Category Archives: Records, All

This 45-year-old mom runs a tea stall and marathons

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One is never too old to participate in marathons, says 45-year-old A Kalaimani , an athlete and marathoner. “Opportunities are there for people even up to the age 100 to participate in the Masters athletic championships. This is a sure way to keep oneself fit and ward off ailments, she says.

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Kalaimani, who runs a tea stall in the city, has been participating in 21-km marathons with her team ‘Phoenix Runners’. She never misses her morning workout sessions; every Sunday she runs for 21 km as part of her practise to achieve her goal, the 41-km marathon. “I want to complete the 41-km marathon in four hours,” said Kalaimani. She has participated in national and state level Masters athletics events and won four gold medals.

Kalaimani, a native of Pudukkotai, had studied up to Class X; in school she used to participate in kabadi and athletics events. She got married when she was 20 to P Azhagu. “I told my husband that I would continue to pursue athletics. He agreed,” she said.

Since marriage, she has been assisting her husband to run the tea shop in Telungu Street – Thomas Street corner in the city. Kalaivani, who is the master in the tea stall, has two sons – A Prabhu, 24, A Prabhakaran, 21, both school van drivers – and A Priyanka, 19, who is studying BSc. “Ten years ago, my husband came to know about Masters athletics events and asked me to participate.
I was not aware about such an event and approached many people. Finally, I was brought under the tutelage of coach Joseph who made me to participate in district, state and national level athletic events for Masters,” she said.

Trained in 400 metres and 800 metres sprinting events, she won three gold medals in a state level athletic meet held at Pugalore in Karur district in December 2017. She also won gold in the 800 metres event in the National Masters Athletic Championship held in Coimbatore in 2014. She won the third place in the 1,500 metres event in the national meet.

I am keen on taking part in marathons. So, I joined the Phoenix Runners team and took training for the marathon. I used to wake up at 4am and prepare breakfast for my family. Around 5am, I used to drop my husband at the tea stall and go for practise. Every Sunday, our team members cover 21km. Now I am taking special practise to run 41km,” she added.

Kalaimani won the first place in the 21-km marathon held at Annur last month. “I want to take part in marathons across the country,” she said.

“Many women who have been active in the athletics circuit sacrifice their dream after marriage for the family. They should come forward and there are lots of opportunities for people of all ages in the Masters athletic championships,” said Kalaimani.
(Photo credit: Jackson)

source: http://www.timesofindia.indiatimes.com / The Times of India / News>City News> Coimbatore News / TNN / April 07th, 2018

Commonwealth Games: India’s gold count doubles at Gold Coast

Weightlifting - Gold Coast 2018 Commonwealth Games - Men's 77kg Final - April 7, 2018. Sathish Kumar Sivalingam of India competes. | Photo Credit: Reuters
Weightlifting – Gold Coast 2018 Commonwealth Games – Men’s 77kg Final – April 7, 2018. Sathish Kumar Sivalingam of India competes. | Photo Credit: Reuters

Satish Kumar in 77kg and Venkat Rahul in 85kg give India a double delight

Two young men — Satish Kumar Sivalingam and R. Venkat Rahul — gave India a double, winning the men’s 77kg and 85kg weightlifting titles at the XXI Commonwealth Games at the Carrara Sports Arena 1 here on Saturday.

The two medals took the country’s gold count to four and a total of six, with the silver and bronze won P. Gururaj (56kg) and Deepak Lather (69kg) besides the gold that Mirabai Chanu and Sanjita Chanu won over the last two days.

High expectations

Labelled a heavyweight in the sport, the expectations were high as the third day’s events began. Satish and Venkat shaped up nicely to finish on the top of the podium. The only disappointment was Vandna Gupta (women’s 63kg), who finished fifth.

In the men’s 77kg category, Satish faced a few problems before stamping his class. The 25-year-old from Vellore, Tamil Nadu, had suffered an injury a couple of months ago and with doubts persisting about a possible recurrence, his preparations were low key.

