Category Archives: Records, All

CITY EXPLORER – A trip back in time

The entrace of the International Institute of Tamil Studies, Taramani Photo: Special Arrangement
The entrace of the International Institute of Tamil Studies, Taramani Photo: Special Arrangement

GEETA PADMANABHAN takes a walk through the International Institute of Tamil Studies, Taramani, and returns with stories of valour and artistry

Did you know the ancient Tamils could weave cloth so fine that yards could be packed in a matchbox? That they compared pinpoint surgery to a bird picking fish from deep waters? Painted planets on the ceilings of bedrooms?

These and other facts come alive in a comprehensive display at the International Institute of Tamil Studies, Taramani. One visit there, and you’re sure to feel great pride.

More so, when you realise that they were so perfect, we still follow their designs.

Genesis

The Institute was started in 1970 for Tamil research. Students and academicians stepped in for study and discussion. In 2014, directors Vijayaraghavan and Manavazhagan (present officer-in-charge) submitted a proposal to the Government for a cultural centre, where a permanent exhibition would recreate the 5,000-year-old history of Tamils. The exhibits would retell legends culled from decades of research.

The approval was announced in September 2014. A new building came up, and several teams set to work. They gathered material, shaped models and ordered paintings. In March this year, the centre opened to the public.

The attractions

At the centre, you’ll first be led to a spiffy, modern theatre with excellent acoustics for a treat of short films (eight to nine minutes each) put together with photographs, dramatic recreations, videos, film clippings and pictures of sculptures/murals from temples.

One is on the evolution of Tamils as a settled group, their inventions to make life comfortable, their superior talent in weaving, growing crops and trade, and the formation of family units.

The others are about ancient Tamil medicine, water management, war craft and administration. Clear narration threads the stories seamlessly.

Rich sources

“Sangam literary works spanned 5,000 years. For my doctorate, I researched on the life of Tamils during that period. In many ways, that became the basis for what we have created here,” says Dr. Manavazhagan. The information found in literature has been corroborated for authenticity by archaeological findings, living structures, palm-leaf manuscripts and copper plates that have survived the centuries. If Kallanai teaches us water management, the Tanjore temple is a fine example of architectural ability, and the lighthouse stands for ancient Tamils’ prowess in ocean navigation.

Celebrates literature

“This museum is based entirely on literature,” says Dr. Manavazhagan. The idea was to gather in one place tangible evidence of the achievements of Tamils in various fields.

It would reveal to the world the culture that nurtured ideas, patronised art, war craft and scientific temper, and promoted progressive norms as a way of life.

“We want our youth and foreigners to be introduced to that advanced civilisation,” he says.

What’s on display

The undeniably rich life of the Tamils is narrated through paintings based on Sangam literature, wood and cement reproductions of artefacts found in various parts of the State, photographs of collections in other museums, replicas of weapons and implements, dioramic representations and models of old cities and temples — many of them accompanied by literary evidence.

The galleries

The exhibits have been arranged in five well-lit, well-arranged galleries — Tholkappiar Arangam displays art forms (the door is the highlight); Thiruvalluvar is about metalcraft/agriculture, education, medicine and weapons; Kapilar has a collection of home tools/grinders, exhibits on temples and gods; Avvaiyar Arangam has life-like depictions of famous events in the life of kings; and the Ilango Adigal gallery touches on ship-building and sail-weaving — for which Tamils were well-known. The highlight in this gallery is a beautiful mini lighthouse.

Dioramas tell us how kings stuck to the rules of war, treated subjects with justice, and ensured fair-play and compassion to all creatures. The scale-models of Madurai and Srirangam reveal the meticulous city-planning and extraordinary temple-building artistry.

