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Award for Kalakshetra

Tributes paid to founder Rukmini Devi Arundale

Rich tributes were paid to Kalakshetra founder Rukmini Devi Arundale for her immeasurable contribution in giving Bharatanatyam a respectful position among the arts at an event organised here on Monday to present the Hamsadhawani R. Ramachandran Award of Excellence to Kalakshetra Foundation, Chennai.

Mylapore MLA R. Natraj said Rukmini Devi Arundale took great efforts to chisel Bharatanatyam into a beautiful art form, retaining only what was good from its earlier version. He said she showed society that only the good will last long.

Industrialist Nalli Kuppuswami Chetti appreciated Kalakshetra for preserving Arundale’s work and teaching dance and music to students.

He said it was very apt that the R. Ramachandran (RRC) award was presented to such a great institution.

Kalakshetra Foundation chairman N. Gopalaswami, who received the award along with Kalakshetra Dance College principal Pakkala Ramadas, said Arundale was a godsend to revive Bharatanatyam.

Sabha secretary R. Sundar said RRC, founder secretary, would have turned 94 this month.

Hamsadhwani president Ramnath Mani, secretary T.R. Gopalan and religious exponent Dushyant Sridhar were present on the occasion.

source: http://www.thehindu.com / The Hindu / Home> News> States> Tamil Nadu / by Special Correspondent / Chennai – January 02nd, 2018

This Forgotten Scotsman Is The Reason Why The Anamalai Hills Are Still Lush With Trees

Amidst a verdant grove of teak trees in Tamil Nadu’s Anamalai Tiger Reserve lies an ageing tombstone with a Latin inscription that says “Si Monumentum Requires Circumspice (If you seek his monument, look around)”.

The grave of a little-known Scotsman named Hugo Francis Andrew Wood, this serene spot remains a must-see for local forest guards and nature enthusiasts more than 70 years after the man himself died. For he is the reason why these ancient hills are still lush with trees.

Here is the untold story of how Hugo Wood came to the rescue of Anamalai forests at a time when they stared at a bleak future.

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In 1820, a team of British surveyors ventured into the still unexplored Anamalai range (that spanned several peaks in the Madras Presidency) and were pleasantly surprised to find it heavily forested with towering trees of teak and rosewood.

At that time, timber formed the backbone of many industries and Britain’s oak forests had vanished due to the irresponsible felling of trees. Furthermore, to retain its naval supremacy among the colonial powers, Britain desperately needed wood to make new ships.

Apart from shipbuilding and construction, logs were also needed to build train tracks for Britain’s rapidly expanding rail network — for each mile of train track, around 2,000 wooden planks were required — and provide fuel for steam locomotives.

As such, the surveyors were quick to realise the value of what they had “discovered”. Soon after, the mountains began being gradually robbed of their abundant tree cover, with the teak being shipped of to Tiruchirappalli (to build train tracks) or Bombay (to build Royal Navy ships in the Bombay shipyard).

Too large to be conventionally transported, the giant teak trees were cut down into logs, carried by elephants till a point and then floated down the river to the plains below — the reason why, in time, the spot came to be named Topslip.

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In fact, according to Forestination in Madras Presidency by Dietrich Brandis (1883), roughly about 40,000 trees were felled each year in government forests in Madras Presidency for the railways alone!

Thanks to this over-exploitation, the once-green hills of Anamalai had lost much of their tree cover by 1885. For the next three decades, several British foresters tried to regenerate the region but failed. And then came Hugo Wood.

Appointed the District Forest Officer of Coimbatore South Division in September 1915 (a post he would hold till 1926), Hugo decided to put a stop to the unchecked destruction of Anamalai’s forests and drew up a working plan for the same.

First, the 45-year-old Scotsman talked the local colonial authorities and convinced them to stop hunting wildlife and the irresponsible chopping of trees. He also befriended the tribals who lived near the forests, restored their traditional rights and brought back many who had been displaced (due to the British bringing the Anamalai forests under the reserved category).

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Next, Hugo scathingly admonished the British government for uprooting trees and introduced the forest management technique of coppicing — a method that takes advantage of the fact that many trees rapidly regrow during spring if they are cut down up to the stump during the winter.