However, into the competition, Satish got into the lead with a lift of 144 in snatch, improving through lifts of 136 and 140, before clinching the gold with 173 in clean and jerk for a total of 317. He was 5kg clear of Jack Oliver (England) who finished second, while Francois Etounde (Australia) took the bronze.

It was understandable that Satish was unable to improve on his gold-winning performance (total of 328) at Glasgow 2014, even as he dedicated the medal to this parents. “They are the greatest source of motivation I have to pursue this sport seriously,” he said.

Venkat, 21, was tied with Don Opeloge of Samoa at 151kg after the first stage (snatch) of the competition, but as Opeloge faltered in clean and jerk, it made things easier for the lifter from Stuartpuram, Andhra Pradesh.

Venkat, who started with 147 in snatch, could only manage an improvement of four kilograms as he failed in his second attempt.

In clean and jerk, he started off with 182kg and getting this right helped him take the lead. Another good lift of 187kg put pressure on his Samoa rival, who wilted.

The results:

Men: 77kg: 1. Satish Kumar Sivalingam (144, 173: 317), 2. Jack Oliver (Eng, 145, 167: 312), 3. Francois Etounde (Aus, 136, 169: 305).

85kg: 1. R. Venkat Rahul (151, 187: 338), 2. Don Opeloge (Sam, 151, 180: 331), 3. Muhammad Mohdad (Mas, 145, 183: 328).

source: http://www.thehindu.com / The Hindu / Home> Sport> Other Sports / by A. Vinod / Gold Coast, April 07th, 2018

2,500-year-old rare circular labyrinth found near Hosur

With a complicated network of paths, labyrinths have been a fertility symbol associated with many cultures
With a complicated network of paths, labyrinths have been a fertility symbol associated with many cultures

Chennai :

A rare circular labyrinth, about 2,500 years old, has been discovered at Kundhukottai, a remote village 55 km from Hosur in Krishnagiri district. It was after hearing from a shepherd about a strange circle of rocks in Kundhukottai, hero stone expert Sugavana Murugan and archaeological officer of the Krishnagiri Historical Research Centre S Paranthaman set off to the village a week ago. Since the village is situated close to the forest, they trekked more than six km to reach the site, crossing mounds of dry elephant dung on the way.

Soon after the discovery, the duo sent the details with pictures to Jeff Saward, a London-based expert in the field of labyrinths and mazes, for his opinion. After studying it in detail, Saward said it must be more than 2500 years old. With a complicated network of paths, labyrinths have been a fertility symbol associated with many cultures. They represent a unique pattern of consciousness and have been used as meditation tool since the Neolithic period.

“We discovered labyrinths in spiral and rectangular shapes, but this is the first time we have come across one in circle shape. Experts like Saward said it’s one of the oldest forms of labyrinths. We have to study the rocks in detail to find the exact age,” said Sugavana Murugan, who had discovered a rectangular shaped labyrinth in Kambainallur in Dharmapuri and a spiral one in Kundhani in Krishnagiri district in 2014 and 2016 respectively.

People used to worship labyrinths for various reasons. A labyrinth has seven paths and one has to come out through the right path. Even though it is difficult to find one’s way inside a labyrinth, it is believed that those who come out through the right path are blessed by the god. “People used to worship labyrinth to be blessed with a child, or to attain success in their pursuits and for long life for their cattle,” said Murugan.

After verifying the photographs, T Satyamurthy, former superintending archaeologist of the Archaeological Survey of India (ASI), said the labyrinth in circle shape was an interesting discovery. “It’s a promising one. But we have to conduct further excavation on the site to find the age and the actual role played by this labyrinth in the life of people those days,” he said.

The labyrinths and mazes, according to Saward, have been found to be in existence since the Neolithic period. “Maze is a multi-curved category where we have multiple pathways to reach our goal, whereas in labyrinths there is only one pathway which leads inexorably to the goal from the point of entry,“ said Saward, who is editor of `Caerdroia’, the journal of mazes and labyrinths. EOM

source: http://www.timesofindia.indiatimes.com / The Times of India / News> City News> Chennai News / M.T. Saju / TNN / April 10th, 2018

Doha Bank sets up first branch in Chennai

Chennai  :

Qatar-based Doha Bank has set up the first branch in the city taking the total number of branches in the country to three, a top official said.