Call 2254 2992 for a trip back in time.

source: http://www.thehindu.com / The Hindu / Home> Features> MetroPlus / Geeta Padmanabhan / Chennai – May 31st, 2016

Harappa-like site surfaces in Tamil Nadu

The excavation trenches at Keeladi attracted many who wanted to have a glimpse of the ancient civilization (TOI photos by Anthony Xavier)
The excavation trenches at Keeladi attracted many who wanted to have a glimpse of the ancient civilization (TOI photos by Anthony Xavier)

Madurai :

With structure after structure surfacing from under the soil, the massive scale of an ancient urban centre that lies buried at Pallisanthai Thidal in Sivaganga district of Tamil Nadu is emerging.

The second phase of the work undertaken by excavation branch VI, Bangalore, of the Archaeological Survey of India suggests that the settlement at Keeladi village could be as large as the ones in Harappa and Mohenjo Daro. The excavations reveal a well-built urban centre with many amenities.

After exploration works on the Vaigai riverbed in 2013-14, the office of the superintending archaeologist, excavation branch VI in Bangalore, shortlisted Keeladi village for excavation. The first phase of the study carried out in 2015 unearthed various antiquities, iron implements and earthenware, both foreign and locally made. The pot shreds of Arretine dating back to 3 BC proved foreign trade existed in the region during the period.

As t he phase I study concluded that this was an ancient urban habitation site, the ASI went for the next phase of excavation at Keeladi. According to archaeologists working at the site, the results of phase II in 53 excavation trenches are overwhelming. “, The mound where we are excavating is of 3.5 km circumference in 80 acres of private agricultural land. We are finding structure after structure of the habitation site, the first of its kind in Tamil Nadu. It could be a huge urban settlement of independent civilisation on the banks of the Vaigai,” said K Amarnath Ramakrishna, superintending archaeologist.

The semi-precious stone antiquities found at the excavation site.
The semi-precious stone antiquities found at the excavation site.

The current excavation works will go on till September this year. The excavation is lending much credence to the narrative in Sangam literature that throws light on the ancient Tamil way of life. The literature speaks volumes about the public and personal lives of rulers and the people of Tamil Nadu some 2000 or more years ago. However, there had been no solid evidence in archaeology to support the Sangam way of life.

Madurai Kanchi, Nedunalvadai and Paripadal in the literature speak about the Madurai and Pandya kingdoms in the region. “These books talk about the personal lives of kings and queens, their palaces and their way of life. But we could not know exactly where the city mentioned in these texts existed,” says Vedachalam.

source: http://www.timesofindia.indiatimes.com / The Times of India / News Home> City> Madurai / by Arockiaraj Johnson / TNN / May 29th, 2016

A visual treat awaits tourists

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Paintings on the 28 km Ghat Road from Karavalli in the foothills to Semmedu in Kolli Hills depicts notable incidents from the history.

Tourists have to pass through the 70-hairpin bends to reach atop the hills to enjoy the scenic beauty. Hence, in order not to make their journey tedious, the Highways Department of Senthamangalam Wing, decided to paint the walls along the Ghat Road at many places illustrating famous incidents in Tamil literature.On the 34th hairpin bend is a painting that depicts the archery skills of King Valvil Ori who ruled Kolli Hills in the second century. It shows how the king killed an elephant, a tiger, a deer, a boar and a monitor lizard with a single arrow.

“It helps us to know the history,” said P. Rithu Sri, a tourist from Hosur. The hectic journey along the Ghat Road turns joyous and informative as the paintings capture the interest of the tourists.

Other paintings include, one of the ‘Kadai Ezhu Vallalgal’ began offering shawl to a drenched peacock, Nalli giving a string of pearl chain to a poet and a scene from Silapathikaram where Kannagi demanding justice for the death of her husband Kovalan in the king’s court. These paintings were drawn at places where space is available for parking vehicles so that traffic is not disrupted.

Tourists also take photographs of the paintings and wanted more details to be displayed along with each paintings. S. Lakshmanan from Karnataka said that the details can be given in English also so that tourists from other States will understand them.

