attakatti by the Anamalai Tiger Reserve (ATR) has proved to be a major hit with tourists and the public.

For, contributions from amateur photographers and the public comprise a majority of the 100-odd photo exhibits on display at the centre, which is intended to highlight the role played by various animals, mammals, reptiles, amphibians and other creatures in maintaining the ecosystem.

“More people are now coming forward to give photographs for the centre and we give credit to all contributors. All the exhibits are accompanied by written explanations, in English and Tamil,” says Rajiv K. Srivastava, Field Director and Chief Conservator of Forests, ATR.

The centre gets around 150 visitors a day, the number nearly doubles during weekends and holidays. Tourists can easily access this centre as it is located right on the main road to Valparai, in the vicinity of a check post.

The ATR is planning to show documentaries, focussing not only on the tiger reserve but also on wildlife in general. It will be an educational experience for the public, he adds.

Eco-shop

Further, he says the ATR has also helped open an eco-shop and eco-snacks centre, run by women from the tribal communities, on the same premises.

Operated by the Eco-Development Committee of Poonathi tribal settlement, two women are employed in each of these shops. The eco-shop features eucalyptus oil, tea powder and souvenirs made by the tribal community.

“We are enhancing the lives of those residing in the tribal settlement through such initiatives that provide a livelihood. As this place attracted tourists round the year, the shops have a steady inflow of customers,” says Mr. Srivastava.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Coimbatore / by R. Sairam /  Coimbatore – May 27th, 2014

When Pudukottai was a perfect host

Donors and rulers built several choultries for travellers and livestock in Pudukottai district. — FILE PHOTO / The Hindu
Donors and rulers built several choultries for travellers and livestock in Pudukottai district. — FILE PHOTO / The Hindu

The region is dotted with several choultries

The district accounts for a large number of choultries (community halls) built during the Samasthanam era which were built by donors and rulers for ensuring comfortable stay for passengers, bulls, and carts. Many of these choultries are now in a dilapidated condition.

These choultries are a reflection of the hoary past and reveal interesting information, says N. Arul Murugan, Chief Educational Officer, who has done a study on these ancient buildings.

Grand buildings on the lines of the present-day guest houses have been built during the “samasthanam” era in the district, he says. A large number of British officers and sepoys who were visiting Madurai or Thanjavur had used these choultries often as they kept visiting these towns. These choultries can be found in Adhanakottai, Narthamalai, and Mirattunilai villages. “The location of these choultries had been recorded in A Manual of the Pudukkottai State”, he added.

The study brought to light the fact that the old highway route had changed over the decades following the formation of new rural roads or State highways.

The choultries are a mark of the old routes and provide information about donors from outside Pudukottai district.

For instance, one of the donors from Thanjavur had built a choultry at Mazhaiyur village in 1806. At Kuzhaiayn Viduthi, the choultry dates back to 1763, according to the study.

Mr. Arul Murugan points out that a village panchayat, Chinnaiah chathiram has now been named after its donor Rajasri Chinnadurai Tirumalaiyappan Thondaiman who built it in 1788.

A number of choultries could be located in other villages such as Mullur, Vadavalam, and Varappur, according to historical data available in the samasthanam records.

source: http://www.thehindu.com / The Hindu / Home> News> National> Tamil Nadu / by Special Correspondent / Pudukottai – May 20th, 2014

Fort City Fondly Remembers CMC Founder on Death Anniversary

Tributes being paid to Dr Ida Scudder at her tomb in Vellore on Saturday | express
Tributes being paid to Dr Ida Scudder at her tomb in Vellore on Saturday | express

Vellore :

Dr Ida Scudder, founder of the Christian Medical College (CMC) here, was remembered on her 54th death anniversary on Saturday. M Gunaseakaran, head of the NGO ‘Dr Ida Anbukarangal’ paid tributes at her cemetery.

The idea of establishing the hospital was conceived in 1890 when Ida had come from the US to Vellore to help her missionary parents. She was requested by three men to help their wives who were in labour pain. Young Ida not being a doctor then, was afraid and reluctant to offer help, following which all three women died. The incident changed her views and inspired her to take up gynaecology as a profession. Ida died a spinster aged 90 in 1960.

The hospital was established in 1900 as a single-bed dispensary with the help of a grant from New York-based banker Schell. In 1903, Ida began training several compounders and six years later in 1909, she started the School of Nursing. Her most treasured dream was realised when a medical school for women was started in 1918, which trained licentiates in medicine and through her efforts  it became a Medical College in 1942.

Today, the college offers 85 recognised training programmes in medicine, nursing and allied health fields. Now, the hospital is a 2,500-bed super-specialty facility attracting patients from all over.

source: http://www.newindianexpress.com / The New Indian Express / Home> States> Tamil Nadu / by Express News Service / May 25th, 2014