Finally, he marked out areas where no logging or coppicing would be allowed for a period of 25 years. In fact, such was his dedication towards his work that he refused to provide timber to the British during the World War I (1914-1918).

In 1916, Hugo set up a bamboo hut in Mount Stuart (near Topslip) and began working in earnest to regenerate the forest of the mountain range. He started small, targeting an area of 25 acres. By the time of his death, it had spread to an area of 650 sq km.

He lived alone, cooked his own food and never missed out on a daily ritual. During his daily walks in the deforested land, he would fish out fistfuls of teak seeds from his pockets, use his silver-tipped walking stick to poke a hole in the ground, and plant seeds there.

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He would repeat the process till his pockets were empty. Then he would go back for more seeds and start again from where he left off. He also made efforts to rid the hills of Lantana camara, an invasive species of flowering shrub that hampered the growth of teak.

Hugo’s hard work paid off, breathing new life into the hills of Anamalai.

In 1925, Hugo retired after a severe bout of tuberculosis and settled in Coonoor, according to a Tamil Nadu forest department booklet. Having remained a bachelor (choosing instead to devote his life to conservation), he died on December 12, 1933, at the age of 63.

However, a few months earlier, a seriously ill Hugo had written a will asking to be buried amidst the trees he had planted. He has also sent the money for the same to the chief conservator of Madras Presidency.

On his death, this request was conceded and Hugo Wood was laid to rest among his lasting legacy — the teak trees he raised in the hills of Anamalai.

On windy days, leaves gently float down from the trees on to the tombstone as if to pay homage to the man who so completely loved the Anaimalais and who did so much to save it.

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Today, this place has become an oft-visited spot for tourists while his immense contribution has become a part of the local folklore. Forest department vehicles ferry people from Kozhikamuthi elephant camp to Hugo’s grave amidst Topslip’s flourishing teak forest. The forest department is now planning to set up a memorial dedicated to the legend at the spot.

Close by is the Mount Stuart Rest House (built in 1886) that is still let out to guests. Though the building stands in all its historic glory, it does have limited damage caused by curious bears and wild elephants who seem to have taken a permanent fancy to the house! However, do note that only wildlife enthusiasts and nature lovers are allowed accommodation.

Photographs :  Pic (01) www.commonos.wikimedia.org / P. Jeganathan / (02 and 03) www.ddraftaniwalpower.org  (04 and 05) www.keralarchaeology.blogspot.in

source: http://www.thebetterindia.com / The Better India / Home> Conservation> Environment> Lede> Nature / by Sanchari Pal / December 28th, 2017

Beyond the ramp

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With Suvastra Designs, this NIFT graduate creates fashion for everyone, regardless of disability

Meet fashion designer Shalini Visakan, a pioneer in adaptive clothing style in India.

When big brands like Tommy Hilfiger and Burberry launched their adaptive clothing lines in 2016, they weren’t successful, mainly because their designs were wearable for only a certain category of the differently-abled.

The physique of each differently-abled individual differs according to their disorder and lifestyle, and Visakan understood this. She understood such requirements better, since her husband is also differently-abled. And that is how Suvastra Designs was born.

Ergonomic designs

She says, “We used to travel a lot, and every time he had to move, people wouldn’t know how to lift or handle him. So, I designed pants with handles to carry him along, with extra crotch length that would give space for his urinal cups, unlike normal pants. The important part is that it should also look good and formal.”

Visakan took it forward by designing a one-piece sari for her friend’s mother, who wasn’t allowed inside a temple because she was wearing a nightie. The sari has an attached blouse, inskirt, pleats and pallu.

She states, “My friend’s mother is very religious and had to stop visiting the temple since she couldn’t wear a sari any more. So, after looking at the clothes that I had designed for my husband, he requested me to do the same for his mother.”

“We either meet the customer in person or ask them to send a video about themselves to understand their demands. For example, thicker fabrics such as denim are used to stitch pants for someone with polio.

Likewise, for people with spinal cord problems, clothes are designed using materials that allow free air circulation. Velcro or elastic-attached towels are made for people who are fragile and unable to control their own body. People who are paralysed on one side of their body can use shirts with magnetic buttons and an easy-to-handle zipper,” she explains.