“Now, we have to seek the help of others to know what is written in Tamil,” he added.

Other tourists said that children learned to worship the nature and also learn history.

“No other Ghat Road carries messages like these,” said L.P. Jeyachandran from Chennai.

source: http://www.thehindu.com / The Hindu / Home> National> Tamil Nadu / by Staff Reporter / Dharmapuri – May 28th, 2016

Leaders garland Mutherayar statue

SALUTE:Leaders of various organisations garlanding the statue of Mutherayar in Tiruchi on Monday.— Photo: B.Velankanni Raj
SALUTE:Leaders of various organisations garlanding the statue of Mutherayar in Tiruchi on Monday.— Photo: B.Velankanni Raj

Tight security arrangements made to avert any untoward incident

Amid heightened security arrangements across the city, several people paid their respects to ‘Perasarar’ Perumpidugu’ Mutherayar on the occasion of his 1,341 birth anniversary on Monday.

Collector K.S. Palanisamy led the district administration officials in paying respects to ‘Perumpidugu’ Mutharayar by garlanding the statue at Othakadai Junction in the morning.

Representatives of political parties and various outfits garlanded the statue of Mutherayar with a posse of police personnel guarding the spot and its vicinity regulating crowd and vehicular movements.

The sudden outbreak of violent acts indulged by members of a particular outfit during the birth anniversary celebrations of ‘Perumpidugu’ Mutherayar in 2012 prompted the police to put in place detailed security arrangements this year too as a precautionary measure.

A meeting was organised recently by the district administration with members of various outfits for the smooth conduct of the birth anniversary celebrations of ‘Perumpidugu’ Mutherayar, police sources said.

As part of the security plan drafted for the event, barricades were installed around the statue with a team of police personnel guarding the spot and regulating those coming to garland the statue and vehicular movements.

Buses which were initially diverted without touching Othakadai were subsequently allowed to proceed via Bharathidasan road. Carrying their organisation flags, members of the Tamil Nadu Mutharayar Sangam, Mutharayar Munnetra Sangam and Veera Mutherayar Munnetra Sangam garlanded the statue.

In addition to city police, personnel from the Armed Reserve, Tamil Nadu Special Police, Quick Reaction Teams and Striking Forces were deployed at different spots. Pickets were posted at vantage spots in the city as a precautionary measure to ensure order on the day of the celebrations.

Representatives of the All India Anna Dravida Munnetra Kazhagam, Dravida Munnetra Kazhagam, Tamil Maanila Congress and Desiya Murpokku Dravida Kazhagam garlanded the statue.

Police said the celebrations went off peacefully amid heightened security measures to ensure its smooth conduct.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Tiruchirapalli / by Special Correspondent / Tiruchi – May 24th, 2016

Pudukottai museum records better footfall

FROM THE LOST WORLD:The moving dinosaur is the cynosure of all eyes in the renovated government museum in Pudukottai.— PHOTO: A. MURALITHARAN
FROM THE LOST WORLD:The moving dinosaur is the cynosure of all eyes in the renovated government museum in Pudukottai.— PHOTO: A. MURALITHARAN

The moving dinosaur has been a huge attraction for visitors

The Government Museum here has been attracting a large number of visitors, children, history-lovers, and research scholars thanks to the facelift given to it by the State government.

New galleries, including a metal ware gallery and auditorium, are important facilities provided at this century-old museum, which is the second largest in the State, after the Chennai museum.

The ancient flooring has been replaced with tiled flooring all around the museum.

Exhibits of invertebrates, water birds, different types of fishes, butterflies, arthropods, and reptiles have been carefully displayed.

The main building has been renovated and converted into a modern gallery with diorama display cases, say museum authorities.

The metal ware gallery has a collection of south Indian toys, ancient bronze idols, ornamental plates, and trays and copper embossed plates . About 500 metallic exhibits of the ancient era brought from the Chennai museum are display at the metal ware gallery.

