Category Archives: Business & Economy

The difficult garment

For the right fit Swaroopa Muthusivan of Tamarai Design Studio
For the right fit Swaroopa Muthusivan of Tamarai Design Studio

For all those tormented by ill-fitting blouses, Ravikkai offers hope

Swaroopa Muthusivan calls her line of blouses ‘Ravikkai’. And one has heard rave reviews from friends about the comfortable blouses she designs for them. A sari wearer knows how tiresome an ill-fitting blouse can be. One hitches, pulls down, tugs up and finally in despair draws the pallu right around to hide the offending garment. Just when I toy about ditching blouses in favour of tee shirts, I hear of Swaroopa.

I WhatsApp her an image of a simple, elegant and, importantly, not one of those skin-tight affairs. “Want one exactly like this one,” I text. “I get what you are looking for. It looks very comfortable and I can make a similar one for you,” she promises.

A blur of blouses at Tamarai Design Studio
A blur of blouses at Tamarai Design Studio

I show up at Tamarai, Swaroopa’s boutique in Coimbatore to be greeted by a blur of blouses! They hang in orderly rows, lie in piles on the counter top and on the floor where her team is putting finishing touches to them. “We are sorting them out for the exhibition in Bengaluru and Coimbatore,” she explains.

Her love for fabrics and tailoring goes back to when she was Std III. “During vacations, my mother took me along when she went to learn tailoring. As her teacher gave detailed instructions about how to fold the fabric, cut the neck, the armhole, etc. I hung on to every word.” Swaroopa loved these outings. She collected the scraps of material lying about, took them home and made clothes for her dolls following the teacher’s directions. When she was a little older and her mother brought a Singer sewing machine home, one of the first things she did was to de-construct a blouse. “I took it apart and then sewed it on together again,” she laughs.

The Ravikkai line hopes to end the less-than-perfect blouse problem once and for all. And to give old saris a new lease of life. “Just changing the blouse lends the sari a new look. So bring out all those wedding, valagappu and old Deepavali saris that are buried in the back of the cupboard and give them a makeover,” she says.

For the exhibition, Swaroopa has designed ready-made blouses to fit sizes 30 to 38 ranging from no-nonsense everyday wear to whimsical. “I have combined textures and embellishments. Each of my blouses is one of a kind. I do not mass produce.”

The blouses are embroidered (both hand and machine done), have frills and furbelows, decorative buttons, painted motifs and appliqué work. Chungdi, Ajrakh, Kalamkari… there are blouses in cotton, silk, in velvet and jute. Every kind of Indian fabric is experimented with and the results are dramatic.

Swaroopa also has semi-stitched blouses that need but a few minutes to become ready-to-wear.

The Ravikkai exhibition

What: The blouses are priced between ₹1, 200 and ₹10, 000. Gift vouchers are also available

When: October 2 to 9; from 11.00 am to 7.00 pm

Where: Tamarai Design Studio, 17, Sivaram Nagar, Sungam By pass

Contact: For more details, +91-9655793268; email tamarai.designstudio@gmail.com or visit www.facebook.com/TamaraiDesignStudio/

source: http://www.thehindu.com / The Hindu / Home> Life & Style> Fashion / by Pankaja Srinivasan / September 29th, 2018

Flowers bloom in the Cauvery delta rice belt

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Mannargudi farmer shows an alternative to water-intensive crops

When K. Marimuthu decided to cultivate yellow marigold, a flower in demand for garland-making, instead of paddy in Mannargudi, situated in the Cauvery delta rice belt, other farmers warned that he was taking a risk.

“But I proved them wrong. I have harvested eight tonnes [of marigold] even though those who supplied the saplings predicted that the yield would be between three and five tonnes,” said Mr. Marimuthu, who has already started experimenting with cultivation of other flowers, including kozhikondai poo (hen’s horn flower), jasmine and sambanki (Magnolia champaca).

Garland-makers in Mannargudi regularly buy flowers from Thanjavur and Tiruchi. Mr. Marimuthu’s experiment fulfils local needs and the money needed for transportation is saved.