Bridging the gap

Her husband and pillar of support, Visakan Rajendiran, says, “In a country like India, people feel more comfortable attending a social gathering in traditional attire. We realised that there is a big gap between the clothes available in the market and the requirements of the people.”

The Trios fashion show, held at Hilton, Chennai,  in January this year, was India’s first fashion show that had models on the ramp in wheelchairs, alongside able-bodied odels. Visakan took the initiative to include physically-challenged models, and designed outfits for the ramp.

She explains her intent, “The idea was to create awareness about an inclusive societyThere is no need to be sympathetic. The disabled also live a normal, happy life. This show was not made to showcase their struggles or tell inspiring stories. It was instead a show where the platform about equality; to show that beauty is inclusive.”

The success of the event was soon evident, as a lot of people started approaching Visakan. Their recent ad shoot for Suvastra Designs showed a differently-abled model.

“We approached a lot of brands, offering to shoot for free, but the idea was rejected. Only then did we decide to shoot an advertisement for our own brand, Suvastra Designs. Many people weren’t able to tell that the model is differently-abled. We wanted this to be a motivating factor for others,” discloses Shalini.

Bigger gains

The custom-made clothes start from a basic price range of ₹1,000. The couple reveals that although the business isn’t profitable yet, they want to expand its reach, rather than focus on profits.

The couple is also planning to train differently-abled persons to groom themselves, maintain fitness, ramp walk and build confidence, so that they can enter beauty pageants. They also hope to expand their stores across India to cater to the larger population.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Chennai / by Priyadarshini Natarajan / December 29th, 2017

Call to undertake research in ancient Tamil music

Madurai :

Poet N S Sundararaman of Dharumai Aadheena mutt has said that the names of many renowned Shiva temples, revered in Thevaram (garland of divine songs praising Lord Shiva), were sanskritised in the past and the same fate should not befall Pannisai (ancient Tamil music and a predecessor of Carnatic music).

He further urged the Tamil Isai Sangam to undertake research in Pannisai. He was speaking at the Tamil Isai Sangam’s silver jubilee anniversary celebrations on Monday. The Sangam honoured its octogenarian trustee S Mohangandhi, also a former income tax officer on the occasion. Mohangandhi was a student of the first batch of Thevaram class and was praised for his untiring efforts to promote it for 25 years.

Since 1992, the Tamil Isai Sangam, functioning at the Raja Muthiah Mandram, has been conducting free music class on Thevaram on its premises and more than 2,000 people have studied there so far.

Sundararaman said that learning of Thirumurai (Shaiva literary works, twelve in number) will help one in many ways. “Thirumurai will uplift humans. It will change the thinking of chicanery and will help one to attain self-realisation. People belonging to Nagarathaar clan have contributed much to spreading Tamil Isai. The Tamil Isai Sangam needs to do research in Pannisai,” Sundararaman said.

Former Income Tax commissioner of Madurai S Sankaralingam who presided over the function said “One who wishes to see progress in life needs to learn Thevaram and read Thirumurai.” Trustee Thu. Meikandaan said “Thevaram music will help better functioning of brain.” Tamil Isai Sangam secretary P R Chockalingam and treasurer R M Somasundaram offered felicitations. V S Janaranjani welcomed the gathering. A G Sankar proposed a vote of thanks. A women’s troupe also sang Thevaram at the function.

source: http://www.timesofindia.indiatimes.com / The Times of India / News> City News> Madurai News / TNN / December 26th, 2017

Former BJP State chief K. Narayan Rao dead

Former BJP State president, freedom fighter and educationist K. Narayan Rao, 88, passed away at his residence in west Tambaram on Wednesday.

Narayan Rao became a member of the RSS during his college days and when the BJP took shape, he was persuaded by leaders to become the State unit’s first president.

He also established ‘Kalaniketan’ in 1958 to produce movies.

In June 1978, he took charge as secretary of JG National School.

source: http://www.thehindu.com / The Hindu / Home> News> Chennai / by Staff Reporter / Chennai – December 28th, 2017

A glorious tradition of supporting the arts

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New book showcases contribution of Thanjavur Marathas

The contributions of the Thanjavur Maratha rulers to the State were recalled at a book launch in the city on Tuesday. Pratap Sinh Serfoji Raje Bhosle, sixth descendant of the Thanjavur Maratha royal family, released his book — Contributions of Thanjavur Maratha Kings — chronicling their impact on fields such as art, culture and literature.

