Category Archives: Records, All

Treasures lost in time: antique collector gives us a sneak peek

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How many men does it take to wind 2,200 clocks? A single, if slightly obsessed, one. Peek into Robert Kennedy’s collection of antiques

It’s like a dream, an abstract painting. Clocks are all but spilling out of Robert Kennedy’s compact two-room flat, when he opens the door to a rush of woody scent. On the back of the door, barely visible behind the weights of pendulums, is a poster that reads, “There is never a wrong time to do the right thing”. It’s a philosophy Robert lives by: he’s spent the majority of his 55-year-old life — in between vacations, during work trips, Sundays — roaming about in scrap shops hoping to finding a clock or two.

We sit on the only two chairs in the room, with the faces of each of Robert’s 2,200 clocks staring down at us from the walls. “This one is French,” he says, pointing to an ornate golden brown one. “It was made by Constantine Ditoche, one of the finest clockmakers of France during Napoleon III’s reign.” Robert chanced upon this clock at the house of a Frenchman in Puducherry when he was 24. “He wouldn’t even let me touch it. But when I showed him my own budding collection, he was impressed. He gave that clock to me for ₹1,000,” he says. Today, the clock is worth lakhs.

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Rich man’s hobby

Robert, who has been collecting watches since he was 17, is full of stories like these. “You point to any clock and I’ll tell you the story behind it. They’re like my babies.” His fascination began with his grandfather’s Ansonia clock, given to him by the British, that had a red hand for the date — unusual for that time. “My father would always tell me stories about how people would come to our house to see the clock,” he says.

Soon enough, young Robert, growing up in small town Nagercoil, took pride in his possession and wanted more of it. “I collect clocks because they feel alive to me. I can make them run.”

As if to prove his point, he takes me to a 1910 German clock and gives it a half-wind, turning the minute hand that chimes at every quarter. Robert sings in tune along with it, “1, 2, 3, 4…” counting the notes. “When the pendulums were first invented, they didn’t think of adding chimes. Like this one,” he says, pointing to a 280-year-old clock from London, his oldest. Other clocks in his collection include balance wheel marine clocks, weighted wall clocks and the grandfather of flip clocks — Plato clocks.

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Antique collection need not be just a rich man’s hobby — Robert is a stellar example. “I found most of my clocks going through scrap and second-hand shops across India,” he says. “So I generally make blind purchases, led only by intuition. About 30% of the clocks I collect are actual scrap, but still, their parts may be of use,” says Robert, who has a network of clocksmiths and watchmakers at his disposal. “I have 300 more clocks in my garage that are in need of spare parts.”

But beyond adding lost parts, Robert doesn’t believe in revamping old clocks. “To me, their charm lies in the peeling paint on the dial. You shouldn’t repaint it, but protect it in the exact state you got it.”

Along his journey, he has stumbled upon many an old watch, coffee grinders, carriage lights, a working steam engine model and even a bicycle with a clock attached. As we move around the flat, he says, “I need more space for all this.”

Living with a hoarder

This is not where he lives: he bought this flat just to keep this collection. In his home a floor below, the sound of parakeets, not clocks, fill the air.

He narrates the bittersweet story of this second flat, “My marriage was almost headed towards a divorce because of these clocks.” Robert’s wife, Teeni, was the one who ended up taking care of the house, and the humongous collection naturally took up a lot of space and made living as well as cleaning difficult.

“I still remember, on our first bus ride home after our marriage, I boasted to her about my clock collection. She just asked me, ‘But why? What do you do with it?’ It’s a question I still don’t have an answer for.”

Eventually, things came to a head and Teeni demanded the collection be kept separately. “It’s not her fault, living with a hoarder can’t be easy, I understand. That’s when I got this flat, in 2007. I may not be the best husband,” he says, shrugging with a tinge of regret, “But I manage the show.”

Robert now wants to open a trust museum for his collection. “I don’t want to hand it over to my children, I want it to be open to the public. My collection is for my nation,” he underlines.

