Erode boy wins gold in World Youth Chess Olympiad

Erode Collector S. Prabhakar (centre) felicitating P. Iniyan for winning the World Youth Chess Olympiad.Special Arrangement
Erode Collector S. Prabhakar (centre) felicitating P. Iniyan for winning the World Youth Chess Olympiad.Special Arrangement

P. Iniyan (14) from Erode has won gold medal at the World Youth Chess Olympiad held at Ahmedabad from December 11 to 18. He also helped the Indian Green Team win silver medal in the Olympiad.

Indian Green team was the top seed of the event, which saw the participation of 30 teams, with a whopping rating average of 2,503.

India had fielded three teams, two from the National Sub-Junior Championship last year and one from a special selection of best players of the country. The tournament was of nine rounds Swiss format. Aryan Chopra, Praggnanandhaa, Nihal Sarin, Iniyan and Vaishali comprised the Indian Team .

Indian Green team’s Iniyan and Nihal Sarin bagged individual gold medals for their respective board. Iniyan scored 7.5 points from eight rounds with an excellent scoring percentage of 93.8 % and proved to be a rock on the fourth board.

At the same time he helped the team secure a silver medal. Nihal Sarin scored 5.5 points out of 7 and got gold in 3rd board.

Iniyan is to participate in the 34th International Bollinger 2017 to be held in Germany from December 26 to 30 and the Montebelluna Elite Open 2018 to be held in Italy from January 2 to 7, 2018.

Olirum Erodu Foundation that has been funding him for all the games sponsored Rs. 1.75 lakh to Iniyan for the recently held tournaments. District Collector S. Prabhakar felicitated Iniyan on Tuesday.

source: http://www.thehindu.com / The Hindu / Home> National> Tamil Nadu / by Staff Reporter / Erode – December 21st, 2017

A chronicler par excellence

SrutiCF05jan2018

Sruti Magazine’s contributions hailed

The 400th edition of Sruti, a magazine devoted to Indian classical music, dance and theatre, was launched in the city on Thursday.

Chairman of Indusind Bank and vice-president, The Music Academy, R. Seshasayee, who released the volume, said Sruti was much more than a news magazine.

In the way it dealt with issues, it spared no one, not even the venerable Music Academy. Its contribution, he said, has been phenomenal not just to rasikas but also to artistes.

Chairman of Sanmar Group and Sruti Foundation, N. Sankar, said he was proud to support the publications — Madras Musings and Sruti. He recalled that even way back in the 1960s, people wanted to move to Chennai to be in touch with Carnatic music. Even today, the city attracts many NRIs, who change their careers, and Sanmar and other organisations benefit, he said.

Sruti Editor-in-Chief V. Ramnarayan said he was overwhelmed by the goodwill shown to the magazine.

Bharathanatyam exponent and guru V.P. Dhananjayan said art journalism had taken a different dimension with Sruti.

‘Chitravina’ N. Ravikiran said the magazine was a pillar of strength to classical arts and had inspired several persons to start music and dance magazines.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Chennai / by Special Correspondent / Chennai – January 05t, 2017

Architecture exhibition from Friday

The city will host an architecture exhibition called ‘Portfolio 18’ to showcase the work of students and to create a platform for various stakeholders to discuss about architecture education.

The first edition organised by the Chennai Architecture Foundation would be held at Lalit Kala Akademi from January 5 to 7. While the main focus of the three-day event is the architecture exhibition called ‘Pin Up,’ which will display the academic works of 11 prominent colleges in the State, there is also ‘College in Focus,’ where ideas about architecture could be shared. A panel discussion will be held among students and faculties.

Works from the CARE School of Architecture, Hindustan University, Rajalakshmi School of Architecture and VIT University would be on display.

