‘Work to start soon on museum at Keezhadi’

KeezhadiMuseumCF20may2018IRs 1 cr. allotted for the purpose: Minister

Work to establish a museum at Keezhadi, near Madurai, will start soon, Minister for Tamil Official Language and Tamil Culture K. Pandiarajan has said.

Addressing reporters at the Coimbatore airport on Friday, he added the government had allotted ₹1 crore for the purpose. The museum will house the 2,200-odd artefacts that the recent excavations had helped unearth over 109 acres, and more that could be discovered in the next six months. The 2,200-odd artefacts were unearthed over an 18-day period.

The fourth round of excavations were going on, and thus far, 7,700 artefacts had been unearthed, the Minister said and added that of those, a good number was in Mysuru and the rest was with the State government.

The Minister also said that the government would also establish museums to house artefacts in Arachalur, Erode, Korkai and Thoothukudi.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Coimbatore / by Staff Reporter / Coimbatore – May 19th, 2018

12,000 artefacts from Azhagankulam to be sent for carbon dating

The State Archaeology Department is in the process of classifying more than 12,000 artefacts found at Azhangakulam in Ramanathapuram district and will send them for carbon dating, an official of the department said.

The department has been undertaking excavations at Azhagankulam and the artefacts found at the site include ivory objects, copper coins, quartz, crystals, iron smelters, furnace, potsherds and terracotta plates, among others.

“These artefacts are now being classified, and will be documented, catalogued, photographed and videographed,” the official said.

“Following this, they will be sent for carbon dating,” the official added.

Last year, the department began its eighth season of excavations.

The Tamil Nadu government had sanctioned ₹55 lakh for the purpose.

source: http://www.thehindu.com / The Hindu / Home> News> States> Tamil Nadu / by T.K. Rohit / Chennai – May 14th, 2018

Lester and Ceylon’s films

LesterCF15may2018

The death of Lester James Peiristhe father of the ‘New Sinhala Cinema’, brings back to mind his winning in 1965, with his Gamperaliya (The changing village; 1963), the first Golden Peacock awarded and for taking Sinhala film-making not only out of Madras State studios but away from the clichétic Tamil film formula.

Lester was the London Correspondent of The Times of Ceylon when I was its Foreign News Editor in the 1950s. We were in regular touch during that period, when he was experimenting with film-making. When he returned to Ceylon he opted out of journalism and focused on cinema — first with government documentaries and then the making of a new kind of Sinhala film, one drawing inspiration from the realism of Italian and French films. We kept in touch, however, because Iranganie Serasinghe and Sita Jayawardana were two of his leading supporting actresses, both girls who worked with me in features and who were forever asking for time off for ‘shooting’ or who kept dozing after ‘night shoots’. But when I moved to Madras I lost touch with Lester whom many consider one of the greatest South Asian film-makers.

Lester02CF15may2018

Lester made 20 full-length feature films and about a dozen documentaries and short films. He started with a winner, Rekawa (Line of Destiny, 1956), which focused on village life. It was the first Sinhala film to be shot entirely in the country and the first to be shot mainly outdoors. It was nominated for the Palme d’Or at the 1957 Cannes Film Festival. Gamperaliya, for its part, was shot entirely outside the studio. Besides the Golden Peacock, it also won Mexico’s top international film festival award.

The first Sinhala film to be made, Kadavanu Porundhuva (Broken Promise), was shot entirely in Madras and released in Colombo on January 21, 1947. It was produced by S M Nayagam, who was what they called in Ceylon an Indian Tamil (being from the Tamil districts of Madras Presidency) and who not only pioneered the making of Sinhala films but also the starting of local industries. The film was directed by a Bengali, Joti Sinha. This was followed by 42 other Sinhala films being made in Madras, Coimbatore and Salem. It was only in the 1950s that Sinhala films began to be made in Colombo, where Nayagam had established the first studio. But even then, till legislation in the late 1950s, technicians from Madras continued to work in Ceylon — and the generation of Sinhala technicians who followed them benefited considerably from their mentoring.