Doha Bank currently has a branch in Mumbai, Kochi and Chennai, respectively.

Top bank officials including the bank’s CEO, R Seetharaman participated in the formal inauguration of the bank here today.

The Chennai branch will assist the bank’s growing customer base in India offering a host of services including corporate, retail, treasury, trade, finance and foreign exchange services, Seetharaman said.

“The opening of our third branch (today in Chennai) highlights the importance we believe India holds in our expansion strategy,” he said.

The new branch would help the bank reach out to a wider segment of customers in Chennai while enhancing synergies among Qatar, India and Doha Bank’s global network, he said.

source: http://www.economictimes.indiatimes.com / The Economic Times / Home> ET Home> Industry> Banking-Finance> Banking / PTI / August 04th, 2018

Anatomy and history of a 200-year-old Ivory skeleton

The ivory and rosewood skeletons on display at the AMC’s Anatomy Museum in Visakhapatnam. | Photo Credit: C.V.Subrahmanyam
The ivory and rosewood skeletons on display at the AMC’s Anatomy Museum in Visakhapatnam. | Photo Credit: C.V.Subrahmanyam

A rare masterpiece from Saraswati Mahal of Thanjavur, it’s now the prized possession of the Anatomy Museum of Andhra Medical College

A rare ivory skeleton, the bones of which have been carved to clockwork precision on the lines of the human skeleton, is the cherished treasure at the Anatomy Museum of Andhra Medical College (AMC) here.

The ivory skeleton, 5’6” in height and weighing 231 lbs (104.78 kg), reflects the ingenuity of the sculptor, who had carved it more than two centuries ago. It was procured from the famous Saraswati Mahal of Thanjavur, which was under the patronage of Rajah Serfoji (1798-1832). The skeleton is said to have been made between 1805 and 1810. Dr. R. Krishna Rau, a Professor in the Department of Anatomy between 1929 and 1946, who was instrumental in setting up the museum, had bought the ivory skeleton and a rosewood skeleton for a sum of ₹75. The 18th century skeleton has been drawing appreciation of not only experts in the medical field, but also the general public during exhibitions.

“The British are said to have paid ₹5 lakh to display it during an exhibition in London in 1970. The skeleton was taken in a specially made coffin and returned after about a week,” Dr. Ashalatha, Head of the Department of Anatomy, told The Hindu.

Mortem and taboo

“In those days, there were several taboos in handling human bodies and skeletons, and Dr. Krishna Rau was said to have stayed back in the department for a few days on the arrival of the skeletons. Even today, some anatomy professors do not tell their family members that they handle dead bodies,” says Dr. K. Lakshmi Kumari, an Associate Professor of Anatomy. “The ivory skeleton is a masterpiece and is said to be one among the few in the world. No wonder, it was taken by ship all the way to London for display at an exhibition there. The ivory and rosewood skeletons are displayed at exhibitions, organised on special occasions,” says Dr. P.V. Sudhakar, Principal of AMC.

The museum signifies the efforts and dedication of the illustrious teachers, professors and HODs, particularly of AMC during the early days.

Prof. F.J. Anderson, who as Principal of AMC, gave full freedom to Dr. Krishna Rau in securing the unique collections.

The department was named after Dr. Krishna Rau on January 24, 1984 honouring his efforts.

source: http://www.thehindu.com / The Hindu / Home> News> States> Andhra Pradesh / by B. Madhu Gopal / Visakhapatnam – April 06th, 2018

The Palayamkottai mystery

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Dr Samuel Vasundaran who is determined to prove his family’s links with Yusuf Khan (Miscellany, March 5) aka Maruthanayagam Pillai spent a morning with me recently telling me a fascinating story. He’d heard it from his paternal grandmother, Alice Samuel Mathuranayagam Pillai in 1981 and had been following the trail ever since.