A spokesperson of CAF said the idea to launch ‘Portfolio 18’, an annual exhibition, is to give an opportunity for students, faculty and institutions to share their experiences and thoughts and to remove certain misgivings of architecture education.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Chennai / by Staff Reporter / Chennai – January 02nd, 2018

Radha Vishwanathan, daughter of M.S. Subbulakshmi, dies at 83

Radha Viswanathan, vocalist and daughter of M. S. Subbulakshmi. | Photo Credit: K. Bhagya Prakash
Radha Viswanathan, vocalist and daughter of M. S. Subbulakshmi. | Photo Credit: K. Bhagya Prakash

Carnatic vocalist Radha Vishwanathan, 83, daughter of M.S. Subbulakshmi, who accompanied the legendary musician for nearly five decades on stage, died in Bengaluru on Tuesday night. “My mother Radha Vishwanathan breathed her last on Tuesday, 11.50 p.m. on January 2. She was suffering from pneumonia for the last few weeks but was mentally very active,” said her son V. Shrinivasan.

“It was unbelievable to see my mother pass away to the strains of a beautiful bhajan. She asked my daughter Aishwarya to sing one of the famous numbers of MS, Sriman Narayana and as the song treaded on the words Sripadame Sharanu in the Charanam, my mother bid a permanent goodbye,” said an emotional Mr. Shrinivasan. Ms. Vishwanathan had taken a music class as recently as two weeks ago to Ms. Aishwarya, and was teaching her from her bed at home, he said.

Ms. Vishwanathan had shifted base from Chennai more than a decade ago and moved to Bengaluru to stay with her son, and continue teaching music to her granddaughter. “My grandmother has taught me nearly 700 compositions and has asked me to carry on with the rich MS legacy,” said Ms. Aishwarya.

Born at Gopichettypalayam in Tamil Nadu in 1934, Radha Vishwanathan was two years old when M.S. Subbulakshmi married Sadashivam and came into the family. “My world was my MS Amma to me, she guided me not just in music, she was the light to my path of life,” she had one told this reporter during an interview in Bengaluru.

She is survived by her sons V. Chandrashekar and V. Shrinivasan; daughters-in-law Sikkil Mala Chandrashekar and Geetha Shrinivasan; and grand daughters S. Aishwarya and S. Saundarya.

The cremation will be at 3 p.m. on Wednesday, said Mr. Shrinivasan.

source: http://www.thehindu.com / The Hindu / Home> Entertainment> Music / by Ranjani Govind / Bengaluru – January 03rd, 2018

When Carnatic meets Celtic

CelnaticCF02jan2018

Twin-musicians Sahana and Shruti’s latest work, ‘The Celnatic Experience’, highlights cross-genre influences in world music

They were born six minutes apart. But that doesn’t stop Sahana and Shruti from completing each other’s sentences.

These musician-twins have just released a novel music project, titled The Celnatic Experience, which seeks to celebrate the 225-year legacy of Muthuswami Dikshitar and the East India company. The project, which includes a coffee table book, a children’s book and a CD that are available for purchase online, is an extension of their recent thesis in the Berklee College of Music.

Competitive start

“We started learning Carnatic music when we were just six and growing up in Muscat,” recalls Sahana. The thrust came from their father, Kumar, an ardent follower of Carnatic music. Soon, the family moved lock, stock and barrel to Chennai to strengthen their musical base under the tutelage of Bombay Jayashree. “It was initially very difficult to cope here because the scene was quite competitive,” says Shruti.

The two knew that music was their future. After a bachelor’s degree in Electronic Media from MOP Vaishnav College, they packed their bags to Valencia (Spain), to train in the prestigious Berklee College of Music. That sowed the seeds for their present endeavour. “Even before enrolling there, we were supposed to submit a topic that we’d take up for our final thesis, and we chose ‘Nottuswarams’, something close to our heart.”

Blast from the past

They’d learnt Nottuswarams during their initial training years. “That time, we’d learnt only two,” they recall, “But we later discovered that there were 36 of them. We were also fascinated by their origins – about how Muthuswami Dikshitar had composed them in the 17th century deriving influences from British bands playing Irish music.”

The connections between the Shankarabharanam ragam back home and compositions from across the world got them very interested. “Did you know that the Dikshitar composition — ‘Santatam Pahima’ — resembles the British National anthem,” asks an excited Shruti.