Robert has applied for a Guinness World Record, he can be reached at 9840689408. He will also be giving a talk at TEDxNapierBridge. The event will be held at Museum Theatre, Egmore, on September 16, at 2.30 pm. Tickets can be bought online at bit.ly/pleaseturnover for ₹999. Discount for students. Contact 9790715610 for details.

source: http://www.thehindu.com / The Hindu / Home> Society / by Sweta Akundi / September 12th, 2018

Bridging experiences: Chennai’s TEDxNapierBridge

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Smart city, music, art — Eight change-makers will share their inspiring stories at TEDxNapierBridge in Museum Theatre on September 16

What is common between music composer Santhosh Narayanan, Chennai Smart City Limited (CSCL) CEO Raj Cherubal and creative director Bharadwaj Sundar? “All our speakers are looking for a way to shake up the status quo and flip perspectives,” says Shyam Sundar, licensee of TEDxNapierBridge, that will be inviting eight change-makers to share their journeys at the Museum Theatre on September 16.

Chennai-based artist CP Krishnapriya is one of the speakers, whose talk will focus on challenging conventional perspectives on art. “Art deserves a place in our everyday lives. But when you sideline art in traditional education, it becomes accessible to only a few,” says Krishnapriya. “People assume that art has just an ornamental value, and is consumed by only a few who are generally the cream of the crop.”

Through her various projects, Krishnapriya hopes to upend this narrative. “For the Kochi Biennale of 2016-17, our project was about labour, a subject matter people don’t normally associate with high art,” she says.

Bharadwaj will also be talking along similar lines, having worked on projects such as ‘Dark is Divine’ (with photographer Naresh Nil) that questioned the country’s fixation with fairness. Another one of his works, ‘60 Jobs, 60 seconds’ that released on Labour Day, was a tribute to the working class, documenting jobs that are not normally spoken about.

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On the other hand, there is Raj Cherubal who believes that large-scale changes happen through seemingly basic contributions by an individual of the society. Cherubal, who is responsible for making Chennai a smart city, says, “When you mention smart city, people think it has to do with high-tech computers and sensors. No, it’s about getting the basics right first — reducing pollution, ensuring clean water supply, traffic management and so on. Technology is just the tool to get these done,” he says.

Raj’s talk will attempt to demystify the concept of smart cities, explain why it is a good remedy for the issues plaguing most areas, and how people can contribute towards it. Raj and his team have already started the implementation of previously stagnant projects such as the pedestrian plaza in T Nagar, bettering parking management, introducing 28 smart classrooms and restoring 120 water bodies. “For these projects, we work with NGOs as well, so we need volunteers who are willing to get their hands dirty, and people who can provide their technological expertise,” he says.

Clock collector Robert Kennedy will be showing how change that is extremely personal can still impact the entire society.

“I have decided that all the 2200 wind-up clocks in my collection will not go to my children, as is generally the norm. I want to open up a trust museum so that it is for the public to view,” he says.

Robert’s collection is famous for its tremendous history; the oldest being a 285-year-old clock crafted by the official clockmaker of Napoleon III. “I have never bought a single clock from an antique trader, only from second-hand shops,” he insists.

“We have curated the speaker list to be as diverse as possible,” says Shyam. “We want that diversity to be reflected in the audience as well. So we have teamed up with an NGO to sponsor tickets for transgender persons,” he adds. “Our name itself — TEDxNapierBridge — is based on the bridge that acts as a link between North and Central Chennai. Similarly, we want to connect everyone in Chennai.”

TEDxNapierBridge will be held at Museum Theatre, Egmore on September 16 from 2.30 pm.

source: http://www.thehindu.com / The Hindu / Home> Society / by Sweta Akundi / September 10th, 2018

Sankara Nethralaya turns 40

Sankara Nethralaya was established with a vision to serve society, veteran dancer Padma Subrahmanyam said here on Thursday.

Speaking at the 40th anniversary celebrations of the institution, she said it is hard to find someone like S.S. Badrinath, founder of Sankara Nethralaya, who cares so much for his patients.

“It is such a rare quality and everyone needs to emulate it. He was extremely lucky and blessed to operate on Kanchi Paramacharya,” she said.