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As a starting point, she pointed him to two tombs in the Adaikalapuram cemetery near the family home in Palayamkottai. The pictures he sent me show today the tomb of Veyagammal (died 1858) and, partly hidden, that of her husband the Rev Srinivasagam Mathuranayagam (the inscription shown better in the second picture). Born in 1802, the Reverend was trained by ‘The Apostle of Tinnevelly’, the Rev CTF Rhenius, and served in the area till his death in 1861.

From Dr Vasundaran’s point of view, the Rev. is his father’s great grandfather but from Alice Paati’s view he was the grandson of Yusuf Khan! And in trying to follow that trail, Dr Vasundaran had found some intriguing – but not definitive – information.

Apparently, a boy called Mathuranayagam, said to be the adopted son of Yusuf Khan’s Dewan, Srinivasa Rao, a Vaishnavite Brahmin of Tanjore, was christened Samuel one day in 1778 according to the Palayamkottai Church records. Baptised by Schwartz on the same day at the same place was the legendary Clarinda (Miscellany, December 18, 2017) and Vedanayagam Sastriar (Miscellany 22, 2009). Intriguingly, the same records show a Brahmin woman baptised on the same day. But her name has been erased. She, the legend goes, was the mother of Yusuf Khan’s son whom Srinivasa Rao adopted after the death of the Khan Sahib. Yusuf Khan’s wife has been well recorded as Maza (possibly Marcia), a Luso-Indian. Did she become a Hindu when she sought Srinivasa Rao’s protection?

Now comes one more twist. Who this Samuel Mathuranayagam (Srinivasa Rao) married is not known, but he named his first son Srinivasagam, after Srinivasa Rao and the family have followed the practice to this day.

After a long morning’s conversation, neither Vasundaran nor I was able to convince each other about the antecedents of Yusuf Khan, but the roots from the Srinvasagam Mathuranayagam life have certainly been traced on solid ground.

Samuel Srinivasagam Pillai (1856-1909), for instance, better known as ML Pillai because he was the first person in the Tinnevelly District to have a Master of Law degree, was the grandson of Rev Srinivasagam Mathuranayagam. He was an eminent lawyer, much sought after by litigating Zamindars and land-owners. His fourth daughter, Thai Elizabeth, was Dr Chandran Devanesen’s mother and his fifth daughter, Kothai, was Manohar Devadoss’ maternal grandmother.

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A 300-year-old spy story

Governor Joseph Collett (1717-20) is best remembered for his establishing Collettpetta that at some point in time got corrupted to Kaladipet (Miscellany, November 21, 2016). As intriguing as that story of his Head Clerk going to Kanchipuram every day to worship is the story of the spy Collett had to deal with in Fort St George. It was for the first time that, in February 1718, Collett informed the Board that he had held prisoner for some time one Francisco Ferera who claimed to be a doctor. Ferera was being held “a close prisoner” because he had been passing on Fort St George information to the Moors in the surrounding country.’

Typical of the times, Ferera was a multi-faceted personality. Or at least he claimed to be so. He had been a Jew in Italy, Constantinople and Grand Cairo. In Cairo he became a Turk (a Moor), married and had children there, settling down as a family. He is next heard of on the Coromandel Coast, claiming to be a Christian and married to a Portuguese woman who lived in Madras.

Collett offered the view that Ferera had been kept in captivity long enough, could do no more harm, and had many citizens appealing for his release. He proposed that the prisoner be freed on giving security for his behaviour and agreeing that he would not go out of the bounds of Madras without the permission of the Governor. The Board agreed with the Governor’s recommendation.

Francisco Gregorio, a resident of Madras, and referred to by the prisoner as, and known to be, a person of substance, offered to be “bound with him in the penal sum of 1,000 pagodas for his good behaviour”. Ferera was freed and vanishes into the mists of lesser history.

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When the postman knocked…

A quizzer wants to know how Beri Thimmappa, one of the founders of Madras, was connected with Guindy Lodge that has now grown into Raj Bhavan. It’s an indirect connection. His youngest brother Chinna Venkatadri was the dubash of Governor William Langhorne. Before leaving for England in January 1678, Langhorne sold Guindy Lodge and its environs to Chinna Venkatagri who, before long, had problems with the Company and had to virtually gift the property to the Government.