Celnatic02CF02jan2018

These interesting similarities – from musicians separated by thousands of kilometres, in an age when cellphones and Internet were unheard of sparked off the idea in them: to highlight cross genre influences between world music. “The effort was also to take Carnatic music beyond borders and expose children from across the globe to it, just like how children here learn Western music,” says Sahana.

Thus came ‘Celnatic,’ a word coined by them. They even performed the ‘Nottuswarams’ back in Spain, which met with resounding applause. “We gave a little introduction in Spanish, so that people could follow. But audiences loved the music. They wanted to buy it, though the CD wasn’t even ready then,” say the twins, who’re currently learning Carnatic music under AS Murali.

Meeting the Maestro

This Season, the twins have hit Chennai with a two-fold purpose: to frequent kutcheris and promote their latest work.

The biggest achievement, according to them, was getting the blessing of music maestro Ilaiyaraaja for their latest work. “It was such a blessing. We presented the compositions to him and he, in turn, took us a tour to the studio. He even taught us a pallavi, set in Hindolam ragam. We were awestruck that he took time off to spend interacting with us.”

The twins, who’re currently working on putting together a Hindi folk single that will promote a music festival scheduled for later this year, are interested in singing for films. “We would also like to compose and come up with some independent music,” says Sahana.

source: http://www.thehindu.com / The Hindu / Home> Entertainment> Music . by Srinivasa Ramanujam  / January 02nd, 2018

Award for Kalakshetra

Tributes paid to founder Rukmini Devi Arundale

Rich tributes were paid to Kalakshetra founder Rukmini Devi Arundale for her immeasurable contribution in giving Bharatanatyam a respectful position among the arts at an event organised here on Monday to present the Hamsadhawani R. Ramachandran Award of Excellence to Kalakshetra Foundation, Chennai.

Mylapore MLA R. Natraj said Rukmini Devi Arundale took great efforts to chisel Bharatanatyam into a beautiful art form, retaining only what was good from its earlier version. He said she showed society that only the good will last long.

Industrialist Nalli Kuppuswami Chetti appreciated Kalakshetra for preserving Arundale’s work and teaching dance and music to students.

He said it was very apt that the R. Ramachandran (RRC) award was presented to such a great institution.

Kalakshetra Foundation chairman N. Gopalaswami, who received the award along with Kalakshetra Dance College principal Pakkala Ramadas, said Arundale was a godsend to revive Bharatanatyam.

Sabha secretary R. Sundar said RRC, founder secretary, would have turned 94 this month.

Hamsadhwani president Ramnath Mani, secretary T.R. Gopalan and religious exponent Dushyant Sridhar were present on the occasion.

source: http://www.thehindu.com / The Hindu / Home> News> States> Tamil Nadu / by Special Correspondent / Chennai – January 02nd, 2018

The mimicry artist and the song that has stood the test of time

Udayarpalayam R. Srinivasan recalls the sounds he produced for the popular song Kadavul Amaithuvaitha Medai in the movie Aval Oru Thodarkathai

The lines Innarkku Innarendru Ezhuthi Vaithaney Thevan Andru (marriages are divinely ordained) in the song, Kadavul Amaithuvaitha Medai, with a philosophical touch offer solace to those who fail in love.

Penned by Kannadasan for Tamil film Aval Oru Thodarkathai, the song is equally memorable for the mimicry elements included by music composer M.S. Viswanathan. Sadan, Saibaba and Udayarpalayam R. Srinivasan were the mimicry artists who lent their voice for the song. Sadan is no more.

“MSV was particular that only human voice should be used to produce the sounds. When someone suggested that the sound of thandai (anklets) could be produced by the ornament, he rejected the idea. I came forward to produce the sound. It was immediately accepted,” said 87-year-old Srinivasan, a former railway employee and vikatam (mimicry) artist. He then went on to produce the sounds he did for the film.

It was his association with the late director K. Balachander’s troupe that got Mr. Srinivasan an opportunity to perform in the film. He did 8 of the 11 mimicry sounds, including the croaking of frogs, mooing of cows, beating of the thavil, playing of the nagaswaram and veena, and the sound of anklets. The song began with his mimicry to which actor Kamal Haasan lip-synced.