One of the earliest from Madras to direct Sinhala films was Anthony Bhaskar Raj. Lenin Moraes was another director from Madras where he had learnt cinematography and make-up. J A Vincent was Art Director for over 100 Sinhala films after starting out with Asokamala being made in Central Studios, Coimbatore. Another connected with Asokamala was experienced cameraman Mohamed Masthan who also shot Sujatha in Salem. When he moved to Ceylon, he was guru to a generation of Ceylonese cameraman. He later went into direction. Other directors from Madras to work in Ceylon included A S A Samy, P Neelakantan, L S Ramachandran who pioneered Sinhala films on village life, and A S Nagarajan. After having been a scriptwriter in Madras, Nagarajan moved to Ceylon and into direction. Among his films was Mathalan, based on the Tamil hit Mangamma Sabatham.

Starting from where the Madras technicians left off, Lester James Peiris gave a completely new face to the Sinhala film industry. R.I.P., Lester.

________________________________

They mined for diamonds too

My scrip-collecting correspondent, Sayeed Cassim, has sent me some fascinating material, responding to my gold rush story (Miscellany, April 23). The best of it is a share certificate issued by the Devalah (Devala) Central Gold Mines Company Limited in 1881. This was one of the first companies to be established— even before the gold rush began — and, as I had recorded, it was promoted by Parry & Co, though the certificate (my enlarged picture today) gives no indication of that.

Golden01CF15may2018

Accompanying it are the headings of three other certificates, those issued by the Western Pathoom Gold Prospecting Company Limited, the Sonepat Proprietary Gold Mining Company Limited, and the Dumra Gold Prospecting Syndicate Limited. Having made a study of these three certificates, Sayeed Cassim feels that “these were companies set up only to rake in the money and hoodwink the public.” He bases his presumption on the fact that there are several identical features in these certificates which “make their intentions suspicious”. He lists the following:

Similar authorised capital of each of these companies:

Date of all issues very close together in 1890

Printer the same: Calcutta Catholic Orphan Press;

Per value of each share only one rupee (to induce greater subscription?), and

Certificates of Western Pathoom and Dumra signed by the same person.

But that is not all. Apparently there were optimists who thought that there were diamonds in the hills too and companies were formed to prospect for them. He names The Madras Diamond Mining Company Limited and The Madras Presidency Diamond Fields Limited. Were they genuine speculators or in it for the quick buck?

Golden02CF15may2018

If you want to take a better look at these certificates, Sayeed Cassim suggests you have a look at the website of David Barry of London (www.indianscripophily.com), who has “the largest and finest collection of Indian share certificate in the world.”

The chronicler of Madras that is Chennai tells stories of people, places, and events from the years gone by, and sometimes from today.

source: http://www.thehindu.com / The Hindu / Home> Society> History & Culture> Madras Miscellany / by S. Muthiah / May 14th, 2018

Remembering Lakshmi Ratan

Lakshmi Ratan | Photo Credit: Scanned in Chennai R.K.Sridharan
Lakshmi Ratan | Photo Credit: Scanned in Chennai R.K.Sridharan

V.R. Lakshmi Ratan, whose birth centenary falls on Saturday, is regarded as one of the pioneers in promoting corporate involvement in cricket in Madras (as Chennai was called then).

His initiative provided employment for many talented players such as Test cricketer, V.V. Kumar and State cricketers — P.R. Sundaram, A.K. Sarangapani, and Rajasekhar Shetty.

Lakshmi Ratan, then Secretary of the Madras Cricket Association (1938-40/1951-52), also was the architect behind the launch of The Sport and Pastime Trophy (now, The Hindu Trophy) – a popular, 30-overs-a-side tournament sponsored by The Hindu Group in 1950-51.