He also wants to know who was the only Chief Minister to occupy the official residence meant for the Chief Ministers of Tamil Nadu, Cooum House. T Prakasam. It later became for some years the official residence of the Speakers of the Legislative Assembly.

Sad, sad, sad. Even the 1930s Bosotto’s façade seen in a picture last week as bitten the dust.

The chronicler of Madras that is Chennai tells stories of people, places, and events from the years gone by, and sometimes, from today

source: http://www.thehindu.com / The Hindu / Home> Society> History & Culture / by S. Muthiah / April 02nd, 2018

Genetic diversity can prevent rapid spread of infectious diseases

Choice of pandemic: The models are best suited to study airborne diseases such as H1N1, say Nagasuma Chandra (left) and Narmada Sambataru.
Choice of pandemic: The models are best suited to study airborne diseases such as H1N1, say Nagasuma Chandra (left) and Narmada Sambataru.

The team studied how susceptibility sub-populations affect the spread of the disease

An infectious disease can spread at different rates in different countries. This phenomenon has been observed in many cases, for instance in the 2009 H1N1 influenza pandemic. An International group of researchers including those at Indian Institute of Science (IISc), Bengaluru, and The Institute of Mathematical Sciences (IMSc), Chennai, looks at genetics as a way to explain this phenomenon. They find that the greater the genetic diversity in immune response, the stronger is the barrier to the spread of the disease. The results have recently been published in PLOS Computational Biology.

Nagasuma Chandra’s team at IISc chose to study H1N1 as modelling it had some advantages.

“There is a lot of work on H1N1 and a lot of data including clinical and epidemiological. These models are also best suited to study airborne diseases. As H1N1 spreads through air, choosing it made a lot of sense,” says Dr. Chandra.

Pandemic H1N1 virus

The pandemic H1N1 2009 influenza A virus was different from other influenza viruses encountered until then. According to the WHO, this is because it originated from animal influenza viruses and is unrelated to the human seasonal H1N1 viruses that have been in circulation among people formany years In fact, this virus is thought to have arisen from a mixture of two viruses: a North American virus that jumped from birds to swine and humans and a Eurasian swine virus that had circulated in pigs for about a decade before entering humans. Clinically also the virus’s effect was very different from that of other flu viruses in that younger people were more severely affected than older ones.

Narmada Sambataru and Sumanta Mukherjee who were at Dr Chandra’s lab, and Martin Lopez-Garcia from the University of Leeds, UK, spent nearly a year building up the model. Their research led them to establish how an individual’s genetic makeup can influence his or her susceptibility to the infection.

The immune system has both innate and adaptive response types to infections, in general. In the case of H1N1 infection, the adaptive immune system can recognise the presence of a virus within the cell and respond to it only if a molecule called the human leukocyte antigen (HLA) binds to some fragment of the viral protein (epitope) and ‘presents’ it to the environment outside the cell. Dr Chandra’s group has described the details of this aspect of H1N1 in an earlier paper published in the journal Clinical and Translational Immunology.

Immune response

“The main take-away from our work is that understanding how the immune response of different individuals leads to a spread of susceptibilities in a population is vital to figuring out how diseases spread,” says Gautam Menon of The Institute of Mathematical Sciences, a co-author of the paper. “This problem, of how to go from what we know about how individuals can vary in their susceptibility to understanding how epidemics spread across entire populations, has been identified recently as one of the major challenges in the study of epidemics.”

Having worked out how the genetic makeup of an individual can affect their susceptibility to the disease, the individuals can be grouped according to their susceptibility. Using a mathematical model called the SIR (Susceptible-Infected-Recovered) model, the researchers study how the presence of susceptibility sub-populations affect the spread of the disease. “In this model, individuals are initially susceptible but not infected.

“When an infection is introduced, individuals become infected at a rate determined by their estimated susceptibility to the pathogen, estimated using genetic information about the host as well as the pathogen. Infected individuals then proceed to recover,” says Dr Chandra.

