Museums 

The birth of Christianity in India has been traced to the arrival of St Thomas in Kerala in 52 AD, and the religion is said to have been strengthened by the arrival of St Francis Xavier in Goa in 1542. However, there are a few museums devoted to the history of Christianity — particularly its art relics — in the country.

Successful efforts to expand the museums of Christian art are ongoing in the states of Goa, Chennai and Kerala, perhaps because of the concentration of Christians there. Other relics can be found in other corners of the country as well. Let’s go on a trail of Christian art recorded in the country…

Goa

The first attempt to shape Christianity in Goa through art was made when, in the early 1560s, on the insistence of the Jesuit missionary (in India) João Nunes Barret, the picture of Jesus on the cross (with his mother and St John standing on either sides) was printed and distributed. By the end of 16th century, the preoccupation of the Christian populace with the image increased.

Many wooden idols were painted with coloured hard wax — in red, deep blue and green, and at times, with a golden design or piping on the robe.

While most of the ivory idols were painted gold, particularly on the borders, a section of ivory models were coloured deep red using vegetable dyes. Images of Jesus as the saviour of earth, holding it in his hand, were also found in Goa, besides those of crucifixion. The Goans also developed a special regard for Virgin Mary and, in order to get her protection from disasters, they decided to carry her picture on the ships voyaging to Portugal and back.

Asia’s first exclusive Museum of Christian Art was opened at Rachol seminary in the Salcete taluka of Goa on January 24, 1994. The Calouste Gulbenkian Foundation of Lisbon, Portugal, had provided funds for this museum, and the Indian National Trust for Art and Cultural Heritage, New Delhi, provided the know-how. The museum was then moved to the annexe of the convent of Santa Monica, Old Goa.

The museum is a huge three-storeyed building of laterite that was originally lime-plastered, and later plastered with cement. Square in foundation, it comprises a large inner courtyard, around which are a verandah and numerous cells and halls.

The vaulted ceilings in some of the halls showcase finest murals that represent Christianity practised in the 17th and 18th centuries. The museum houses over 200 exhibits. Surprisingly, most of the artefacts are by Hindu artists.

According to one historian, “When idols and paintings of Christian saints became popular in the 16th and 17th centuries, newly converted Goans began to collect them. So there were not enough artists to meet the growing demand. Many Hindu artists saw a business opportunity and began producing these artworks for the market.”

Underground this oldest and largest nunnery in Asia is a wondrous basement, its ceiling covered with the most amazing frescoes. The Xavier Centre of Historical Research in Goa has also built a small museum that houses several representative items of Goan Christian art, plus palm-leaf manuscripts, medallions and a stone inscription.

Chennai

In Chennai, the sacred relics and images associated with St Thomas the Apostle are preserved in St Thomas Museum near the San Thome basilica. The small museum, started in 1985, comprises just two large halls.

The most important exhibit here is a portion of the finger of St Thomas that came in contact with Jesus Christ on Easter. This was gifted to India by the Vatican in 1952 while commemorating the 1,900th anniversary of the saint’s visit to India. According to Reverend Adaikalam, the identification of the exhibits was a task. All the treasures of Christianity had been assembled by Father Hosten, a Belgian priest of the Catholic Archdiocese, in the 1920s. It had involved meticulous research, as nearly 19 centuries had passed since the martyrdom of  St Thomas, and the Portuguese had taken away a number of important relics. But Father Hosten had persisted in his labour of love and there had been a photo exhibition of these treasures in one of the museums of Vatican city, in 1925.

In the Church of Our Lady of Expectations at St Thomas Mount, there is a painting of Madonna and child Jesus, said to be painted by St Luke, one of the 12 apostles.

Kochi

A colonial structure, the Indo-Portuguese Museum of Kochi, in Fort Kochi, is the epicentre of Indo-Portuguese Christian art heritage. The museum is divided into five sections, according to the nature of items displayed — altar, treasure, procession, civil life and cathedral.