Meetings and training programmes can be organised at the auditorium.

With 200-seat capacity, the auditorium, on the rear side, will host various events, including inscription-related training for archaeology students.

The State government had sanctioned Rs. 80 lakh for the work. Paintings of Raja Ravi Varma, huge portraits of the Thondaiman rulers, and musical instruments used in the bygone era are the other prized items in the museum.

Post-renovation, the museum has been attracting a large number of visitors.

The moving dinosaur is yet another attraction for the visitors cutting across age-groups. With its tail wagging and a wide grin, the dinosaur has been a big hit with the visitors.

source: http://www.thehindu.com / The Hindu / Home> National> Tamil Nadu / by Special Correspondent / Pudukottai – May 23rd, 2016

Best scientist award conferred

G. Valli, Vice-Chancellor, Mother Teresa Women’s University, being conferred the Best Scientist Award at a symposium held in Bharathidasan University
G. Valli, Vice-Chancellor, Mother Teresa Women’s University, being conferred the Best Scientist Award at a symposium held in Bharathidasan University

The Publication Division of Bharathidasan University and the Indian Academic Researchers Association organised a symposium on emerging trends in innovation in academic research in Tiruchi on Saturday. N. Murugeswari, symposium Director and Publication Officer (in-charge), Bharathidasan University, welcomed the gathering. G. Valli, Vice-Chancellor, Mother Teresa Women’s University, was conferred best scientist award by M.B.M. Ismail, Senior Lecturer, Faculty of Management and Commerce, South Eastern University, Sri Lanka.

Ms. Valli said that the decade, from 2010 to 2020, had been observed as a Decade for Innovation by the National Innovation Council. Technology had played a major role in the research system and it could be oriented through the untiring and pursuing attitude of the researcher.

Babu Rajendran, Director(in-charge), Council of College and Curriculum Development, Bharathidasan University, presided. J. Manjula, Principal, Periyar EVR College, spoke.

“READ NEWSPAPERS”

Mylswamy Annadurai, Scientist and Director, ISRO Satellite Centre, Bangalore, emphasised the importance of students reading newspapers, which helps them to know the world and understand what they know. He was delivering the Graduation Day address at Chendhuran College of Engineering and Technology, Pudukottai. Three hundred students received their degrees.

“LEARN INDUSTRIAL PRACTICES”

Students should learn industrial practices during their study as companies expect candidates recruited by them to fit directly into their work environment without much training, said G. Parthiban, president, Rane TRW Steering Systems Private Limited, speaking at the annual day of Rane Polytechnic College. He urged students to work hard and develop clarity in thinking. R. Venkatanarayanan, president, Rane Corporate Service, said that through continuous learning students can enhance their knowledge and skill. M. Saravanan, Principal, presented the annual report.

TOPPERS HONOURED

Student toppers were honoured at the ‘Achievers Day’ of MASTeR Group of Institutions. Faculty members who had helped achieve good academic results were also honoured. M.A. Maluk Mohamed, Director, presided. K. Sridhar, Principal, M.A.M. College of Engineering and Technology, William, Dean, Haridoss, VP, and B. Annette, Director, M.A.M School of Business, were present.

Contributed by C. Jaisankar and G. Prasad

source: http://www.thehindu.com / The Hindu / Home> National> Tamil Nadu / May 23rd, 2016

Texas teacher ready to conduct workshops for educators

Revathi Balakrishnan
Revathi Balakrishnan

Indian-American teacher Revathi Balakrishnan was recently honoured by U.S. President Barack Obama at the White House for her work in the education.

Indian-American teacher Revathi Balakrishnan, who was recently honoured by U.S. President Barack Obama at the White House for her work in the education space, said she was open to visiting India to conduct workshops or have dialogues with teachers here.

“I can teach them how to motivate students to learn, how to teach with rigor and relevance and how to build resilience,” Ms. Balakrishnan toldThe Hindu .