The pontiff of Kanchi Kamakoti Peetam, Sri Sankara Vijayendra Saraswathi, said poor people benefited from the institution.

A theme song for Sankara Nethralaya, composed by musician Dakshin, was released.

T.S. Surendra, vice-chairman, Sankara Nethralaya, also spoke.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Chennai / by Staff Reporter / Chennai – September 07th, 2018

Visually challenged teacher honoured

P. Ravichandran became the first visually challenged teacher in the School Education Department to win the Best Teacher award on Wednesday.

A congenitally blind person, he began his career in 1993 as a PG assistant and in 2012 was posted as headmaster in the Government Girls Higher Secondary School in Pallikonda, Vellore district, where he hadV served for 27 years.

The history teacher finished class X from St. Louis Institute for the Deaf and the Blind in Adyar, Chennai, and class XII from Don Bosco, in Katpadi.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Chennai / by Special Correspondent / Chennai – September 06th, 2018

‘Lineside’ expo documents locomotives of Madras

Australian Consul General in Chennai Susan Grace at the exhibition. | Photo Credit: M. Karunakaran
Australian Consul General in Chennai Susan Grace at the exhibition. | Photo Credit: M. Karunakaran

Visitors can get a glimpse of the idyllic city of the 1960s

Imagine a steam locomotive chugging into Egmore station in 1965 or a Tata city bus zooming across the GST road in 1973 with a view of the Pallavaram Hill. Ian Manning’s collection of historic photographs document the rail and road services in Madras and its suburbs in the 1960s and these have been put up on display as a part of ‘Lineside’, a photo exhibition organised by the Australian Consulate in Chennai to mark Madras Week.

“I had initially visited Madras as a teenager and then returned in 1965 as an Economics teacher in the Madras Christian College, when I shot several of these photos. I travelled around Chennai on my bicycle to take a lot of photos between 1965 and 1969,” said Mr. Manning, an Australian, who said he was extremely passionate and fascinated about the railways.

He was in conversation with historian V. Sriram and ‘Poochi’ Venkat, who has worked on restoring and digitising his photographs over the last eight years. The exhibition, which will be on till September 6 at the Wandering Artist, R.A. Puram, has photos which document steam and electric locomotives set against the backdrop of many prominent buildings and landmarks of the city back then, as well as the idyllic cityscape.

“The photos reflect how life was back then – unhurried and calm. From Mr. Manning’s collection of nearly 1,200 photos, I have managed to curate and restore nearly 120 photos to perfection and we have more photos of the city which we are working on getting restored as well,” said Mr. Venkat.

A.K. Kathpal, Principal Chief Mechanical Engineer from the Southern Railways, was the chief guest. Susan Grace, Australian Consul General in Chennai, said that they were pleased to be learning more about the history and heritage of the city, as well as celebrate the contribution of Mr. Manning through his work.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Chennai / by Staff Reporter / Chennai – September 03rd, 2018

Obituary: M. Karunanidhi, Dravidian stalwart

M. Karunanidhi in 1969, the year he became Tamil Nadu Chief Minister. | Photo Credit: The Hindu Archives
M. Karunanidhi in 1969, the year he became Tamil Nadu Chief Minister. | Photo Credit: The Hindu Archives

Karunanidhi was a strong advocate of the rights of the State governments, State autonomy and federalism, and he secured the right for Chief Ministers to hoist the national flag on Independence Day.

M. Karunanidhi, five-time Tamil Nadu Chief Minister and DMK president for nearly 50 years, died at 6.10 p.m. on Tuesday after battling illness for 11 days at the Kauvery Hospital in Chennai. Affectionately called Kalaignar (artiste and man of letters) by followers, he was 94.

“Despite the best possible efforts by our team of our doctors and nurses to resuscitate him, he failed to respond,” Aravindan Selvaraj, executive director of the Kauvery Hospital, said in a press release.