“Before and after, I did not work in films, though I continued to perform vikatam concerts. I did not inform my father Udayarpalayam Ramasethu Shastri about my foray into films since he was a Sanskrit scholar who gave lectures on spirituality. Who would have approved of the son of a scholar making sounds of animals,” laughed Mr. Srinivasan, who was attracted to vikatam after listening to Thiruvisanallur Ramasamy Shastri.

“I listened to him performing vikatam at Pandurangan math on Pavalakara Street in Chennai. I was mesmerised. I approached him to learn the art, but he refused to accept me as a disciple, saying I lacked knowledge of layam. But I never lost heart and learnt it myself treating him as my guru,” said Mr. Srinivasan.

Even as a child, Mr. Srinivasan developed interest in mimicry and used to meow like cats. “I used to tease my mother’s friend with the sound,” he said. He honed his skills with regular practice. He agreed that the knowledge of music was vital for performing vikatam. “I make fun of the mannerisms of Carnatic music singers. Some behave as if they are grinding flour for making dosa and a few like they are frying jelabi in ghee. If I mimic a singer performing raga thodi, I should know the anatomy of the raga,” he said.

source: http://www.thehindu.com / The Hindu / Home> News> States> Tamil Nadu / by B. Kolappan / Chennai – December 30th, 2017

This Forgotten Scotsman Is The Reason Why The Anamalai Hills Are Still Lush With Trees

Amidst a verdant grove of teak trees in Tamil Nadu’s Anamalai Tiger Reserve lies an ageing tombstone with a Latin inscription that says “Si Monumentum Requires Circumspice (If you seek his monument, look around)”.

The grave of a little-known Scotsman named Hugo Francis Andrew Wood, this serene spot remains a must-see for local forest guards and nature enthusiasts more than 70 years after the man himself died. For he is the reason why these ancient hills are still lush with trees.

Here is the untold story of how Hugo Wood came to the rescue of Anamalai forests at a time when they stared at a bleak future.

Annamalai01CF30dec2017

In 1820, a team of British surveyors ventured into the still unexplored Anamalai range (that spanned several peaks in the Madras Presidency) and were pleasantly surprised to find it heavily forested with towering trees of teak and rosewood.

At that time, timber formed the backbone of many industries and Britain’s oak forests had vanished due to the irresponsible felling of trees. Furthermore, to retain its naval supremacy among the colonial powers, Britain desperately needed wood to make new ships.

Apart from shipbuilding and construction, logs were also needed to build train tracks for Britain’s rapidly expanding rail network — for each mile of train track, around 2,000 wooden planks were required — and provide fuel for steam locomotives.

As such, the surveyors were quick to realise the value of what they had “discovered”. Soon after, the mountains began being gradually robbed of their abundant tree cover, with the teak being shipped of to Tiruchirappalli (to build train tracks) or Bombay (to build Royal Navy ships in the Bombay shipyard).

Too large to be conventionally transported, the giant teak trees were cut down into logs, carried by elephants till a point and then floated down the river to the plains below — the reason why, in time, the spot came to be named Topslip.

Annamalai02CF30dec2017

In fact, according to Forestination in Madras Presidency by Dietrich Brandis (1883), roughly about 40,000 trees were felled each year in government forests in Madras Presidency for the railways alone!

Thanks to this over-exploitation, the once-green hills of Anamalai had lost much of their tree cover by 1885. For the next three decades, several British foresters tried to regenerate the region but failed. And then came Hugo Wood.

Appointed the District Forest Officer of Coimbatore South Division in September 1915 (a post he would hold till 1926), Hugo decided to put a stop to the unchecked destruction of Anamalai’s forests and drew up a working plan for the same.

First, the 45-year-old Scotsman talked the local colonial authorities and convinced them to stop hunting wildlife and the irresponsible chopping of trees. He also befriended the tribals who lived near the forests, restored their traditional rights and brought back many who had been displaced (due to the British bringing the Anamalai forests under the reserved category).