Trends

The work captures the qualitative features of well-known trends of influenza spread in various parts of the world. “This work uses publicly available information about HLA class-I genes and their prevalence in populations around the world. Unfortunately, there is a significant shortage of this information for Indian populations,” she says.

The group is planning to propose a detailed study of this for Indian populations. “Once this information becomes available, we can do far more to predict disease spread in India. These predictions can be used to inform public policy and make better decisions. This is the real utility of such modeling methods, that we can explore different situations and ask what responses might be most effective in the context of specific diseases,” says Dr Menon.

source: http://www.thehindu.com / The Hindu / Home> Science / by Subashree Desikan / March 31st, 2018

Insect Museum opened at TNAU

Under the theme ‘Bugs Are Kings’, the museum displays insects as preserved specimens and models on their behaviour, habits and habitat.

Chief Minister Edappadi K. Palaniswami opened an insect museum in Tamil Nadu Agricultural University (TNAU) on Monday. First of its kind established at the Department of Agricultural Entomology of TNAU, the museum houses 20,000 insects from 50 species.

Inaugurating the museum, Mr. Palaniswami said that the research and expertise which helped to realise the facility will be beneficial to farmers, researchers, students and the public.

“Haling from agricultural background, I have seen farmers worrying over insects affecting various crops. The museum will help farmers to gain more knowledge about insects, those helpful and harmful to farming,” said Mr. Palaniswami.

Speaking at the event, Minister for Agriculture R. Doraikkannu pointed that insects were causing about 20 % crop loss in the State and the museum will be beneficial for farmers.

Established at a cost of ₹ 5 crore, the museum displays insects as preserved specimens, live specimens depicting their life cycle, images, videos and models on their behaviour, habits and habitat under the theme ‘Bugs Are Kings’.

Right wall of the exhibit area of 6,691 sqft covers insects under five sections namely insect diversity, insect biology, beneficial insects, insect and plants, and cultural entomology. The left wall of the museum displays curated specimens of 27 insect orders along with their charts. Videos related to insects are played through television on the walls. Three touch screen gadgets with information on insect trivia, insect records and insects around you are also kept at the museum.

Physically challenged persons can access the museum through a ramp. Financed by the Government of Tamil Nadu, the museum has electronic ticketing facility for visitors.

Minister for Forest Dindigul C. Sreenivasan, Minister of Municipal Administration and Rural Development S. P. Velumani, Deputy Speaker Pollachi V. Jayaraman, Agricultural Production Commissioner and Principal Secretary to Government Gagandeep Singh Bedi, District Collector T.N. Hariharan, and TNAU Vice-chancellor K. Ramasamy were present at the inaugration.

source: http://www.thehindu.com / The Hindu / Home> News> States / by Staff Reporter / Coimbatore – March 26th, 2018

The hands that toil, create

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Archiving Labour examines history, society and art through the lens of labour

Between sweltering skies and sea breeze at the tiled-roof veranda of Spaces, a prodigious handcrafted volume titled ‘Create’ is the first exhibit. In it, student artist Kamashewaran has explored the plight of bonded labourers at brick kilns in his village. We turn the pages to find endearing portraits of brick makers, and hand impressions alternating with words such as ‘sengal’ (brick). At the bottom, a brick sits in a deep receptacle, engraved with the word ‘Labour’. This bond between labour and creation is at the core of Archiving Labour curated by CP Krishnapriya, an alumnus of the College of Fine Arts.

Produced by a collective of 33 students from Government College of Fine Arts, Chennai and Kumbakonam, the exhibition, which was part of the Student Biennale, Kochi 2016-17, garnered a national award. Of 15 emerging curators, Krishnapriya won the Tata Trusts International Award, granting her a trip to experience the Venice and documenta Biennales.

Raison d’etre

Her vision for the year-long project was bi-fold — one, leading the students of the two schools to re-examine their artistic practice and two, re-visiting the Madras School to trace its roots to industrial crafts. On their trail, the artists discovered a brick kiln at the Chennai campus where bricks were once manufactured. The evidence, a replica of an old brick with the ‘School of Arts Madras’ insignia sits like an unassuming marker on a pedestal.