“This covers not only the history of the former rulers, but also the lives of Shivaji Maharaj, his son Sambaji, their guru Samartha Ramdas Swami, the Cholas and the Nayakas, and also contains historical facts about their contribution to bharatanatyam,” he said.

Actor Vyjayanthimala Bali presided over the event and released the book. “Thanjavur is unique in so many ways and what the Serfoji family has contributed to bharatanatyam is part of history,” she said, recalling the time when there were Marathi compositions written for the dance form. “There was a time when it used to be called Maratha bharatanatyam, I have seen dancers perform on Marathi compositions written by the rulers.Bharatanatyam exponent Lakshmi Vishwanathan and Aravinth Kumarasamy, artistic director of Apsara Art Singapore, were present at the event.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Chennai / by Staff Reporter / Chennai – December 27th, 2017

The church by the sea

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St Thomas English Church that turned 175, stands a solemn witness to the passage of time

It’s late afternoon and birds keel over the squat steeple of St Thomas English Church (STEC) that stands at a bend on Santhome High Road. Children rush out of the school gate, a few swing from the low branches of trees that swish noisily in the brisk sea breeze. A winter coastal light washes over STEC’s white structure, complete with arches and turrets. Beyond stands a fishing hamlet barnacled to its compound wall that has replaced the fence with a wicket gate that opened to the beach and the bay beyond. Here, in the sweep of golden sands where Thomas, the saint who lends his name to the church and one of Christ’s 12 apostles walked, there is a mercurial stillness that hangs in the air — a quietude that has conquered the call of birds, chatter of children and the roar of waves for 175 years now.

I’m led on a guided tour of the 14-ground campus by Rev Richard Ambrose Jebakumar, the present presbyter, and Sheeba and Roshan, who were born and raised in this pastorate and whose families have been members for generations. High above the arched doorway is a crest emblazoned into the wall that spells out 1842 – the year the church was founded — and reads ‘Quarto septennial – abounding in grace, faith and love.’

“These are words that have largely inspired the philosophy of this church and its members,” says Rev Jebakumar. “Raised to meet the spiritual needs of the large number of Europeans who had made Santhome home, the church owes its existence largely to the dynamic Methodist missionary Robert Carver.” Carver, who is buried under the main altar of the church, arrived in India in 1824 and was a pioneer in the work of the oldest mission of the Church of England in India that worked at promoting Christian knowledge. By 1836, Bishop Daniel Corrie obtained a grant to build the church. By 1842, Carver had moved back to Madras from Mannargudi, and STEC was consecrated later that year. After Carver died a few years later, the church had many notable presbyters leading it, including AR Symonds and A Westcott, with the first Indian presbyters taking over in the 1930s. Their names now fill the wooden plaques that hang in a quiet corner of the church, although their work has for long defined the character of this pastorate. “St Thomas’ strength lies in the fact that it is a family church. Governor Thomas Munro worshipped here, and generations of families have been members here. It has helped foster a rare bond,” says Sheeba, member of the pastorate committee, outlining the many activities the 250 member-families pitch in for.

“Hospital visits and working with women and children from disadvantaged backgrounds, especially those from the nearby CSI School for the Deaf, are some of the areas of focus.” Sheeba’s husband, Roshan, was a member of ADAG (Anti-Drug Action Group), a church band in the 1980s. “The church also pitched in to help the flood-affected people in the locality. The school, established in 1986, serves children from modest backgrounds. Weddings for the poor were held for the 175th anniversary. We also organised special services and installed a statue to mark the occasion,” adds Rev Jebakumar.

The church has changed little since it was first raised. Massive wooden doors open to aisles lined with beautifully carved pews and walls with poignant marble plaques that tell tales of English men land women ost to battles, sunken ships and tropical disease. The stained glass behind the brass and stone-embedded cross on the altar was replaced after the tsunami struck. “We were at service that Sunday. It was the only part of the church that was destroyed,” says Sheeba. On the brass lectern stands a version of the King James Bible, its pages brittle with the weight of history, but its words firm.