The stalwart of the Dravidian movement is survived by wives Dayalu Ammal and Rajathi Ammal; children M.K. Muthu (born to his first wife Padmavathy); M.K. Alagiri, M.K. Stalin, M.K. Tamilarasu and daughter Selvi (through Ms Dayalu); and M. Kanimozhi, born to Ms. Rajathi.

The DMK patriarch, who outlived all his contemporaries in the Dravidian movement, except general secretary K. Anbazhagan, was rushed to the hospital from his Gopalapuram house in the early hours of July 28 after a drop in his blood pressure.

His health had begun to deteriorate on Monday evening with doctors acknowledging that maintaining his vital functions remained a challenge considering his age related ailments and setting a 24-hour deadline for determining the prognosis. At 4.30 p.m. on Tuesday, doctors announced that his condition was “extremely critical and unstable”.

On Tuesday afternoon, Mr. Stalin, Mr. Alagiri and Ms Kanimozhi, along with senior party leaders T.R. Baalu, I Periyasamy, E.V. Velu and Pondmudy, had a 20-minute meeting with Chief Minister Edappadi K Palaniswami at his official residence on Greenways Road, ostensibly to inform him of Karunanidhi’s declining health and seek permission to bury him on the Marina by the side of his political mentor and DMK founder C N Annadurai. They returned to the Kauvery Hospital thereafter.

Soon after this meeting, Chief Secretary Girija Vaidyananthan and some officials of the Public Works Department and Director General of Police T K Rajendran were closeted in a meeting with the Chief Minister.

Karunanidhi, who was largely confined to his home since December 2016, was on July 18 taken to the Kauvery Hospital to change his tracheostomy tube and he returned home the same day. Thereafter, he developed fever and infection and was treated round-the-clock by a team of doctors and nursing professionals in hospital-like environment on the first floor of his home.

Man of records

Karunanidhi was the only Chief Minister in the State whose government was dismissed twice — first during the Emergency in 1976 and again in 1991— by invoking Article 356 of the Indian Constitution. He also created a record by winning all the 13 Assembly elections he had contested since 1957. In 1984 he chose to enter the Legislative Council (since abolished).

A strong advocate of the rights of the State governments, State autonomy and federalism, he secured the right for Chief Ministers to hoist the national flag on Independence Day. It was he who created a separate invocation song for the State — Tamil Thai Vaazthu — by adopting Manonmaniam Sundaranar’s poem Neerarum Kadalodutha.

In pictures: M. Karunanidhi, the five-term Chief Minister

M.Karunanidhi takes oath as Chief Minister at the Raj Bhavan in Madras on February 10, 1969. He was 44 when he took over as Chief Minister after the death of his mentor C.N. Annadurai. Mr.Karunanidhi first term lasted till January 04th, 1976
M.Karunanidhi takes oath as Chief Minister at the Raj Bhavan in Madras on February 10, 1969. He was 44 when he took over as Chief Minister after the death of his mentor C.N. Annadurai. Mr.Karunanidhi first term lasted till January 04th, 1976

“During the Emergency when there were fears that regional parties could be banned and even leaders like V.R. Nedunchezhian suggested that the DMK should drop the word Dravida from its name, he stood his ground,” said K. Thirunavukkarasu, historian of the Dravidian Movement and author of the three volume history of the DMK.

Born in Tirukkuvalai, a small hamlet 40 km away from Tiruvarur in the then composite Thanjavur district into a family of musicians — his father Muthuvelar was a nagaswaram player — Karunanidhi was also sent to learn the instrument. But the rebel in him turned his back on music, as nagaswaram players in those days were not allowed to wear shirt or wear the angavastram.

He even once threatened to jump into Kamalayam, the temple tank of Thiyagarajaswami in Tiruvarur, when the headmaster refused him admission. His political career began when he organised students against imposition of Hindi in 1938. He was just 14 then.

Formative tears

Even though his formative years belonged to a period when the Communist movement dominated east Thanjavur, Karunanidhi, with a passion for Tamil language and social justice, gravitated towards the ideas of the Justice Party, Periyar E.V. Ramasamy and C.N.Annadurai. He had a meteoric rise, first in the Dravidar Kazhagam and subsequently in the DMK and he always proved that he has the skill and calibre to run the party after the demise of Annadurai. He was the first president of the DMK, a post created after Annadurai’s time, and Nedunchezhian who was also in the race for the Chief Minister post, became the general secretary.