With intensive workshops for reading and criticism over four months, Krishnapriya steered the group away from the sacrosanct white cube gallery. The artists took the path less trodden, using low-cost and accessible materials to explore art in a small, meaningful way. The mysterious locked-up school museum became the imaginary site which photos, videos and impressions would bring alive. These innocuous exhibits are magical when you unlock their codes.

Positioned against the grand metaphor of the Triumph of Labour statue (1959) at the Marina by erstwhile sculptor and then Principal DP Roy Chowdhury, the artists queried — how does labour triumph? “Many of the students come from rural backgrounds and their families are engaged in brick making, weaving, metalwork and labour,” says Krishnapriya, whose mentoring opened channels for the students to examine their own origins and communities. Student artist Karthikeyan’s portrait of his father is accompanied by a sign, ‘My father is a signboard artist’, painted by his father. Such paradoxes resonate throughout the show.

The product of labour — be it a beautiful monument or a Kanjivaram saree — belongs to the one who commissions it, while its real makers are never credited. Material becomes message in Sindhuja’s portraits of weavers on silk sarees, documenting her family of weavers. And so, who do we celebrate? Artist Thalamuthu chose Revathy, a cleaner of railway tracks and made her bust, displayed at Chennai Central for several days.

“This was planned as an exhibition where you have to spend time, read the notes and make an effort,” says Krishnapriya. The exercises linked ‘how do you view?’ to ‘how are we viewed?’ using writing, sound recordings, photography and video, relatively inexpensive media. Reviving the context of the old photography department at the College of Arts, a group selected images from the British Library archives to compare anthropological views of Indians from the Colonial era with present day.

The artists posed, mimicking the earlier orchestrated set-ups: a girl with a food processor versus 20th Century women at grinding mills. In another exercise, P Parthik’s photo-collage of the hands of labourers from Kumbakonam show their hardships. Extensive sketchbooks of brick workers, railway cleaners and launderers reveal an empathetic understanding of the gaps in our society. A 10-paisa coin — a paltry sum paid for husking one coconut — is framed and positioned next to calloused hands.

The inquiry to find the artist’s role and the institution’s throws up several questions. Can anyone make art? Who can sculpt? Who can create? Here, the lens turns to people relegated to toil in our society, to ask: ‘Are not bricks, baskets and woven handloom, art?’

The exhibition with evening lectures is on at Spaces, Besant Nagar, till March 30.

source: http://www.thehindu.com / The Hindu / Home> Society / by Sujatha Shankar Kumar / March 28th, 2018

D’Angelis now dust

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Yet another Madras Court-listed heritage building bites the dust with not a question raised by Authority. The latest victim of the wreckers’ hammers is a building better known in recent times as the Bata Showroom. The desecrators have been clever; they’ve left in place the Mount Road façade, and crushed the rear where remained many a feature of the building’s 100-year-and-more heritage . The façade itself is not the original; it was rebuilt in the Art Deco style sometime in the early 1930s.

To make sense of the paragraph above, let’s go back to 1880 when Giacomo D’Angelis, from Messina in Sicily and who had trained in France, arrived in Madras and set up shop in small, rented premises on this site, called it ‘Maison Francaise’ and announced he was a “manufacturing confectioner, glacie &c., general purveyor and mess contractor”. For this service he’d established a “Kitchen Department”, the “first of its kind” in South India. I think what D’Angelis was claiming was that he had an outdoor catering service for large parties, which the hotels of the time, like the Connemara, mostly residential, did not have. This service, supervised by a “First Class French Chef”, was, before long, catering to Government House and, in time, became the official caterer to Governor Lord Ampthill (1900-1906) for all his parties, balls and banquet.

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Once Ampthill set the tone, D’Angelis was sought by everyone who was anyone in Madras. With prosperity, the Italian decided to open “a small hotel on the premises, Mount Road, for our customers from up-country”. The property opened in 1906 and by 1908 had developed into Madras’s leading hotel.