He also opted for drip irrigation and, in the process, saved about 80% of the water that would have been required for paddy cultivation. “The profit is also very high. I would have earned a maximum ₹20,000 per acre [cultivating paddy]. Marigold has so far earned me ₹1.5 lakh, after all the expenses, including labour, pesticides and fertilizers,” said Mr. Marimuthu, who buys saplings and manure from farmers in Hosur.

He planted 25-day-old plants and the yield began from the 60th day. Though marigold continues to yield for 120 days, he was able to extend flowering up to 145 days. “The only problem will be rain. We can save the saplings by giving them support, but flowers will not tolerate heavy rain. We will learn the art of floriculture through experiments,” he said, adding that a few farmers had already taken a cue from him and begun cultivating flowers.

Mannargudi MLA T.R.B. Raja, who has been advocating the idea of switching to alternative and less water-intensive crops, agreed.

Roping in experts

“Forget Cauvery water. Climate change is a major factor. Heavy dependency on water is not possible,” said Mr. Raja, who had already consulted experts from Israel and is planning to rope in their expertise in a big way.

He said there was a need to change the mindset of the people and farmers in the Needlamangalam area, who had successfully cultivated cotton crop, even though the workforce for plucking wasn’t adequate.

Reiterating that “precision farming” was the way forward, he said farmers who cultivated paddy in the Kovilveni area were waiting for the government to open procurement centres, and gradually fell prey to middlemen. “Heavy use of fertilizers for paddy has already killed the soil. Let us opt for alternative crops like millets, cotton and flowers. They will help replenish the soil,” he said.

source: http://www.thehindu.com / The Hindu / Home> News> States> Tamil Nadu/ by B. Kolappan / Chennai – September 05th, 2018

Chennai Central gets a green tag

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The railway station has incorporated several eco-friendly concepts, says Southern Railways GM

The iconic brick red structure that the Chennai Central railway station is, now has a ‘green certification’ With this, the railway station becomes the first station in Southern Railway to be awarded Green Building Certification.

The Indian Green Building Council (IGBC), instituted by the Confederation of Indian Industry, awarded the certificate during the Railway Swachchta programme at the Chennai Central railway station on Saturday.

Speaking at the programme, Southern Railway General Manager R.K. Kulshrestha said the green building rating for the railway station was given after it incorporated several concepts and features which the rating requires.

C.N. Raghavendran, chairman, IGBC Chennai Chapter, presented the IGBC plaque and certificate to Mr. Kulshrestha. Naveen Gulati, Divisional Railway Manager, Chennai division, was present at the function.

The IGBC, after evaluating the green features implemented in the railway station, awarded the certificate.

The railway green building projects include facilities like 100% LED lighting fixtures, installation of 5-star rated fans, solar energy, solar water heaters and segregation of waste at source along with waste recycling.

The Southern Railway has also improved the passenger amenities by creating separate pick-up and drop points, seating arrangements, waiting hall, pay-and-use toilets, air-conditioned dormitory, emergency medical care facility, and trolley-based luggage assistants.

The railway station also has smart passenger’s information systems and services. IGBC is working with 40 other stations in Indian Railways for the certification.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Chennai / by Special Correspondent / Chennai – September 16th, 2018

Korean beauty unwrapped

K-Beauty comes to Chennai in the country’s first ever BeautyCon

If your skincare regimen is incomplete without sheet masks, snail cream or green tea serum, and your make-up table is littered with cosmetics in adorable packaging, you are probably familiar with the cult phenomenon that is K Beauty. The trend is not new in India, gaining traction since 2015 through niche audiences. Now, it is very much part of the mainstream: earlier this year, the addition of brands like Innisfree and The Face Shop resulted in a 15% increase in skin care sales on Nykaa, an online beauty retailer.

These South East Asian products will be the focus of India’s first K BeautyCon, to be held in Chennai starting September 20. The original BeautyCon, which is annually held in Los Angeles, New York and London, has been described as “Sephora meets Coachella” — basically, a two-day experiential trade show with more than 200 brands and tens of thousands of visitors. While we are yet to host one of these, this seems like a good place to start.