Annamalai03CF30dec2017

Next, Hugo scathingly admonished the British government for uprooting trees and introduced the forest management technique of coppicing — a method that takes advantage of the fact that many trees rapidly regrow during spring if they are cut down up to the stump during the winter.

Finally, he marked out areas where no logging or coppicing would be allowed for a period of 25 years. In fact, such was his dedication towards his work that he refused to provide timber to the British during the World War I (1914-1918).

In 1916, Hugo set up a bamboo hut in Mount Stuart (near Topslip) and began working in earnest to regenerate the forest of the mountain range. He started small, targeting an area of 25 acres. By the time of his death, it had spread to an area of 650 sq km.

He lived alone, cooked his own food and never missed out on a daily ritual. During his daily walks in the deforested land, he would fish out fistfuls of teak seeds from his pockets, use his silver-tipped walking stick to poke a hole in the ground, and plant seeds there.

Annamalai04CF30dec2017

He would repeat the process till his pockets were empty. Then he would go back for more seeds and start again from where he left off. He also made efforts to rid the hills of Lantana camara, an invasive species of flowering shrub that hampered the growth of teak.

Hugo’s hard work paid off, breathing new life into the hills of Anamalai.

In 1925, Hugo retired after a severe bout of tuberculosis and settled in Coonoor, according to a Tamil Nadu forest department booklet. Having remained a bachelor (choosing instead to devote his life to conservation), he died on December 12, 1933, at the age of 63.

However, a few months earlier, a seriously ill Hugo had written a will asking to be buried amidst the trees he had planted. He has also sent the money for the same to the chief conservator of Madras Presidency.

On his death, this request was conceded and Hugo Wood was laid to rest among his lasting legacy — the teak trees he raised in the hills of Anamalai.

On windy days, leaves gently float down from the trees on to the tombstone as if to pay homage to the man who so completely loved the Anaimalais and who did so much to save it.

Annamalai05CF30dec2017

Today, this place has become an oft-visited spot for tourists while his immense contribution has become a part of the local folklore. Forest department vehicles ferry people from Kozhikamuthi elephant camp to Hugo’s grave amidst Topslip’s flourishing teak forest. The forest department is now planning to set up a memorial dedicated to the legend at the spot.

Close by is the Mount Stuart Rest House (built in 1886) that is still let out to guests. Though the building stands in all its historic glory, it does have limited damage caused by curious bears and wild elephants who seem to have taken a permanent fancy to the house! However, do note that only wildlife enthusiasts and nature lovers are allowed accommodation.

Photographs :  Pic (01) www.commonos.wikimedia.org / P. Jeganathan / (02 and 03) www.ddraftaniwalpower.org  (04 and 05) www.keralarchaeology.blogspot.in

source: http://www.thebetterindia.com / The Better India / Home> Conservation> Environment> Lede> Nature / by Sanchari Pal / December 28th, 2017

Beyond the ramp

SuvastraCF30dec2017

With Suvastra Designs, this NIFT graduate creates fashion for everyone, regardless of disability

Meet fashion designer Shalini Visakan, a pioneer in adaptive clothing style in India.

When big brands like Tommy Hilfiger and Burberry launched their adaptive clothing lines in 2016, they weren’t successful, mainly because their designs were wearable for only a certain category of the differently-abled.

The physique of each differently-abled individual differs according to their disorder and lifestyle, and Visakan understood this. She understood such requirements better, since her husband is also differently-abled. And that is how Suvastra Designs was born.

Ergonomic designs

She says, “We used to travel a lot, and every time he had to move, people wouldn’t know how to lift or handle him. So, I designed pants with handles to carry him along, with extra crotch length that would give space for his urinal cups, unlike normal pants. The important part is that it should also look good and formal.”

Visakan took it forward by designing a one-piece sari for her friend’s mother, who wasn’t allowed inside a temple because she was wearing a nightie. The sari has an attached blouse, inskirt, pleats and pallu.