Born in 1912, Naina (as Lakshmi Ratan was affectionately called) became fond of the ‘gentleman’s game’ at an early age. In due course, he started two city clubs – Minerva and Eccentrics.

Recruiting players

Lakshmi Ratan joined Philips India as Regional Manager after his family business was shut down in the early 50s. He led the team there and began recruiting cricketers for the company.

“When my father ran Minerva and Eccentrics, he observed that some of the players from poorer financial backgrounds would use the opportunity to overeat during lunch at matches. He felt it was a sad situation, and realised the importance of job-security for these players. After joining Philips, he took the lead in hiring cricketers,” said Ramesh, son of Lakshmi Ratan.

Lakshmi Ratan also took his teams on tours to Bombay, Calcutta, and Ceylon among other places, providing greater exposure to the players. “I have seen my father taking teams on tours at his own expense. He was proud of his team and when V.V. Kumar was selected to play for India, he was very excited,” said Ramesh.

Kumar, on his part, remembers Naina as a humble and caring person. “Along with the likes of J.A. Allerton of Parrys, Naina was one of the pioneers in recruiting sportsmen. The idea of taking players on tours started during Naina’s time. He would never miss a match and remembered every player’s performance. Although he was strict, he wouldn’t throw his weight around. The whole team was one family and Naina would throw parties whenever we won games. His wife, Swarnam, was a great hostess too,” said Kumar.

Walked with legends

Lakshmi Ratan’s relationship with legends such as Vijay Merchant and Vinoo Mankad is well-documented. In those days, cricketers didn’t stay in hotels and would be lodged in houses of welcoming hosts. Merchant and Mankad used to stay with Lakshmi Ratan whenever they visited Madras.

“I was quite young then but I remember Merchant and Mankad staying at our place in Santhome. My father was close to the entire Merchant family. He also shared a good rapport with many Sri Lankan cricketers such as M. Sathasivam,” said Ramesh.

Lakshmi Ratan had stopped watching cricket towards the latter period of his life as he felt indiscipline had permeated into the game. “My father always had a reputation for being a great administrator and gentleman.

“That his conduct is talked about in glowing terms even today is testimony to his personality,” said Ramesh.

Lakshmi Ratan passed away on February 25, 2005.

source: http://www.thehindu.com / The Hindu / Home> Sport> Cricket / by Arun Venugopal / July 14th, 2012

The Tawkers of Madras

TawkersCF11may2018

Thanks to that recorder of the stories of famous old houses in Madras, Sriram V, I recently discovered where a once-legendary old family of Madras, the Tawkers, had their mansion. After passing out of the Tawker hands into Government’s hands in 1925, it became the residence of the Rajah of Panagal (pronounced Paanagal) when he was the Premier of Madras. He stayed there till 1928. Tawker’s Gardens then became Limbdi Gardens, when the Raja of Limbdi (in Gujarat) acquired it. Next we find the University of Madras renting it in the 1930s for some of its departments and staying there till 1948 when it was auctioned. The buyer was the Muslim Educational Association of South India (MEASI) and there it developed in the 12-acre campus on Peter’s Road what is today New College, a name inspired by an eponymous one in Oxford. The college opened in 1951.

Tawkers02CF11may2018

The Tawkers were one of the earliest Gujarati families to settle in Madras, moving here from Trichinopoly in the early 18th Century. In time, they were to become the leading gem and jewellery merchants in South India, under the name TR Tawker and Sons from 1761. As befitting their status they had Henry Irwin design a palatial headquarters building for the firm on Mount Road. The Indo-Saracenic-styled building was built in the 1890s by T Manavala Chetty, a leading contractor. The Tawker Building, like Tawker’s Gardens, passed out of the family’s hands when the firm’s dues from many of the leading citizens of the South, particularly the Nizam of Hyderabad (or, rather, his estate when he died), were not paid, leading to bankruptcy in 1925.