Seen from the Mount Road entrance was a three-storey building with splendid decorative wrought iron railings on the first floor verandah. This is the beautiful façade (see picture) that was replaced by what still stands. Off this verandah were the rooms with Mount Road-facing entrances as well as entrances off a verandah at the rear facing Blacker’s Road. These rooms were identifiable even in recent years, being occupied by a variety of small shops. And it is this historic part of the building that has been pulled down.

Between Blacker’s Road and the rooms was developed a Parisian Garden, one of Madras’s most popular places in its day for wine and roses. Within was a restaurant as famous for its French and Italian cuisine as for its Tea Service, mesdames dropped in to enjoy after shopping expeditions. D’Angelis also had Madras’s first electrical hotel lift, making possible a roof garden, hot water on tap, electric fans, an ice-making plant and cold storage. Its floors were of imported tiles and there was elaborate wrought iron embellishment everywhere. A three-table billiard room and a pub-like bar made it an inviting haunt of an evening for gentry who had no club to go to. With all these facilities, it was renowned as Madras’s No. 1 hostelry till 1937 when the completely rebuilt and refurbished Connemara re-opened after three years of rebuilding. But by then, D’Angelis had changed hands; an Italian confectioner in town, Bosotto, had taken it over and was probably responsible for the new façade. The continuing classiness of the hotel was attested to by Douglas Jardine’s English cricket team staying there in 1934, and Sassoon’s of Bombay, a five-star emporium, having a shop in it.

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Before the Bosotto transaction went through, Giacomo D’Angelis had left for France and the business was run by ‘Giacomo D’Angelis and Son’, the son being Carlo. A duck-and-teal shoot in a jheel 20 miles from Madras went wrong in 1920 and Carlo drowned. Giacomo’s youngest son, Louis, who was in New York, returned to Madras and from that time tried to sell the hotel, complaining the while that the attempt was going very slow. Eventually it was 1928 or 1930 before Bosotto bought it and the D’Angelis connection with Madras came to an end.

In later years, Bosotto’s was succeeded by Airlines Hotel, a restaurant and the Bata Showroom backed by cubby-hole shops which enabled the hotel rooms, their numbers, verandah-cum-corridors and toilets to remain recognisable. As usual, in the case of Madras’s heritage buildings, a fire, in 1986, threatened it but it survived – its fate uncertain. Your columnist had approached the Taj Group and a couple of other hotel groups to take the building over and develop it as a boutique heritage hotel. But I could never understand their lack of interest.

D’Angelis, legendary in many ways, also ran from the 1880s till 1925, Sylk’s Hotel in Ooty (owned by Sylks but which had started as Dawson’s Hotel in 1842-43). When D’Angelis gave up its management, it was re-named in 1943, but still later owners as the Savoy and continues to this day as such, owned by Spencer’s but run by the Taj Group.

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When the postman knocked…

Yusuf Khan continues to attract attention. Theodore Baskaran, a person well-versed in Tamil history, writes: “When Yusuf Khan (Miscellany, March 5) controlled Madurai, the people, impressed with his benevolent rule, called him the icon of Madurai — mathurai nayagam. In colloquial usage, particularly in the South, kuthirai morphs into kuruthai and mathurai becomes maruthai. It was an affectionate name given by the people.

“Secondly, in Tirunelveli’s Evangelical Christians: Two Centuries of Vamsavazhi Tradition edited by Packiamuthu and Sarojini Packiamuthu, (2003), there are chapters on 18 families. One on Chandran Devanesen, by Vasantha Appasamy, traces CD’s ancestry to one Shanmuganathan, who was working as an odhuvar(who sang hymns in temples). She makes no reference to the Yusuf Khan connection. Dr. Devanesen and I interacted often, particularly in Shillong, and we have talked about Palayamkottai. But he never mentioned the Khan factor.”

The chronicler of Madras that is Chennai tells stories of people, places, and events from the years gone by, and sometimes from today.

source:http://www.thehindu.com / The Hindu / Home> Society> Madras Miscellany > History & Cultural / by S. Muthiah / March 26th, 2018