His rise in the party and government as Chief Minister put an end to the team of leaders who wielded power and enjoyed clout almost on a par with Annadurai. He gained control over the party gradually and at one point the DMK became synonymous with Karunanidhi.

As a minister and later as Chief Minister, Karunanidhi heralded sweeping and bold reforms. As a transport minister in Annadurai’s government, he nationalised the bus service and the DMK government headed by him introduced land reforms. Later, Communist leader Manali Kandasami would say Karunanidhi was able to achieve land reforms with a drop of ink–signature–what Communists struggled to achieve through blood.

A writer, orator and journalist, who founded the DMK’s official organ Murasoli, Karunanidhi’s end has come nearly a year after the platinum jubilee of the newspaper was celebrated. During the Emergency he braved the censors and at times hoodwinked them while bringing out the Murasoli. As he could not publish the names of those who had been arrested under the Maintenance of Internal Security Act (MISA), he just published the list of those who could not pay their respects to Annadurai, the founder of the DMK and the party men got the message.

As a dialogue and screenplay writer, he worked for 77 films. Karunanidhi penned the dialogues for films that propelled three actors of Tamil cinema into heroes. Rajakumari, the first film he worked as a dialogue writer was also the film MGR was first introduced as a hero. Parasakathi, for which he wrote the dialogues announced the arrival of Sivaji Ganesan, another formidable talent. S.S.Rajendran was introduced as a hero in the film Ammaiappan for which Karunanidhi was the script writer.

For supremacy of Tamil

In his career as a politician and Chief Minister, Karunanidhi constantly sought to entrench the idea of the supremacy of Tamil. The creation of Valluvar Kottam in Chennai, Chilapathikaram Exhibition at Poompuhar and 133 feet statue of Tiruvalluvar near Vivekananda Rock Memorial in Kanniyakumari are his efforts to relive the glory of the past. He wrote commentary for Tholkappiyam,the ancient Tamil grammar and many Sangam literary works. His dialogues for the film Poompuhar, based on Silapathikaram, the Tamil epic, are also a masterpiece.

Even when out of power for 13 years during the reign of MGR and President’s rule, he was able to draw the limelight through his constant political activities, writings and public speeches. He released the report of Justice Paul Commission that probed the death of Subramania Pillai, the official of the Tiruchendur Murugan temples and gave a troubled time for MGR and his cabinet colleagues.

The DMK government headed by him contributed enormously to the development of infrastructure in the state and most of the flyovers aimed at easing traffic congestion were the brainchild of his government. His commitment to social justice led to the creation of Periyar Memorial Samathuvapurams, egalitarian self-sustained housing colonies where families belonging to various communities were allotted houses, though it was seen as a tokenism.

source: http://www.thehindu.com / The Hindu / Home> News> States> Tamil Nadu / by K. Kolappan / Chennai – August 07th, 2018

City’s first woman chief urban planner dead

She played a key role in the planning for the Chennai Metropolitan Area in 2008

Chithra Narayanan, 60, the first woman chief urban planner of the Chennai Metropolitan Area, died on Friday.

According to family members, she was undergoing treatment for fluid accumulation in her lungs for the past few days. Chennai Metropolitan Development Authority (CMDA) officials point to her integrity and honesty.

“Ms. Chithra played a key role in the preparation of the second master plan for the Chennai Metropolitan Area in 2008. She also contributed to the expansion and proposal for the preparation of the Strategic Regional Plan for the region,” said K. Kumar, former Chief Planner, CMDA.

“Her contribution to the public consultation for the second master plan was significant. It was the largest public consultation in the country. The process of doing it in a consultative manner was successful because of her contribution,” he said.

Ms. Chithra did her Ph.D in Madras University and was a visiting faculty of the School of Architecture and Planning, Anna University. “She was a very good officer with high integrity. A very disciplined and bold officer. She also contributed to the preparation of structure plan for Chennai in the late 1970s. But the government did not implement it. It would have solved the problem of inundation,” said Mr. Kumar.