“Most Korean brands are familiar with the Chennai market. They say that a large portion of their Indian sales come from here,” marvels Nitesh Rohit, founder of K-BeautyCon. This is not surprising to those familiar with the city’s demographic — we are, after all, home to the largest Korean expat population in India, thanks to Korean conglomerates, such as Samsung, LG, Kotra, Lotte and Hyundai, which have operations here. “Several products that are not yet marketed in the country will be featured — like Coony, KeKei, Lock, KLAIRS and Limese,” he adds.

If you want to experiment with the products, but do not know where to start, head to the masterclass by Cosrx. Makeup is more up your alley? Rosario Belmonte, a Milan and India-based artist, will show you the ropes. For those who know their cushion compacts from their powder cleanser, there will be a chance to show off your knowledge in quizzes. In addition to panel discussions on fashion blogging, there will also be fun activities that involve glamming up your BFF or significant other. And if you want to try new brands and put into action the tips and tricks from experts, head to the pop-up stores. To add to the experience, K-Pop band Namu will also perform at the mall next Saturday. Get ready to put your best KBeauty face forward!

K-BeautyCon takes place from September 20 to 21, from 3 pm to 7 pm, at Palladium, Velachery. Free entry.

source: http://www.thehindu.com / The Hindu / Home> Life & Style> Fashion / by Susanna Myrtle Lazarus / September 14th, 2018

Bridging experiences: Chennai’s TEDxNapierBridge

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Smart city, music, art — Eight change-makers will share their inspiring stories at TEDxNapierBridge in Museum Theatre on September 16

What is common between music composer Santhosh Narayanan, Chennai Smart City Limited (CSCL) CEO Raj Cherubal and creative director Bharadwaj Sundar? “All our speakers are looking for a way to shake up the status quo and flip perspectives,” says Shyam Sundar, licensee of TEDxNapierBridge, that will be inviting eight change-makers to share their journeys at the Museum Theatre on September 16.

Chennai-based artist CP Krishnapriya is one of the speakers, whose talk will focus on challenging conventional perspectives on art. “Art deserves a place in our everyday lives. But when you sideline art in traditional education, it becomes accessible to only a few,” says Krishnapriya. “People assume that art has just an ornamental value, and is consumed by only a few who are generally the cream of the crop.”

Through her various projects, Krishnapriya hopes to upend this narrative. “For the Kochi Biennale of 2016-17, our project was about labour, a subject matter people don’t normally associate with high art,” she says.

Bharadwaj will also be talking along similar lines, having worked on projects such as ‘Dark is Divine’ (with photographer Naresh Nil) that questioned the country’s fixation with fairness. Another one of his works, ‘60 Jobs, 60 seconds’ that released on Labour Day, was a tribute to the working class, documenting jobs that are not normally spoken about.

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On the other hand, there is Raj Cherubal who believes that large-scale changes happen through seemingly basic contributions by an individual of the society. Cherubal, who is responsible for making Chennai a smart city, says, “When you mention smart city, people think it has to do with high-tech computers and sensors. No, it’s about getting the basics right first — reducing pollution, ensuring clean water supply, traffic management and so on. Technology is just the tool to get these done,” he says.

Raj’s talk will attempt to demystify the concept of smart cities, explain why it is a good remedy for the issues plaguing most areas, and how people can contribute towards it. Raj and his team have already started the implementation of previously stagnant projects such as the pedestrian plaza in T Nagar, bettering parking management, introducing 28 smart classrooms and restoring 120 water bodies. “For these projects, we work with NGOs as well, so we need volunteers who are willing to get their hands dirty, and people who can provide their technological expertise,” he says.

Clock collector Robert Kennedy will be showing how change that is extremely personal can still impact the entire society.

“I have decided that all the 2200 wind-up clocks in my collection will not go to my children, as is generally the norm. I want to open up a trust museum so that it is for the public to view,” he says.

Robert’s collection is famous for its tremendous history; the oldest being a 285-year-old clock crafted by the official clockmaker of Napoleon III. “I have never bought a single clock from an antique trader, only from second-hand shops,” he insists.