Native of Chennai

The Chennai-born teacher was named 2016 ‘Texas Elementary Teacher of the Year’ and will now represent Texas in the ‘National Teacher of the Year’ competition – a programme that identifies exceptional teachers in the U.S.

Ms. Balakrishnan, who works at Patsy Sommer Elementary School in Texas, did her B.A in economics from Ethiraj College in Chennai. She then did her M.A in economics from Northeastern University in Boston, Massachusetts.

“My teaching degree is from Texas State University. I came to the U.S. in the eighties and was a systems analyst for 12 years with Liberty Mutual before becoming an educator. Teaching allows me to be creative in my ways of presenting curriculum to students,” she said. She has been teaching for 10 years now.

Her role is to teach math and English to students who are identified as Gifted and Talented (GT). That is, the top 5 per cent of students in the school.

“GT students have the ability to learn fast and they think in a different way, but too often, they are not understood. This leads to boredom, behaviour issues and under-achievement. In my classroom, they are challenged at their academic and creative level through project-based learning and Socratic questioning,” Ms. Balakrishnan explained.

Quality of teaching

On the education system in India and why it is so tough to get quality teachers here, she said, “I have never taught in India, so I don’t know much about it. Quality teachers just don’t appear magically, whether it is India or the U.S. In order to ‘grow’ successful students, we must ‘grow’ successful teachers. Higher teacher salaries also attract the best of the best to the profession. There has to be a fundamental shift in the way we view teacher support,” she emphasised.

Meeting

On her meeting the U.S. President, Ms. Balakrishnan said, it was a lifetime opportunity to visit the White House and meet the President.

“The ceremony was supposed to take place in the South Lawn. However, as it had rained, it was moved inside. So, I got to see the fantastic portraits of all the Presidents and the lavish decorations. Imagine all the historical conversations that have taken place in the Red Room and the Green Room,” she said.

‘GT students have the ability to learn fast and they think in a different way, but too often, they are not understood’

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Chennai / by Sangeetha Kandavel / Chennai – May 18th, 2016

Coimbatore topper in UPSC exam secures 651th rank

Coimbatore:

S Satish Kumar from the city emerged as a topper in the union public services examination, the results of which came out on Tuesday. He secured the 651th rank.

A graduate in electronics and instrumentation engineering from the Government College of Technology, Satish Kumar is a native of Perur. After his graduation, he worked with Wipro Technologies for eight years in destinations abroad like the United Kingdom, Brazil and Canada. “I was impressed with the kind of governance abroad, and wanted to do something similar in our country. So, I thought I will take up civil services,” said Satish Kumar.

He then cleared Group 1 in Tamil Nadu Public Services Commission (TNPSC), and served as the deputy collector in Madurai district for one-and-a-half years. “In 2014, I took the UPSC exam and got selected in the IRS category. I am undergoing training in Hyderabad,” said Satish.

Last year, the sixth rank holder in UPSC was from Coimbatore. Charusree T had secured the 749th rank and had got into IFS. In her second attempt, she bagged the sixth rank.

source: http://www.timesofindia.indiatimes.com / The Times of India / News Home> City> Coimbatore / TNN / May 11th, 2016

Madras Miscellany: Laying down Hindu Law

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Laying down Hindu Law

I was recently asked by a reader who the first Indian Principal of Law College was. I’m afraid I have no answers, so I pass on the question to the readers of this column. The question, however, set me wondering on who was the first Professor of Law in Madras. The answer to that is a little easier. When the oldest college in the South, Presidency, Madras, started, one of its first faculties was the Law Faculty and its sole lecturer was John Dawson Mayne, who had been invited from the UK to head it. At Presidency, he took his classes in the evening, so that he could appear in court in the mornings.