Music has been a strong tradition in the church. The Thomas Robson pipe organ, built in 1868 and played by organist Anila Manoharan, is the second-oldest in the city. Its strains wash over the cobble stone altar outside and to the sunset lingering across the foam-topped waves. And, above the roar of the traffic rise the words so loved by the people here — ‘There’s a church near a bend on the sea shore, No lovelier place I love more.’

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Chennai / by Deepa Alexander / December 27th, 2017

Lions Club honours four personalities

Special moment: Sanjay Khaitan, former international director, Lions Club, presenting the Lions Centennial Marquee Awards in Chennai on Sunday. | Photo Credit: K. Pichumani
Special moment: Sanjay Khaitan, former international director, Lions Club, presenting the Lions Centennial Marquee Awards in Chennai on Sunday. | Photo Credit: K. Pichumani

Centennial celebrations of The International Association of Lions Club-District 324-A1 held

The Lions Centennial Marquee Awards were presented on Sunday to four eminent personalities on the occasion of the centennial celebrations of The International Association of Lions Club-District 324-A1.

Industrialist Nalli Kuppuswamy Chetti (philanthropy), musician T.V. Gopalakrishnan, State Higher Education Secretary Sunil Paliwal (public service) and N. Ravi, publisher, The Hindu Group (journalism), were honoured.

Centennial district governor K.S. Babai said all the four awardees had rendered service with dedication. “Whenever someone comes asking for a donation for a genuine cause, without any hesitation, Mr. Nalli Kuppuswamy offers help almost immediately,” she said.

Speaking of Mr. Gopalakrishnan, she said his music was pure and divine and attracted millions across the world.

“It is hard to find a person like Mr. Ravi, who has made a great contribution in the field of journalism,” she said, adding that he was an extremely simple person and fine human being.

On accepting the award, Mr. Ravi said he felt honoured. A postal stamp was released on the occasion. Vijayalakshmi Thavva, district chairperson, centennial celebrations, spoke.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Chennai / by Staff Reporter / Chennai – December 25th, 2017

Jayaprakash Joghee Bojan wins National Geographic’s Nature Photographer of the year 2017

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Jayaprakash Joghee Bojan, who is National Geographic’s Nature Photographer of the Year 2017, talks about his award-winning shot and love for wildlife photography

He was a point-and-shoot photographer for 10 years. Four years ago, his wife got him a DSLR and today Jayaprakash Joghee Bojan is the National Geographic’s Nature Photographer of the Year 2017 for his photograph of an orangutan crossing a river in the wilds of Borneo.

Excitement ripples through his voice as he talks about his award-winning shot. “In August, I was in Kalimantan on the Indonesian side of Borneo and heard about this orangutan that crossed the river. I found this amazing because orangutans normally avoid water. They’re arboreal creatures. And, there were crocodiles in the river.”

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So he made for the area but didn’t see anything for a couple of days. But he decided to wait. “I had a hunch this would be special.” On the third day, he heard that the animal had been spotted on the other side of the river and rushed to the spot. “When the orangutan appeared, I climbed into the water.” Didn’t he remember the crocs? “Yes but I had to do it if I wanted that truly unique shot.” His appearance made the orangutan nervous and it retreated behind a tree. They played peekaboo till the animal decided that it could ignore him. “I got around 25 shots of it peeping out from behind the tree and retreating,” laughs Bojan. “Then he came out and began to cross the river and I got this shot.”

Bojan, who is from the Nilgiris, says his interest in wildlife came naturally. His grandparents lived in a village just a few kilometres from Dodabetta. “I was surrounded by birds and lot of wildlife.” He also lived in Bengaluru so he got in a lot of “backyard birding” and travelled to all the National Parks in India (one of his favourites is Nagarhole). But he started taking wildlife photography seriously when his wife was transferred to Singapore two years ago and he quit his job to move there. A visit to the Singapore Zoo triggered his interest in primates. “It was the first time I had seen them and I wanted to see them in the wild.” He began to research and reach out to people across Southeast Asia. “Southeast Asia has approximately 25% of the most highly endangered species of primates. You don’t have the usual photo-safari destinations here and it was hard to find people who knew where to spot them. Slowly my connections grew and I’ve been able to photograph around eight or nine species.”