“We have curated the speaker list to be as diverse as possible,” says Shyam. “We want that diversity to be reflected in the audience as well. So we have teamed up with an NGO to sponsor tickets for transgender persons,” he adds. “Our name itself — TEDxNapierBridge — is based on the bridge that acts as a link between North and Central Chennai. Similarly, we want to connect everyone in Chennai.”

TEDxNapierBridge will be held at Museum Theatre, Egmore on September 16 from 2.30 pm.

source: http://www.thehindu.com / The Hindu / Home> Society / by Sweta Akundi / September 10th, 2018

Sankara Nethralaya turns 40

Sankara Nethralaya was established with a vision to serve society, veteran dancer Padma Subrahmanyam said here on Thursday.

Speaking at the 40th anniversary celebrations of the institution, she said it is hard to find someone like S.S. Badrinath, founder of Sankara Nethralaya, who cares so much for his patients.

“It is such a rare quality and everyone needs to emulate it. He was extremely lucky and blessed to operate on Kanchi Paramacharya,” she said.

The pontiff of Kanchi Kamakoti Peetam, Sri Sankara Vijayendra Saraswathi, said poor people benefited from the institution.

A theme song for Sankara Nethralaya, composed by musician Dakshin, was released.

T.S. Surendra, vice-chairman, Sankara Nethralaya, also spoke.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Chennai / by Staff Reporter / Chennai – September 07th, 2018

All about the ayirai meen

SQUIGGLY DELICACY: The ayirai fish is usually sold in padi, a Tamil unit of measurement | Photo Credit: Special Arrangement
SQUIGGLY DELICACY: The ayirai fish is usually sold in padi, a Tamil unit of measurement | Photo Credit: Special Arrangement

A Tamil Nadu favourite, the native fresh-water fish has become rarer to find with the drying of the Vaigai river

At 7 am, inside Madurai’s Nelpettai fish market, 75-year-old K Bose sits on a cemented platform with two big aluminium basins in front of him. As he uncovers them, customers eagerly peek in. Inside the water-filled containers, a school of alive and active Ayirai fish (Lepidocephalichthys thermalis, also called common spiny loach) swim restlessly.

As the old man carefully ploughs a plastic bowl into the vessel, the jiggly squiggly mass of the worm-like fish lash their tiny fins and gambol around, some hopping out onto the floor, twitching for breath before being caught and let back into the water. “The major catch comes in from the Papanasam dam, apart from irrigation tanks in Cauvery Delta region. However, the ayirai from the Vaigai river and the ponds of the Sivanganga and Ramnad districts are considered the tastiest,” says Bose, who brings around 10 to 12 kilos of loaches every day from the town of Tirupuvanam.

“Ever since the Vaigai dried up, there’s been no ayirai fish in our meal,” says M Shenbaga, an expert home-cook. She recalls catching the fish in the Vaigai at Manamadurai in the ’70s, when the river was still flowing.

Ayirai Meen Kozhambu, signature dish of Amma Mess in Madurai. Photo: R. Ashok | Photo Credit: R_ASHOK
Ayirai Meen Kozhambu, signature dish of Amma Mess in Madurai. Photo: R. Ashok | Photo Credit: R_ASHOK

“During summers, the water levels in the river would go down and we used to set up a panai pari (a pot made of clay or bamboo that’s tied upstream, so that the loaches that swim against the current are caught in it) and by the evening, we’d take home a potful of ayirai fish.”

The fast dwindling population and the growing demand has made ayirai a pricey delicacy. “There are lots of specialities to this small fish, including the peculiar flavour and taste. Since, they live in the marshy bed of rivers, ponds and lakes, they are rich in mineral and the taste differs according to the soil type. It’s probably the only fresh-water fish that’s sold in padi (a Tamil unit of measurement) and not kilograms. They can live for days in containers if the water is changed daily,” says Bose.