While practising in London in the 1850s, Mayne wrote a book titled Damages and ‘Mayne on Damages’ is still, I’m told, considered an authoritative work. However, certain remarks he had made in it led to solicitors in London boycotting him and his, as a consequence, accepting the Professorship of Law at Presidency. In India, he became fascinated with Hindu Law and made himself an authority. From 1863 to 1878 he worked with translators and eventually brought out a voluminous treatise on Hindu Law, still considered authoritative. Also considered “indispensable” to every lawyer practising in an Indian criminal court was Mayne’s commentary on the Indian Penal Code.

Mayne’s work on Hindu Law was, however, not a pioneering work, I discovered recently when reading a book of brief biographies of the Chief Justices of Madras during the British period, by V N Srinivasa Rao, an Oxford-educated Barrister who wrote articles and commentaries regularly to various law magazines, mainly in the 1950s and 60s. The pioneer was Sir Thomas Andrew Lumsden Strange who came out in 1798 to head the newly established Recorder’s Court which succeeded the Mayor’s Court. When the former institution was succeeded by the Supreme Court, forerunner of today’s High Court, Sir Thomas in 1801 became its first Chief Justice, a position he held for 15 years. Returning to England in 1817 he began reflecting on Hindu Law and decided to write a book on it. His Elements (of Hindu Law) was published in 1825. But when he sat down to work on a second edition and wrote to several legal luminaries in Madras asking for additional inputs, none replied. In his preface to the 1830 edition, Sir Thomas wrote in sorrow, “In preparing the present edition… the author has no acknowledgements to make in any quarters, for assistance, or suggestion, though invitation, and even solicitation, on his part, has not been wanting.”

The significance of Sir Thomas’ contribution was recognised by Mayne in 1859 when he wrote, “In fact, Sir Thomas Strange’s treatise has done more than merely collecting the authorities upon the Hindu Law. It has settled the Law. Few will search for themselves through Manu and Mithakshara when they find the substance brought out in the masterly English of the Chief Justice of Madras.” I wonder how many in the legal profession in the city recognise today Sir Thomas Strange’s contribution.

***

The cave at Saluvankuppam
The cave at Saluvankuppam

The cave in the kuppam

I had in Miscellany April 25 wondered why no prominence has been given to Saluvankuppam as a destination to also be visited by those going to see that open air museum of rock sculpture that is Mahabalipuram. I wouldn’t have if I had not been confused by Sir Walter Elliot’s description of the place. Saluvankuppam is Tiger’s, or Yalis’, Cave where most visitors stop for a while before proceeding south, three miles further, to the main sculptures. There is also a small signboard at the site saying Saluvankuppam, writes Dr. R.K. Natarajan in setting me straight.

Natarajan adds that the kuppam in ancient times was known as Tiruveluchiyur and the sculptures there, including the Athirachanda Mandapam a few yards north of Tiger’s Cave, were created during the reign of Rajasimha, the son of Mahindra Varma Pallava, according to that modern authority on Mahabalipuram, R Nagaswamy. Natarajan adds that there are “two inscriptions here, one in Pallava-Grantha on the southern flank and the other in Nagari on the northern flank.” Both are in praise of Rajasimha.

This information had me searching for a beautiful thin landscaped-sized guidebook on Mahabalipuram that TT.MAPS had produced many decades ago, with photographs by M. Purushothama Rao and script by veteran journalist M C Subrahmanyam. In it, ‘MC’ wrote, “Another attractive monument called the Tiger’s Cave is in Saluvankuppam, a sea-coast village three miles to the north of Mahabalipuram. We see here an enchanting mandapam behind the facade of gigantic, prancing yali-s. To the south of Tiger’s Cave is Athirachanda Mandapam with the bas relief of Somaskanda. Very near the mandapa is a very beautiful sculpture depicting Durga’s fight with Mahishasura. The theme is the same but the artist has exhibited his skill by introducing a number of interesting changes.” Sad, I’d forgotten all this, for I had been the publisher of this guide book!