Tawker’s Building, next to what is now VGP’s main showroom on Mount Road (but once Victory House, home of the then leading Tamil daily, Swadesamitran), after its sale, became the property of the Maharajah of Venkatagiri in 1926. It next passed into the hands of Kasturi Estates (The Hindu family) in 1931. The South India Cooperative Insurance Company bought it in 1948 as its headquarters and when insurance was nationalised it became LIC property. In 1953, the year Indian Airlines started, its Madras office moved into a part of this spaciousness. Indian Airlines remained there till 1980 before it moved out whereupon the building, an architectural heritage building if ever there was one, was pulled down by the LIC and a mundane highrise took its place, now housing several offices.

The philanthropy of the Tawkers was legendary. Two women of the family, Ramba Bai and Ratna Bai, set up a trust in 1804 and the next year built the Sri Kasi Viswanathar Temple in Ayyanavaram. Other charities they endowed included building a choultry, now an agraharam, next to the temple. The Tirupati umbrellas taken to the Seven Hills from Madras are traditionally kept in this temple for one night before their onward journey. Trichy is also a place that has benefited from Tawker munificence.

Tawkers03CF11may2018

There are still Tawkers in Madras, but the name no long creates the awe it once did.

__________________________________

The coffee blight

The news that the White Stem Borer (WSB) is back, threatening the three major coffee-producing districts of Karnataka; Kodagu, Chikmagaluru and Hassan, causing them to be declared “pest affected areas”, took my mind back to the horror stories I had read dating to when Leaf Blight / Leaf Rust and the Borer wiped out the coffee plantations of Ceylon and those in the Nilgiris-Wynaad. A South Indian planter wrote in 1896, “In all these once beautiful plantations, complete desolation now reigns…The destruction came in gradually from 1864-65, first by borer (1868) and completed by leaf disease (from 1875) caused by Hemileia vastatrix…The destruction that went on before one’s eyes would have to be seen to be believed.” Another writer wrote of the disaster, “Acre after acre, mile upon mile died out and what were once happy valleys became valleys of dry bones and there was no hope of resurrection.” But resurrection though there was. Anon.

Ceylon started planting coffee before South India, though there were small coffee gardens in Mysore State and Coorg long years before the 1830s when George Bird opened up the first coffee estate in the Island. By the 1860s, coffee was driving Ceylon’s economy. It was from those estates that the blight slowly spread into the Nilgiris. In South India, coffee on estate scale was first planted in 1798 by Murdoch Brown in Anjaracandy in North Malabar, but the effort did not take off. It was in the 1840s and 1850s that venturesome Europeans got into growing coffee on plantation scale. By 1870, there were 20,000 hectares of coffee in Mysore planted by Europeans from 1854 and producing 6,000 tonnes. However, in the same territory, there were nearly 28,000 ‘Native plantations’ with an area of 80,000 hectares and producing around 9,000 tonnes. Much of this escaped the coffee blight, whose spread from the Nilgiris was, fortuitously, slow. Coffee planting in the Nilgiris by “enthusiastic lunatics” began in the late 1850s and by 1863-64 there were 40 estates.

Resurrection came when Ceylon planters who had not sold their estates for a passage home began experimenting with tea in 1867 and made a success of it by the 1870s. South Indian tea, on the other hand, was slow to take off. The gold rush (Miscellany, April 23) was one of the reasons. It was not till James Finlay’s developed the Kannan Devan High Range that tea began to make slow but steady progress till South India became the major tea producer it is today. Its slow beginnings were in 1854 in Coonoor, on Thiashola estate, southwest of Coonoor. Post-Second World War, the tea industry in South India has boomed but despite ups-and-downs, it is one of the healthiest industries in the country. So is coffee today.

The chronicler of Madras that is Chennai tells stories of people, places, and events from the years gone by, and sometimes from today.

source: http://www.thehindu.com / The Hindu / Home> Society> History & Culture> Madras Miscellany / by S. Muthiah / May 07th, 2018