Harvesting ayirai fish   | Photo Credit: Special Arrangement
Harvesting ayirai fish | Photo Credit: Special Arrangement

One padi of the fish equals to about 1.25 kilograms and is sold at ₹3,000 at the Nelpettai market. S Sumathi of Amma Mess, buys about three kilos every day. The Amma Mess’ ayirai meen kozhambu is a brand in itself, without which Madurai’s food scene is incomplete.

“Our restaurant is often visited by celebrities, including politicians and film stars, and they never miss the ayirai curry. It’s a favourite of poet Vairamuthu,” beams Sumathi, who learnt the recipe from her mother-in-law. “Since, there’s no business of weeding out bones, it’s easier to eat for kids and old people, and is also a rich source of calcium.” The fish lends its unique muddy flavour to the curry and that gives the kick. With spicy reddish oil films floating on the top, the curry is thick and is typically eaten for lunch, mixed with white rice.

Ayirai is always bought alive and is a robust fish that doesn’t die so fast. As part of cleaning before cooking, the fish is let to swim in either coconut milk or butter milk. As the fish thrives in the bottom of water bodies, they tend to have mud sediment in their mouth, which is removed when put in milk,” explains Shenbaga.

“Loaches are difficult to culture artificially. So far, there’s been only one instance of success where a fish farmer named Pugazhendi from Vaduvur in Thanjavur district has been able to raise ayirai as an inter-crop in ponds, along with keluthi and catla fish,” says K Karal Marx, Dean, Institute of Post Graduate Studies, Tamil Nadu Fisheries University, Chennai OMR Campus.

“Much needs to be researched on reviving the population of ayirai. Given the various unique features of the fish and their strong cultural connection to the State, we have given a proposal to the government from the Fisheries University to make it the State fish of Tamil Nadu.”

source: http://www.thehindu.com / The Hindu / Home> Life & Style> Food / Madurai – September 03rd, 2018

The women behind Metro tunnels

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Engineers recall the host of challenges and the thrill when the breakthrough was achieved

A bunch of vibrant young women engineers tirelessly worked underground to create the tunnels for Chennai Metro Rail.

The youngest, 24-year-old Shrinidhi Vijayakumar, says she was charmed at first sight, looking at the giant tunnels of the Delhi Metro Rail when she interned there as a student. Soon, she was drawn to working for the Chennai Metro Rail project and was thoroughly fascinated.

“For an engineer, one of the most emotional moments is witnessing a breakthrough of a tunnel boring machine (TBM), wherein the machine bores the earth and reaches a station. You work with several challenging geological conditions and mostly these are unpredictable. So, when you overcome all that and witness a tunnel being created, you feel so proud,” she says.

Carrying out every task underneath means dealing with a host of challenges, from checking soil conditions to ensuring that the cables and wires are not snapped, the women say.

Chilling experience

Her colleague, Bharathi P.M., 27, an expert in laying tracks in tunnels, was recruited after a special course sponsored by Chennai Metro Rail at IIT Madras.

She recollects a chilling experience when she walked in the tunnels alone during the floods of December 2015.

It was the time when Chennai Metro Rail tunnels contributed to carrying water to several areas and exacerbated the floods.

“I had to go on an inspection. There was quite a lot of water in the tunnel. After a point, I was petrified,” she adds.

Not just tunnels, constructing a station structure below the ground was tough too.

K. Yogambal, 33, says she began her career in constructing buildings on the ground.

“Then when I started going underground for station construction, I was thrilled beyond words,” she says.

E. Brigita, a 29-year-old engineer who has been with Chennai Metro Rail for seven years now, scrutinises contracts and goes underground to check the progress of the work.

“After years of work, when we finally saw the train zip through the underground tunnels for the first time and heard the public cheer, we felt it was all worth it,” she says.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Chennai / by Sunitha Sekar / Chennai – September 03rd, 2018

Bottled art

There is a lot of creativity hiding in empty glass bottles

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When it comes to glass, metal and plastic bottles, most of those gripped by the idea of converting waste into new products would rather recycle than upcycle. In the process, they miss out on the opportunity to create irresisitible objects d’art . The walls of Paromita Bose’s apartment at Rani Meyammai Towers display the potential for creative expression contained in empty and discarded bottles.