Trying to learn more about Tiger’s Cave, I searched and found my 40-year-old copy of Michael Lockwood, Gift Siromoney and P Dayanandan’s Mahabalipuram Studies. It did not take me much further than a questioning of Rajasimha’s ownership of the work in much of the Mahapalipuram area. But it did throw up a surprise. They write, “Although these monuments and their figures are all carved out of stone, yet every inch would have been covered by the artisans with a thin layer of fine, white plaster and then painted… All of the human and animal figures would have been painted so as to impart a startling realism to them. The paint, of course has disappeared except for traces.”

They refer in a footnote to a letter they had written to The Hindu in January 1970, “…we three adults (were) craning our necks and peering intently at the upper reaches of the ‘Rathas’… On the basis of a little detective work, we were imagining in our mind’s eye… the ‘Rathas’ completely covered outside and in with bright colours of paint… Imagine the many graceful figures which people the niches of these temples rendered in life-like colour… Imagine the great panel of ‘Arjuna’s Penance’ alive with colour… Everywhere… the unmistakable traces of plaster and paint which have survived more than perhaps a thousand years of weathering… are quite evident.”

Every day a new surprise comes into my life as I work on this column. I had always thought that painting stone sculptures was a new phenomenon.

***

When the postman knocked…

M S Sethuraman’s reference to ‘excommunication’ of Mahatma Gandhi and Dr. Swaminadhan had D R Santhanam recalling another such incident. He recounts how his paternal grandfather, Anni Seitlur Venkatachari, Village Munsiff of Dusi Mamundur near Kancheepuram and head of 24 families belonging to the Ahobila Mutt, ‘excommunicated’ the family of his younger brother, a District Judge, because he sent his daughter to the UK for higher studies in 1928-29. There, after post graduation, she became private secretary to Lord Louis Mountbatten and came out to India with him when he was appointed Viceroy. After World War II he sent her with the team that went to Japan to facilitate the release of Indian prisoners-of-war. When she eventually returned to Madras as a spinster she wished to adopt one of my correspondent’s brothers but their father said ‘no’, adhering to the ostracism of the past. She then adopted a boy called Narasimhan, who fared well in life and when Dr. D S Rajalakshmi died, he respected her wishes and founded a women’s college in her name in Tiruvallur. The college flourishes, but how many know the background of the person after whom it is named?

The sketch by Bharanidharan and Lady Nye
The sketch by Bharanidharan and Lady Nye

Another reader, Arun Prakash, recounts another incident he recalled after seeing my mention of Governor Sir Archibald Nye in this column on April 9. Bharanidharan (T S Sridhar), a well-known writer and artist with Ananda Vikatan, had sought a sitting with the Governor to do a drawing of him. Lady Nye watched the proceedings carefully. But as Bharanidharan handed his finished drawing to Sir Archibald for his autograph, Lady Nye interrupted: “That nose is not quite right,” she said and taking Bharanidharan’s drawing pen, she made a minor correction to Nye’s nose. “I too do a bit of sketching,” she had said. The accompanying sketch was published together with this anecdote in theSwadesamitran of September 5, 1948 — as my illustration shows.

Harvard Prof. David R Armitage’s request for information about University of Madras’s Law Professor Alexandrowicz brought me a press cutting from the Alliance Francaise. The cutting from The Hindu of August 14, 1953, states that Charles Henri (the French connection?) Alexandrowicz was elected the first President of the Alliance Francaise. It goes on to list the first office-bearers as follows: Vice-President: Rev. Fr. Charles Racine S.J., Professor of Mathematics, Loyola College; Secretary General: Mrs. Marcella Hardy; Joint Secretary: Dr. V. S. Krishnan, Professor of Mathematics, Madras University; Treasurer: Mr. S S T. Chari, Director of Best and Co.; Members: Mr. M V Subramaniam, I.C.S.; Mr. D. Padmanabhan, I.C.S.; and Mr. W Wolff. Surely there is some kin of theirs who could help out Prof. Armitage. And in passing, I might mention that Chari was the mentor at Best & Crompton of K R N (Ravi) Menon, who is the present President of the Alliance Francaise.