The museum houses some artistic and architectural marvels that bear the mark of a strong Portuguese influence — a piece of altar made in teak wood (16th century) and an Indo-Portuguese monstrance (18-19th century), from the Church of Our Lady of Hope, Vypeen; a chasuble (19th century) from Bishop’s House and a processional cross, which is a combination of silver and wood (17th century), from the Santa Cruz cathedral, Fort Kochi. The Coat of Arms of the Franciscans is an exhibit that stands out. But the most important artefact on display at the museum is the altar of St Francis Church, an extant piece from the 16th century.

Kerala

George Menachery, Professor of Christian Art at the Pontifical Institute, Alwaye, is the editor of the Christian Encyclopedia and Church History Classics. He plans to set up a comprehensive Indian Christian Museum.

North India

At Fatehpur Sikri, near Agra, it is said that a section of a palace built by Mughal Emperor Akbar features frescoes depicting scenes from the Bible. But more lasting have been the biblical inscriptions on the archway of Buland Darwaza (the Gate of Victory), which stands at 176 feet.

The panel of kufic script reads, “Jesus, Son of Mary (on whom be peace) said: ‘The World is a Bridge, pass over it, but build no houses upon it. He who hopes for a day, may hope for eternity; but the World endures but an hour. Spend it in prayer, for the rest is unseen’.” In Agra, the Catholic church built during the reign of Akbar has marble statues representing Virgin Mary.

Mumbai got its first Catholic museum at St Pius College in Goregaon (E) in 2011. Called Archdiocesan Heritage Museum, it houses a collection of artefacts like manuscripts, religious objects, paintings, vestments, sculptures and liturgical books. An outstanding feature of the museum is the timeline painted on one of its walls, showing the stages of Christianity in the region from AD 6 onwards.

Indeed, these ecumenical musems have become sacred houses for our cultural heritage.

source: http://www.deccanherald.com / Deccan Herald / Home> Supplements> Sunday Herald – Art & Culture / by Anthony Kuriakose / Maharaja Features / December 20th, 2015

Chennai  :

A rich repository of the fascinating accounts of five generations of women, ‘A Grandmother’s Legacy’ by English author Jenny Mallin, is not only a recipe book but also a memoir of the life of Anglo-Indians during the British era.

While the origin of the book dates to 18th century Yorkshire in England, the Anglo-Indian aspect of the family history took root in erstwhile Madras where Benjamin Hardy, a foot soldier in the British army , landed in 1778. Now, more than two centuries later, Jenny Mallin, the great-great-great-great-grand-daughter of Benjamin and Frances, and the proud custodian of an 1844 recipe book, has shared her family secrets to the world.

Jenny worked as a producer on BBC News for seven years and then as a corporate travel buyer. “Losing my father in 2010 was the catalyst (to become an author). I realised I could lose my mother soon; time was ticking. Sometimes a doubt would creep in -‘Am I betraying these ladies?’ But I did not want the legacy to end with me,” says the 57-year-old who launched her book at the British Council Library on Friday. “I would read a recipe to my mother every day from the book, cook a dish, ask her opinion and make sure it tasted authentic. In three years, I re searched more than 500 recipes,” she says.

The desire to preserve the culinary heirloom for posterity began with 15-year-old Wilhelmina Sausman, a Vellore resident who married Joseph son of Benjamin and Frances in 1844. Since then, the book, which Jenny has now stored in a safety deposit box in a bank, had been passed on. “My mother Cynthia, who was born in Kolkata, had great imagination. In a small London kitchen, she would produce wonderful dishes, while listening to the radio.”

It wasn’t easy for Jenny to decipher some words and ingredients written down by her grandmothers. “I am a born researcher and I felt like Sherlock Holmes trying to put together a jigsaw puzzle,” says Jenny .

Each chapter in Jenny’s book celebrates the life of the five women who have inspired her in innumerable ways. Interspersed with their recipes are the interesting customs of that era. For instance, in Rawalpindi, her grandmother Irene was a governess to 16year-old Benazir Bhutto, who would grow up to be the prime minister of Pakistan.

source: http://www.timesofindia.indiatimes.com / The Times of India / News Home> City> Chennai / by Diana Ningthoujam, TNN / November 28th, 2015