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Paromita uses art and craft to upcycle these bottles and she believes that with a bit of patience and the right materials, anyone can master this art. She shares her methods.

1. The collection

Wine and perfume bottles, cookie and pickle jars, plastic or metal containers and lids, M-seal, glue and paint (enamel or acrylic), marbles, and any other decorative items.

2. The preparation

Before painting on the bottles and containers, wash them up. As she some bottles from scrap dealers, Paromita cleans them with vinegar and water and keeps them inverted for them to dry completely.

3. The precaution

Enamel or acrylic paint can be used. A word of caution: While using enamel paint, the painter has to wear a mask to avoid inhaling fumes.

4. Two samples

a) For art neophytes, she has an advice: “Just paint, and a pattern will emerge.” She has a set of Keventer’s milk shake bottles to illustrate this. It is characterised by painting in enamel that is abstract but simple. b) Sticking beautiful objects to cut bottles using M-seal or any other suitable glue. The bottles have to be cut with the help of a professional glass-cutter. In a cut wine bottle, Parmomita has stuck marbles and two figurines.

5. The finish

Once you have painted on the bottles, let them dry. If you use enamel paint, it will take about five days to dry and acrylic paint will dry in a day.

6. The collection

There are many uses for these painted bottles, which include having them around as flower vases, candles, lamps, personalised candy jars, paperweights, wall hangings and flower and plant pots.

A QUICK TIP:

Choose your colours and design. If you are a first-timer, it might be best to practice on paper first because drawing on glass may not be easy for a beginner.

For details, contact Paromita at 044-43033251 or 044-408083

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Chennai / by Sofia Juliet R / August 31st, 2018

Swelect uses sun, air to make drinking water

Coimbatore 21/10/2012. A one megawatt scale grid-connected solar power plant commissioned by Swelect Energy Systems Limited under REC scheme at Kuppaepalayam near Coimbatore. The solar arrays are ground mounted with light sensing tracking systems for increasing output. Photo:K.Ananthan. | Photo Credit: K_Ananthan
Coimbatore 21/10/2012. A one megawatt scale grid-connected solar power plant commissioned by Swelect Energy Systems Limited under REC scheme at Kuppaepalayam near Coimbatore. The solar arrays are ground mounted with light sensing tracking systems for increasing output.
Photo:K.Ananthan. | Photo Credit: K_Ananthan

Tastes better than bottled water: firm

Swelect Energy Systems Ltd. (formerly known as Numeric Power Systems Ltd.) has unveiled ‘Source,’ a hydro (solar) panel to provide pure drinking water using sunlight and air, said a top official.

“For this, we have partnered with U.S.-based Zero Mass Water,” said R. Chellappan, managing director, Swelect Energy Systems Ltd. “By using hydropanels, we are eliminating plastic and water waste of bottled and filtered water.”

Source is a combination of solar PV (photovolatic), material science and other technologies. It is a standalone product and can work anywhere — on top of the building or on the ground. It can be installed immediately. It doesn’t require any electrical input.

Absorbing water vapour

He said water vapour from air is drawn into Source through fans, following which special materials absorb the water. The vapour is collected as the air flow passes through a condenser, then flows into a reservoir where it is mineralised with calcium and magnesium. Water is pumped through a polishing cartridge before being delivered to a dispenser. “The water will taste better than bottled water and the total cost of ownership will be cheaper when compared with bottled water,” he said.

The price per panel will be ₹2 lakh and it will generate up to five litres of water per day depending on humidity and sunlight, he said. The panel would last for about 15 years. There is also a storing facility underneath a panel that can hold 30 litres.

“The product is very similar to solar PV. It is scalable and we can do one panel per home to 100 panels for a village,” said Robert Bartrop, executive vice-president– business development, Zero Mass Water.

Swelect plans to sell Source panels to government-run programmes on water, retail and institutional markets through its network of channel partners. The company will target primary health centres, schools, large villas, resorts and water-starved places.

source: http://www.thehindu.com / The Hindu / Home> Business> India / by N. Anand / Chennai – July 30th, 2018