CMDA Chief Planner M. Sivashanmugam said she was a very hard working and bold officer. She was also held in high esteem by those who work for a corruption-free government. She was an active member of the Institute of Town Planning, India. She also contributed towards heritage conservation in Chennai.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Chennai / by Special Correspondent / Chennai – August 04th, 2018

Swelect uses sun, air to make drinking water

Coimbatore 21/10/2012. A one megawatt scale grid-connected solar power plant commissioned by Swelect Energy Systems Limited under REC scheme at Kuppaepalayam near Coimbatore. The solar arrays are ground mounted with light sensing tracking systems for increasing output. Photo:K.Ananthan. | Photo Credit: K_Ananthan
Coimbatore 21/10/2012. A one megawatt scale grid-connected solar power plant commissioned by Swelect Energy Systems Limited under REC scheme at Kuppaepalayam near Coimbatore. The solar arrays are ground mounted with light sensing tracking systems for increasing output.
Photo:K.Ananthan. | Photo Credit: K_Ananthan

Tastes better than bottled water: firm

Swelect Energy Systems Ltd. (formerly known as Numeric Power Systems Ltd.) has unveiled ‘Source,’ a hydro (solar) panel to provide pure drinking water using sunlight and air, said a top official.

“For this, we have partnered with U.S.-based Zero Mass Water,” said R. Chellappan, managing director, Swelect Energy Systems Ltd. “By using hydropanels, we are eliminating plastic and water waste of bottled and filtered water.”

Source is a combination of solar PV (photovolatic), material science and other technologies. It is a standalone product and can work anywhere — on top of the building or on the ground. It can be installed immediately. It doesn’t require any electrical input.

Absorbing water vapour

He said water vapour from air is drawn into Source through fans, following which special materials absorb the water. The vapour is collected as the air flow passes through a condenser, then flows into a reservoir where it is mineralised with calcium and magnesium. Water is pumped through a polishing cartridge before being delivered to a dispenser. “The water will taste better than bottled water and the total cost of ownership will be cheaper when compared with bottled water,” he said.

The price per panel will be ₹2 lakh and it will generate up to five litres of water per day depending on humidity and sunlight, he said. The panel would last for about 15 years. There is also a storing facility underneath a panel that can hold 30 litres.

“The product is very similar to solar PV. It is scalable and we can do one panel per home to 100 panels for a village,” said Robert Bartrop, executive vice-president– business development, Zero Mass Water.

Swelect plans to sell Source panels to government-run programmes on water, retail and institutional markets through its network of channel partners. The company will target primary health centres, schools, large villas, resorts and water-starved places.

source: http://www.thehindu.com / The Hindu / Home> Business> India / by N. Anand / Chennai – July 30th, 2018

An app to tell you where the nearest library is

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Will soon cover all 4,600 libraries across State; act as a ready reckoner to their services

Knowing where your nearest public library is located will soon be just a click away. A mobile app, ‘Public Library: Finding community libraries, was launched as a part of the first regional public library conference at the M.S. Swaminathan Research Foundation (MSSRF) on Tuesday.

The app, which is being launched as a pilot project, will initially cover 25 district libraries and will soon be scaled up to include all the 4,600 public libraries in the State. MSSRF, the International Network of Emerging Library Innovators and the Indian Public Library Movement are jointly working with public libraries across the State for the app.

With public libraries across Tamil Nadu becoming active centres for events ranging from story-telling for children, classes for civil services aspirants and even providing services such as soil testing for farmers nearby, the app will help make its users aware of what is happening in the libraries near them.

“We are also working on building a database of the books that each library has so that members can browse through them on the app. We plan to make this information available in phases,” said K. Srinivasan from the MSSRF, who is one of the app developers.

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Literacy programme

M.A. Deepamala, a librarian from Vedapatti village in Coimbatore, said that they had been facilitating a literacy programme in their premises as well as medical awareness camps.