source: http://www.thehindu.com / The Hindu / Home> Features> MetroPlus / by S. Muthiah / Chennai – May 14th, 2016

`Artivist’ from Chennai wins UN’s poster design contest

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By the age of four, she started painting, B and at 10, she was an `artivist’ -using her art work to raise funds and create awareness about different social causes. Now, she is 23, and Anjali Chandrashekhar, has made the city proud! Two of her posters have been selected for a disarmament campaign by the United Nations (UN). In a recent event, which was attended by the top officials of the UN, including the Secretary General Ban Ki-moon, the two posters which she designed were unveiled. In a chat with Chennai Times, she talks about her journey as an artivist, the UN’s disarmament campaign, projects she plans to do in India and more. Excerpts…

TURNING AN ARTIVIST
I have been painting since the age of four. My grandmother ran a trust for children with multiple disabilities and growing up with them made me realise how lucky I was to be what people would call `normal’. When I started getting serious about art, I realised that I had this really powerful platform which I could use to talk about issues that I held close to my heart. That’s when it all began.I did most of my schooling in PSBB and was involved in art then as well. At the age of 10, I founded a global social project called Picture It. This project uses art to raise funds and awareness about health, humanitarian and environmental causes for many national and international organisations, including several campaigns associated with the UN. It was then that I realised I was really passionate about using my art for greater causes.

CAREER IN INDUSTRIAL DESIGN
I headed to New York to study industrial design at Pratt Institute, based in Brooklyn. It seemed like a good marriage of my passion for art and creating physical products that had a tangible impact on people’s lives. I was really excited to try working three dimensionally . There was so much more I could do with an object, and I loved how it was more engaging and interactive.Now, I work as a designer, researcher and consultant and I am trying to gain more experience working at the intersection of design, technology and social innovation.
POSTER DESIGN FOR THE DISARMAMENT CAMPAIGN
The United Nations Office for Disarmament Affairs sponsored the UN Poster for Peace Contest, in commemoration of the 70th anniversary of the first UN General Assembly resolution, which established the goal of eliminating nuclear weapons and all other weapons of mass destruction.The contest aimed to raise awareness for the need for nuclear disarmament and to inspire citizens across the globe to add their voices, and use their artistic talents, to promote a world free of nuclear weapons.Nuclear disarmament is usually spoken about on such a high level and I believe that art has the power to humanise us, and some of the most pressing issues that the world faces today . It is also able to transcend barriers of age, language and literacy, and so, I thought this was a great opportunity for me to show that the brush can be mightier than arms.

Earlier this year, I worked on a couple of posters around the theme of peace and nuclear disarmament when the UN Office for Disarmament Affairs had announced an international call for entries. With over 4,000 entries received from around the world, I had the honour of having two of my posters being chosen for the official 2016 campaign.

RUBBING SHOULDERS WITH THE BIGWIGS
Releasing the posters on May 3 with the Secretary General was a once-in-a-lifetime opportunity that I will cherish forever. I also had the opportunity to meet Mogens Lykketoft (President of the General Assembly), Kim Won-soo (Under Secretary-General and High Representative for Disarmament Affairs), and actor Michael Douglas, who has been the longest standing UN Messenger of Peace. I got to speak with them and understand what they do and the challenges within the realm of nuclear disarmament. Ban Ki-moon also did an art interpretation of my poster.

PLANS FOR PROJECTS IN INDIA
I am working on some exciting projects that are based in India, and I am looking forward to it. A project on water and sanitation is something I have in mind. If I get adequate funds, I intend to definitely go ahead with the project.
source: http://www.timesofindia.indiatimes.com / The Times of India / News Home> City> Chennai / by Ashish Ittyerah Joseph / May 12th, 2016