Bojan’s photos were earlier picked as the Editor’s favourites in the National Geographic Nature Photography Awards but he’s glad it’s the orangutan that won. “More people will see this and there will be more visibility and may be more people will be willing to help. The orangutans need more help than they’re getting.”

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His favourite subjects apart from primates, and organutans in particular, are the tiger and otters. “My first tiger shot was in Bandipur,” he reminisces. “It was a female called Gauri and she had two cubs.” On the subject of otters, he has a lot more to say. While he has photographed otters in the wild in Kabini and Corbett National Park, it is a family of wild otters near his house in Singapore that currently has him captured. “They’ve figured out a way to live in an urban place like Singapore. There’s a community called Otter Watch that tracks the otters across Singapore. They post updates on social media and recently celebrated the birth of new pups. The otters roll on the sand or the grass to clean their fur as the humans watch and even take food from them.” One of Bojan’s photos of a couple of elderly men reaching out to the otters won an award from the Indian website Nature in Focus.

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Going forward, Bojan hopes to do a photo-story book on primates. “Some of these species number just 50-100 in the wild.” He’s also looking forward to a trip in Japan in February to shoot the snow monkey, the red fox and migrating raptors. He hopes to get some sightings of the elusive snow leopard from a trip to the Spiti Valley later in 2018. Towards the end of the year, if his permissions come through, he’ll be tracking a rare monkey on the Vietnam-China border. “I have lots of photographs to come; many more stories to tell,” he says.

A tough battle

Halfway through the story of his award-winning shot, Bojan gets side-tracked into the story of a ranger-turned-conservationist who is trying to buy land around the periphery of the national parks to ensure that it doesn’t fall into the hands of palm oil companies. “He’s educating the local people about habitats and the animals there and training them to be guides. The profits from guided tours are being invested into ensuring that land around the forest stays wild.”

While Bojan admits it’s a tough call to choose between preserving habitats and finding employment, he hopes they can sustain this initiative. “Obviously they cannot pay as much as the bigger companies. I am donating a part of the award money towards this cause. They’ve managed to buy around 12 acres in the last year, which is a great feat.” Around 30% of Indonesia’s income comes from palm oil, so it’s a “tricky affair for all concerned: the government and the people on the ground.”

source: http://www.thehindu.com / The Hindu / Home> Life & Style / by R. Krithika / December 25th, 2017

Hidden Trails: A walking tour in Ponmar

Agricultural fields and concrete structures stand cheek-by-jowl; ASI sites show up at every turn

There are two easy routes to reach Ponmar and each of these introduces the visitor to one of two features that largely define it.

So, I enter this semi-urban village through one and head out of it through the other. From Old Mahabalipuram Road, I reach Thalambur Koot Road, which forks into two roads, one of which leads to Ponmar.

As I enter the village, I am greeted by a board, which announces the place’s living link with the past. Ironically, what keeps Ponmar’s connection with a long-gone era alive, is its dead.

In parts of Ponmar, ancient burial grounds lie hidden; boards installed by the Archaeological Survey of India (ASI) call attention to this fact. Driving down Malai Theru (also known as Mount Street), I reach a hillock, which has a 104-year-old church atop. ASI boards are found on sections of this hillock, from where one gets an arresting view of three striking features of the neighbouring locality, Ottiambakkam — a lake, an abandoned quarry and a massive power installation. Walking down Mount Street leads to the abandoned Ottiambakkam quarry. The Ottiambakkam panchayat has installed a board, warning visitors off the waters in this abandoned quarry. There are many rocky protrusions under the waters, which are said to have claimed many lives. According to the board, swimming, washing of clothes and bathing are prohibited. Every day, one can see this message being ignored. It’s a Sunday, and I see people swimming in these waters.

At one point, I hear a swimmer yelling out a word of caution to another — “There are rocks there! Don’t dive there!” A little distance away, I come upon another defining feature of Ponmar: The defiant presence of agriculture amidst real estate development. On a stretch leading off Mount Street, I see a paddy field and a multi-storey building under construction, stand cheek-by-jowl. While heading out of Ponmar, taking Periya Street and Easwaran Koil Street, which leads to Medavakkam-Mambakkam Main Road, I get some more glimpses of agriculture.

(Hidden Trails is a column that shows you how to be a tourist in your own city.)

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Chennai / by Prince Frederick / December 22nd, 2017