Speaking at the conference, School Education Minister K.A. Sengottaiyan said that with rural students having always depended on public libraries for civil services preparations, the government had announced the setting up of 32 coaching centres in district libraries across Tamil Nadu.

M.S. Swaminathan, founder of MSSRF, said that there was the need to make a stronger effort to bridge the knowledge gap and added that it could be done effectively through public libraries. A memorandum of understanding was also signed between V.C. Rameswaramurugan, Director of School Education and Director of Public Libraries, V. Selvam, Executive Director, MSSRF, and Shubhangi Sharma, Executive Director, IPLM towards redefining the role of public libraries as knowledge centres in India.

source: http://www.thehindu.com / The Hindu / Home> News> States> Tamil Nadu / by S. Poorvaja / Chennai – July 18th, 2018

Sangita Kalanidhi award for Aruna Sairam

Aruna Sairam. File photo | Photo Credit: M_Karunakaran
Aruna Sairam. File photo | Photo Credit: M_Karunakaran

Awards for Thanjavur R. Ramadoss, Kalyani Ganesan, K. Oman Kutty, S.R.G. Rajanna, Premeela Gurumurthy and Shanta Dhananjayan

Carnatic vocalist Aruna Sairam has been selected for this year’s Sangita Kalanidhi award of the Music Academy.

The executive committee of the Academy that met on Sunday, unanimously selected her for the award, said N. Murali, the president of the Academy.

“An illustrious career spanning decades, she can be credited with taking the art to a very wide audience both in India and abroad. She is also known for her collaborative exercise in music with artistes of other countries and genres,” said Mr. Murali.

She will preside over the 92nd annual conference to be held between December 15, 2018 and January 1, 2019. The award will be conferred to her on January 1, the day of Sadas.

“I am in an overwhelming situation and have no words to explain my feelings. Even though I have won other awards, Sangita Kalanidhi convinces me that I have left an imprint in my chosen field,” said Ms. Sairam, who first learnt from her mother Rajalakshmi Sethuraman, a disciple of Alathur Venkatesa Iyer, the father of Sivasubramani Iyer, the elder of the Alathur duo.

Her mother was from Sirukamani, a village near Alathur and her father Sethuraman was from Tiruvarur and she was constantly in touch with her roots through music, though her family lived in Bombay.

With a solid foundation in Alathur school of music, at 10 she became a student of T. Brinda, who used to visit Bombay to teach students.

“She would stay with us in my house and taught students for two and half months. For 15 years I learnt from her. I regularly visited Chennai with my parents during the music season and listening to the maestros was a great experience,” recalled Ms. Sairam, who also learnt from S. Ramachandran, a student of Chittoor Subramaniam Pillai, A.S. Mani, a disciple of Tiger Varadachariar, T.R. Subramanian and nagaswaram player S.R.D. Vaidhyanathan.

“Balamuralikrishna taught me the techniques of improving my voice and I learnt abhang from Mohan Pai,” said Ms. Sairam, whose concert would not be complete without rendering an abhang.

Though she lived in Mumbai, she started visiting Chennai regularly during the music season from 1990. In 2002, she shifted to Chennai permanently.

“My regular visits to Chennai between 1990 and 2000 gave an opportunity to imbibe the music of others and learn the techniques to communicate my music to the audience. Thus I could strike a chord with them,” said Ms. Sairam, who became one of the most popular musicians in a short span of time.

Other awards

Mridhangist Thanjavur R. Ramadoss, a student of Palghat T.S. Mani Iyer and vocalist K. Oman Kutty, will receive the Sangita Kala Acharya award.

T.T.K. Awards will be given to veena player Kalyani Ganesan and nagaswaram player S.R.G. Rajanna.

Dr. Premeela Gurumurthy, the Vice Chancellor, Tamil Nadu University for Fine Arts will get the musicologist award and dancer Shanta Dhananjayan will get the Nritiya Kalanidhi award, which will be conferred on her January 3.

source:http://www.thehindu.com / The Hindu / Home> Entertainment> Music / by B. Kolappan / Chennai – July 15th, 2018