She states, “My friend’s mother is very religious and had to stop visiting the temple since she couldn’t wear a sari any more. So, after looking at the clothes that I had designed for my husband, he requested me to do the same for his mother.”

“We either meet the customer in person or ask them to send a video about themselves to understand their demands. For example, thicker fabrics such as denim are used to stitch pants for someone with polio.

Likewise, for people with spinal cord problems, clothes are designed using materials that allow free air circulation. Velcro or elastic-attached towels are made for people who are fragile and unable to control their own body. People who are paralysed on one side of their body can use shirts with magnetic buttons and an easy-to-handle zipper,” she explains.

Bridging the gap

Her husband and pillar of support, Visakan Rajendiran, says, “In a country like India, people feel more comfortable attending a social gathering in traditional attire. We realised that there is a big gap between the clothes available in the market and the requirements of the people.”

The Trios fashion show, held at Hilton, Chennai,  in January this year, was India’s first fashion show that had models on the ramp in wheelchairs, alongside able-bodied odels. Visakan took the initiative to include physically-challenged models, and designed outfits for the ramp.

She explains her intent, “The idea was to create awareness about an inclusive societyThere is no need to be sympathetic. The disabled also live a normal, happy life. This show was not made to showcase their struggles or tell inspiring stories. It was instead a show where the platform about equality; to show that beauty is inclusive.”

The success of the event was soon evident, as a lot of people started approaching Visakan. Their recent ad shoot for Suvastra Designs showed a differently-abled model.

“We approached a lot of brands, offering to shoot for free, but the idea was rejected. Only then did we decide to shoot an advertisement for our own brand, Suvastra Designs. Many people weren’t able to tell that the model is differently-abled. We wanted this to be a motivating factor for others,” discloses Shalini.

Bigger gains

The custom-made clothes start from a basic price range of ₹1,000. The couple reveals that although the business isn’t profitable yet, they want to expand its reach, rather than focus on profits.

The couple is also planning to train differently-abled persons to groom themselves, maintain fitness, ramp walk and build confidence, so that they can enter beauty pageants. They also hope to expand their stores across India to cater to the larger population.

source: http://www.thehindu.com / The Hindu / Home> News> Cities> Chennai / by Priyadarshini Natarajan / December 29th, 2017

Call to undertake research in ancient Tamil music

Madurai :

Poet N S Sundararaman of Dharumai Aadheena mutt has said that the names of many renowned Shiva temples, revered in Thevaram (garland of divine songs praising Lord Shiva), were sanskritised in the past and the same fate should not befall Pannisai (ancient Tamil music and a predecessor of Carnatic music).

He further urged the Tamil Isai Sangam to undertake research in Pannisai. He was speaking at the Tamil Isai Sangam’s silver jubilee anniversary celebrations on Monday. The Sangam honoured its octogenarian trustee S Mohangandhi, also a former income tax officer on the occasion. Mohangandhi was a student of the first batch of Thevaram class and was praised for his untiring efforts to promote it for 25 years.

Since 1992, the Tamil Isai Sangam, functioning at the Raja Muthiah Mandram, has been conducting free music class on Thevaram on its premises and more than 2,000 people have studied there so far.

Sundararaman said that learning of Thirumurai (Shaiva literary works, twelve in number) will help one in many ways. “Thirumurai will uplift humans. It will change the thinking of chicanery and will help one to attain self-realisation. People belonging to Nagarathaar clan have contributed much to spreading Tamil Isai. The Tamil Isai Sangam needs to do research in Pannisai,” Sundararaman said.

Former Income Tax commissioner of Madurai S Sankaralingam who presided over the function said “One who wishes to see progress in life needs to learn Thevaram and read Thirumurai.” Trustee Thu. Meikandaan said “Thevaram music will help better functioning of brain.” Tamil Isai Sangam secretary P R Chockalingam and treasurer R M Somasundaram offered felicitations. V S Janaranjani welcomed the gathering. A G Sankar proposed a vote of thanks. A women’s troupe also sang Thevaram at the function.

source: http://www.timesofindia.indiatimes.com / The Times of India / News> City News> Madurai News / TNN / December 26th, 2017